Originally posted by: Pacfanweb
I'm not sure, either...just threw that out there because it seemed to make sense. But really: how long had that type of music been around when Mozart lived, vs. how long it's been around now.Originally posted by: ThePresence
I'm not sure about this argument. Music does not have defined borders.You also have to take into account that music was much newer then; If someone today makes something just as good as one of those, two, it wouldn't be as appreciated because it's already been done.
I understand that music in general has nearly always been around, but I'm pretty sure there was no symphony for Jesus to hear back then, was there?
Hotel California is a good song. Yes, it takes real talent to write that song.Originally posted by: James3shin
Music and the taste of the general public has changed. Due to this change, the idea of a "composer" in my opinion has changed. I'm going to go out on a limb and actually say that Kanye West is a great composer. He's continuously putting together tracks that are fresh, and appealing. Will his tracks stand the test of time like the 5th or Canon and so on? I honestly do not know. But I am certain that Reasonable Doubt by Jay-Z is a timeless album, as is Illmatic by Nas. Those two are timeless hip-hop albums. Look at Hotel California by the Eagles, that song is timeless. To conclude, there are plenty of great composers today, its just that the idea of a composer has been warped.
Originally posted by: cjgallen
Because nowadays, all the musical geniuses play guitar \m/
Originally posted by: Pacfanweb
Probably have to wait 100 years and see how today's composers are viewed by the folks of the future.
Were Amadeus and Beethoven as well though of when they were alive, or was it years after they died that their music was more popular? ......
Point taken, but if you had a way to send radio back to when Mozart was alive, you'd hear mostly symphony on the air.....because that's what was most popular.Originally posted by: ThePresence
Originally posted by: Pacfanweb
I'm not sure, either...just threw that out there because it seemed to make sense. But really: how long had that type of music been around when Mozart lived, vs. how long it's been around now.Originally posted by: ThePresence
I'm not sure about this argument. Music does not have defined borders.You also have to take into account that music was much newer then; If someone today makes something just as good as one of those, two, it wouldn't be as appreciated because it's already been done.
I understand that music in general has nearly always been around, but I'm pretty sure there was no symphony for Jesus to hear back then, was there?
No there probably wasn't, because music was more primitive then, it had not evolved into that kind of thing yet. Same way as there was no rock band for Mozart to hear. I understand all that. But just because comtemporary music today is not classical symphonies does not mean that we don't listen to great symphonies anymore, we still do. So just because it has evolved does not mean that the old, beautiful style is no longer relevant. It's not a 2 way street.![]()
Originally posted by: James3shin
I know the talent/genius required to write a symphony, do you know the talent/genius required to put together a great album with 12 tracks? Whether a song is written in "an hour or two" or over a decade, if the song is successful in portraying its "theme" or idea to the listener while being entertaining, then the composer/artist is successful, no? I just feel that the idea of a "great composer" has changed over time.
Originally posted by: James3shin
I think you agree with me to a certain extent Presence. When you said, "llustrates the difference in the genius of the composer. " Correct me, if I am wrong. You are saying that while the Eagles are geniuses in there own right, they are different from composers of the past such as Mozart, correct? I think that statement solidfies my statement that the idea of a "great composer" has changed over time. I apologize if I'm making too much of nothing or if I have twisted you words Presence.
I think you hit the nail right on the head.Originally posted by: DaveSimmons
The Mozarts of our time have little or no work to do -- even modern classical/"art music" doeesn't want them, the tastemakers want atonal dreck, "found music," performance art, other novelty sounds that will only ever be "enjoyed" by properly-indoctrinated music snobs who buy into the Emperor's new clothes.
Almost the only classical composers writing enjoyable music in the last few decades have been composers for film like John Williams.
I suspect a fair number of people with the raw potential now either never develop their talent, or end up in other fields like mathematics and software development.
Creating a program is in some ways like crafting a symphony, both involve a vast number of interrelated parts that must work together while following strict rules. Most of us are more Salieri than Mozart though![]()
Agreed.Originally posted by: ThePresence
I think you hit the nail right on the head.Originally posted by: DaveSimmons
The Mozarts of our time have little or no work to do -- even modern classical/"art music" doeesn't want them, the tastemakers want atonal dreck, "found music," performance art, other novelty sounds that will only ever be "enjoyed" by properly-indoctrinated music snobs who buy into the Emperor's new clothes.
Almost the only classical composers writing enjoyable music in the last few decades have been composers for film like John Williams.
I suspect a fair number of people with the raw potential now either never develop their talent, or end up in other fields like mathematics and software development.
Creating a program is in some ways like crafting a symphony, both involve a vast number of interrelated parts that must work together while following strict rules. Most of us are more Salieri than Mozart though![]()
Originally posted by: James3shin
hmm...how are we to compare the level of genius/talent that is needed to write a symphony or a album? It's subjective, no?
Right back at you -- and you're probably right about there being some good classical composers (as opposed to "critically acclaimed" which I consider a dubious honor these days) still working, they're just toiling in semi-obscurity. I've been too lazy to wade through atonal, performance art, etc. to try to find them.Originally posted by: oogabooga
I think John Williams is also pretty talented : but a lot of his pieces are re-arrangments of better known works. Star Wars borrows from The Planets by Gustav Holst (who also lived in the early 20th cent).
James Horner also does some nice arranging. It seems the movie genre kinda has it's vision for what an 'epic' score should sound like : so you dont see the big blockbusters attempt to transcend their genre (as much great music does).
Jon Brion who writes compositions for a lot of smaller films does some incredible work, mainly his ability to understand the film, and then write appropriately.
edit : while adding my 'second thought' about williamssomeone posted above me. :beer: to you davesimmons
Originally posted by: Excelsior
http://www.lucidcafe.com/library/95nov/copland.html
1966 Symphony n. 1
Composed in 1966, premiered by the Huston Symphony, under André Previn in October 21st, 1968.
The piece was taken out of Willliams list of compositions around 1971, after the European premiere (with Previn conducting the LSO).
Apparently, Bernard Herrman pointed out some flaws to Williams, and Williams felt that the work wasn't good enough to be played until he reworked it. He programed it in 1988 for a concert with the Houston SO, but at the last minute it was replaced for some film music.