Did I say it did, or are you Bay haters making more assumpsions? I was giving examples. I did not say or insinuate that those were the only options - in fact, my whole point is that there are an infinite number of definitions to what is "good".
Again - you are fully missing the point. There can be technical aspects of his movies that you don't like - but that doesn't mean the millions of people that like his movies care about those things. Which is exactly the point I've been making, over and over again. A "good" movie is purely subjective, it fully depends on what factors you think matter. Maybe, to a lot of people, having a big, cool explosion is more important than having less panning.
It seems to be difficult for you to comprehend that people have different opinions, and no matter how many passive-aggressive shots you take, that isn't going to change, and you aren't going to convince the masses that the things you care about are more important. I'm sorry you have to live that way, it must be frustrating.
nah, dude, you're continuing to miss the point. Technically, he is absolutely a horrible director. Again, his fans don't have to know this--why would they? It's easy to assume that they know dick about making movies. He's sloppy through and through. He puts little attention into making a film cohesive, he seems to care very little about good editing. It's obvious that he doesn't need to, because he can keep force-feeding this crap to his fans and they'll eat it up. It's like Steve Jobs--love him or hate him, he's exploiting the masses with whatever angle it takes.
Technically speaking, good is very objective. The one thing that he succeeds in is that he finishes projects--which is certainly very important. (You can't really say the same about Terry Gilliam, who is a very talented, very skilled director.) That is one of the main jobs as a director. But making a movie "good" is entirely objective. Whether or not
one chooses to like a good movie or a bad movie is entirely subjective. This is when taste is involved.
It's not an issue of liking or disliking the fact that he is sloppy when it comes to patching his movies together--it's simply bad. period. It's a fucking fact.
You don't see these things because you either don't know how to see them or don't care to. That's fine. Who cares? If you don't care about poor continuity (simply--a character walking from the right to the left of the screen in the next shot must be coming from the right to the left again, or through a door; something like that).
Again, this is very important. Simple things like that are very, very rarely broken, even in some of the most avant garde film, continuity is rarely messed-with. In dumb action movies like this, you end up with a confusing mess when you have cars from all sides where they shouldn't be.
he does this ALL THE TIME. he simply doesn't care, b/c he knows a giant boom boom will suffice to cross the neurons in his fans heads long enough for them to assume that this is all badass.
Simply, he is a very bad director in all of the technical ways that you can assess one's talent and skills for making film.
The only subjective view is coming form the fan--do I like this shit or not?