- Jul 11, 2001
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Yes, as a partial answer (because I haven't finished reading your post yet here), the big challenge for me as a DJ is how to weave my show, each set, together for an effect that achieves a result that works, is a wakening experience, not putting people off. It's not at all easy for me because I'm very very eclectic. A number of our DJs are relatively predictable, they lean heavily to certain genres, sounds, and all they need to do to not have a sense of WTF in their sets is play another of their typical song/selections. I try not to be that at all. So, making my sets "work" is the challenge. I tend to pick out (mostly pull from our massive library, I don't usually bring music with me to the station) much more music than I can play on any particular show. It surrounds me in the studio, and I try to make selections (one at a time pretty much, but sometimes have several in mind simultaneously) that seem to me will work. Sometimes it's something like plain intuition, without having reason or even what I'd call "thought" involved.check out this edit a guy made of watermelons, it really is something: AAAnd it's gone. taken down by youtube. Shit.
anyway, my argument is that, it doesn't matter if you play zappa, what matters is which song you pick, and when you play it. You totally can play a zappa song inappropriately, just like you can play a britney spears song and make it epic. The point is that music programming should follow your stream of consciousness, *what* music you use to do so does not matter. Like, if you take me to a dark place, i'm happy to listen to The Man Who Sold The World, but i don't want it as an opening song. How does each song fit inside of the setlist. What purpose does it fill. These are the questions that you need to answer.
John Zorn is the one artist I always pull from our library prior to each of my shows. We have something like 50 of his CDs. However, Naked City is filed under "N." I have played them too, yeah, super wild ride that and I love wild rides! Zorn I pull and play because he's one of those artists whose work is reliably interesting. It's extremely varied, however. But Masada, you kind of know what you're gonna get, I've played Masada tracks on my shows dozens of times.but my really big revelation was Masada, the free jazz band led by John Zorn, of whom i recommedn the 10 original Masada studio albums, and Naked City (watch out, it's a wild ride), and Spillane.
You would still make a great DJ, clearly! Thanks!i don't think i have made my point sufficiently.
Ministry's The Mind Is A Terrible Thing To Taste is a great album. Tin Machine 1 is a great album. Tina Live In Europe is a great album. These 3 are really, really good and you CANNOT make a playlist out of their songs and expect it not to suck.
Listening to a song should generate in you a special feeling that will tell you what song should come next. In a song, the importance of a note is based on the notes that came before it - tthe same holds true for a setlist. Listen to a song until the end and you should instictively know which song needs to come after.
I know this sound like some "use the force" bullshit but i promise you it's all true.
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