But "pop" is something reserved for "exagerated".
I can only assume that you have some sort of prescription glasses that have a screen mesh on them to aid you in seeing things that way? There isn't enough 'pop' to overcome the display surface, forget anything over the top.
Colors are not supposed to be bright, they are supposed to be deep and true.
Well, I am not sure Pixar would agree that Cars was supposed to be a film noir project, and deep and true colors need MUCH better gradiation then any DLPs I have seen. They fall down in fine detail gradiation versus anything resembling a decent display. Sure, they are better then some PC TN displays, but that is saying very little. Yes, Cars is most certainly one of my top choices for testing out a display, weaker sets fall down trying to display the colors(Itallian Job, scene in the alps, good one for seeing uniformity- Iron Man night time flight scene for seeing how badly a set will crunch blacks).
Judging a TV in a store, where they all have the default settings, doesn't let you form an accurate opinion.
The specialty shop I checked does full THX calibration on all displays and sound systems in shop, all of their(very comfy

) recliners are set at optimal height and distance per THX certifications also(the higher end purchases, like the Pioneer Elite line they do in home delivery, setup and calibration gratis also). It isn't like I'm going into BB or CC and dealing with the drooling primates and their horrible spliced out feed of a terribly bad signal improperly hooked up with all sets in full torch mode.
But after calibration, and in a better environment and with a better source than one split out to 50 TV's, there is very little difference.
Actually from what I saw the difference is much larger the better the calibration.
There is certainly no "enormous" difference in PQ. If there was, we'd have read about it in the various publications. From what I've seen, they've been pretty much positive about the LED DLP sets.
I have seen them say they are OK at what they are supposed to be, never have I seen anyone put them in the league of having equal PQ to the other display technologies. If they truly were, why would anyone pay significantly more for a considerably smaller display?
What I don't like about LCD's is the "smearing" that you see when the camera pans, such as in sporting events. DLP's just kill the LCD's in this aspect, even the 120hz models.
Alas, this is when I see the rainbows come in, and it makes me sick(literally). It is much better now then it used to be, I only needed to glance at the earlier models and it gave me an instant headache. Not saying these type of issues only crop up on DLPs, Sony's current S, V and even Z series have a 'snowing' effect going that I find completely unacceptable also(XBR series doesn't exhibit at all however). Problem is, I have never seen a DLP where I don't notice the raindows, it's just a whole hell of a lot less of an issue now then it used to be.
Exactly. If you actually care about image fidelity, most of those points he made are basically worthless. If you want something that looks oh so colorful with extra (read: added) sharpness when you pop it into "vivid" mode, sure, go with an LCD.
Plasmas smoke LCDs in that aspect, possible exception being the XBR8.
People who care about seeing the source material in a way that is even vaguely true to it will still be considering DLPs.
Not likely. Calibrate them all to perfect standards and sit back and watch. I honestly don't understand how people could so much as imply that any DLP can come remotely close to a Kuros at accurately reproducing source material, it just blows my mind.
Again, if you're dialing up your brightness to torch, you've got serious problems (I say this as someone who usually puts his LCD's brightness WAY down).
Display I'm typing this on my brightness is at 0. gamma is 0.7. I don't like bright displays at all, I like accurate ones though. I'd honestly have this display set darker still if it weren't for the fact that any lower and the individual pixels don't emit enough light to remove the screen door effect(which is the problem DLPs have, even when they are horribly set to full torch mode).