Watched this last night. I didn't originally understand the text on the different scenes. It wasn't clear to me or several people around me that he's trying to piece 3 different stories together using 2 different timelines. I was like.. WTF is he trying to mean by putting 1 hr, 1 day, etc on each scene? Not clear at all.
I was hoping they would focus more on why dunkirk was the town everyone was in which they kind of did with the leaflets, but wanted more story around that.
Good movie in all, but not as good as Fury.
That was what I meant by him hinting at his use of time bending with the 1hr, day, week text at the beginning.
holy shit, 70mm IMAX tix are $26 each!!!
This movie didnt do it for me. Id give it a 6/10 maybe. Nothing special. Jumped around in time a lot which was unnecessary for this kind of movie. No real feeling of danger from Germany.
No way they saved 300-400k men with 20-30 small boats.
about this. Well, blame Hitler then. He's the "idiot" that decided not to press the advantage when the Germans very easily could have eradicated the entire British and French military, but he decided not to. At the very least, you should be happy that Nolan didn't give an overly false narrative to inject action at the expense of history. That being said, Nolan captured the unknown terror very well, here. You don't see the enemy, and these soldiers barely see them, but it is very well known that they are there and there is very little defense that these guys trapped on the beach can muster. Only in hindsight do we know that this was one of Hitler's greatest blunders, but no one on that beach would have known that then. Jaws worked well because we didn't really see the shark until the third act, and it got what...2 minutes of screen time overall?
I agree with this. I thought he didn't bring out the true scale of the operation which was much, much, much larger than what was portrayed here. I don't know if he had some grand desire to avoid digital at all costs, but the scope of the operation as portrayed here suffered in the light of this decision. I was actually thoroughly disappointed when the boats showed up and it looked like they simply ran out of budget to shoot it properly...which is probably not possible with a current day Nolan flick.
Interestingly, it was one of Hitler's generals who stopped the advance. He felt that his flank was already exposed and some of the terrain around Dunkirk is marshy and not tank-friendly. Hitler was familiar with this area, (from WW1) and agreed with the decision. I guess he thought Goering would actually come through and finish off the BEF+ the remains of the French 1st army but the RAF showed up and made that task very difficult. Hitler also thought that even though many had escaped, they would never set foot on continental Europe again.
about this. Well, blame Hitler then. He's the "idiot" that decided not to press the advantage when the Germans very easily could have eradicated the entire British and French military, but he decided not to. At the very least, you should be happy that Nolan didn't give an overly false narrative to inject action at the expense of history. That being said, Nolan captured the unknown terror very well, here. You don't see the enemy, and these soldiers barely see them, but it is very well known that they are there and there is very little defense that these guys trapped on the beach can muster. Only in hindsight do we know that this was one of Hitler's greatest blunders, but no one on that beach would have known that then. Jaws worked well because we didn't really see the shark until the third act, and it got what...2 minutes of screen time overall?
I agree with this. I thought he didn't bring out the true scale of the operation which was much, much, much larger than what was portrayed here. I don't know if he had some grand desire to avoid digital at all costs, but the scope of the operation as portrayed here suffered in the light of this decision. I was actually thoroughly disappointed when the boats showed up and it looked like they simply ran out of budget to shoot it properly...which is probably not possible with a current day Nolan flick.
I think it just made the movie not tense because the viewer didnt get the sense of real danger from German forces. Nothing in this movie was tense for me. I too was expecting a huge panoramic view of hundreds if not thousands of small boats coming to the rescue. Which would have been a cool visual. But instead we got maybe 30 at best. Just didnt feel epic of grand. Overall to me this movie was a let down for me from all the hype. I expected it to be great and it was just meh. But that is just my opinion. We all have our own.
I agree with this. I thought he didn't bring out the true scale of the operation which was much, much, much larger than what was portrayed here. I don't know if he had some grand desire to avoid digital at all costs, but the scope of the operation as portrayed here suffered in the light of this decision. I was actually thoroughly disappointed when the boats showed up and it looked like they simply ran out of budget to shoot it properly...which is probably not possible with a current day Nolan flick.
I haven't read about the actual battle in some time, but I recall part of the reason being that even though the panzer forces ran over most of the French defense, once they did a substantial portion of the mechanized force was in need of refit (it was mostly PZ-2 and PZ-3 at this time).
This was my one complaint about the movie - the scale of the evacuation was never presented fully. 350K plus men is A LOT of people. I can't imagine there was a scene where they showed even 10K men on the beach. Let alone all the equipment they had with them, It was just too sparse and too minimal. Obviously, in turn the same goes for the number of rescue boats. Google actual pictures from the evacuation pre/post and nothing like that really shows up in the movie,
![]()
I'd take 30 real boats over 1000 cg boats. And the story was told from the point of view of 3 men, with the exception of the pilot none of them would really have the vantage point to see thousands of boats at the same time. And it seemed to be cloudy/foggy most of the time which would limit visibility.
I liked how focused the story was on what was happening to a few characters simultaneously.
Absolutely my complaint... the small stories were okay at best and the scope was never remotely shown.
This pretty much. I don't really need to see a bunch of sweeping shots of 100K fake guys on a beach. Nolan stayed with practical effects to the utmost possible which is greatly appreciated for the purposes of this film.
The sense of tension and urgency focused on a fresh individual stories was very well done IMO.
saw it in 70mm IMAX last night, the aerial scenes are fucking awesome in that format. But really, more than the size of the giant screen, I'd say go to the theater with the best sound system you can find. Holy shit that sound is amazing.
On the 2nd viewing,
it appears that Cilian Murphy's character is in the first boat that saves the British kid from the destroyer that sank. Yes?
i'd be interested in seeing it in a dolby atmos theater, but the closest one is in dallas or houston.
On the 2nd viewing,
it appears that Cilian Murphy's character is in the first boat that saves the British kid from the destroyer that sank. Yes?