Originally posted by: dderidex
Posted a link to this comparison on:
3dSoundSurge
and
HydrogenAudio forums.
Just for curiosity sake. Maybe we'll get some more first-time posters to add opinions, here, or lurkers who've not visited ATOT in a while.
Originally posted by: Kyteland
The problem with your poll is that you wanted to do the doubleblind thing on audiophiles. Most of the people voting here won't fit that bill. I know I sure don't. All your poll is going to prove is that your average computer user can't tell the difference. The "audiophile" result will just be lost in the mix.
You really need a way to restrict who is voting.
...Originally posted by: HonkeyDonk
Originally posted by: Kyteland
The problem with your poll is that you wanted to do the doubleblind thing on audiophiles. Most of the people voting here won't fit that bill. I know I sure don't. All your poll is going to prove is that your average computer user can't tell the difference. The "audiophile" result will just be lost in the mix.
You really need a way to restrict who is voting.
that's why audiophiles like yourself should make a post as well as vote so that we the OP can see what you guys got right or wrong.
I was thinking the exact same thing.Originally posted by: Gurck
...Originally posted by: HonkeyDonk
that's why audiophiles like yourself should make a post as well as vote so that we the OP can see what you guys got right or wrong.
Originally posted by: Kyteland
I was thinking the exact same thing.Originally posted by: Gurck
...Originally posted by: HonkeyDonk
that's why audiophiles like yourself should make a post as well as vote so that we the OP can see what you guys got right or wrong.
I listen to most of my music on $2 ear buds I picked up at Target.
Originally posted by: RaynorWolfcastle
So is anyone here brave enough to post their results yet?
I'd really like to see at least one person that can nail all four of them, that would be really impressive. To be perfectly honest, using my Sony EX71SL earphones, I can't tell the difference and I already know which clip belongs to what.
Assuming your hearing is good enough to hear above 17.5 KHz or so. (I've already played with pure sine waves and I can't hear much of anything above about 16 KHzOriginally posted by: nourdmrolNMT1
im going through right now, but one of the songs that ive heard that can make a difference is Pink Floyds: Shine on you crazy diamonds. the highs in it are off on MP3'.
MIKE
Originally posted by: RaynorWolfcastle
Assuming your hearing is good enough to hear above 17.5 KHz or so. (I've already played with pure sine waves and I can't hear much of anything above about 16 KHzOriginally posted by: nourdmrolNMT1
im going through right now, but one of the songs that ive heard that can make a difference is Pink Floyds: Shine on you crazy diamonds. the highs in it are off on MP3'.
MIKE
Originally posted by: RaynorWolfcastle
So is anyone here brave enough to post their results yet?
I'd really like to see at least one person that can nail all four of them, that would be really impressive. To be perfectly honest, using my Sony EX71SL earphones, I can't tell the difference and I already know which clip belongs to what.
edit: If no one can tell the difference consistently, that is, make a post with all four correct choices. I think I might make another poll later on with different levels of lossy compression to see where people can start telling them apart.
So I'd have something like AAC from 64kbit to 320 kbit of a couple of tracks to see whether people can differentiate those. This should be quite doable at low bitrates, but I'm very interested to see how well people differentiate 192kbps+ AAC files from the original.
Originally posted by: Dubb
Originally posted by: RaynorWolfcastle
So is anyone here brave enough to post their results yet?
I'd really like to see at least one person that can nail all four of them, that would be really impressive. To be perfectly honest, using my Sony EX71SL earphones, I can't tell the difference and I already know which clip belongs to what.
edit: If no one can tell the difference consistently, that is, make a post with all four correct choices. I think I might make another poll later on with different levels of lossy compression to see where people can start telling them apart.
So I'd have something like AAC from 64kbit to 320 kbit of a couple of tracks to see whether people can differentiate those. This should be quite doable at low bitrates, but I'm very interested to see how well people differentiate 192kbps+ AAC files from the original.
Like I said in the other thread, I don't think the Biggie, and maybe the talent & wagner (depending) are recorded well enough to tell the difference at 320. I've only DL'ed the gabriel so far, and I think I've got that, but I'm going to give it a second round in a bit, just to be sure.
I'll post a best guess for all four, but I may have to do a fair bit of guessing in some places. I'd be highly surprised if somebody using even the best system could nail all four, just due to the sources.
Sorry bud, no results until tomorrow, no exceptions.Originally posted by: nourdmrolNMT1
so far im going with 3 on the first set. ive listened to all of those except four.
and right now im going with 1 on the 2nd set. but they are very close. its hard trying to listen to only specific spots. i dont believe its 2 at all something with the cymbals sounds off.
pm me with those.
MIKE
Originally posted by: RaynorWolfcastle
Sorry bud, no results until tomorrow, no exceptions.Originally posted by: nourdmrolNMT1
so far im going with 3 on the first set. ive listened to all of those except four.
and right now im going with 1 on the 2nd set. but they are very close. its hard trying to listen to only specific spots. i dont believe its 2 at all something with the cymbals sounds off.
pm me with those.
MIKE
You can change it all you want until I post the resultsOriginally posted by: nourdmrolNMT1
sh1t i voted wrong on the second one.
MIKE
Originally posted by: nourdmrolNMT1
Originally posted by: Dubb
Originally posted by: RaynorWolfcastle
So is anyone here brave enough to post their results yet?
I'd really like to see at least one person that can nail all four of them, that would be really impressive. To be perfectly honest, using my Sony EX71SL earphones, I can't tell the difference and I already know which clip belongs to what.
edit: If no one can tell the difference consistently, that is, make a post with all four correct choices. I think I might make another poll later on with different levels of lossy compression to see where people can start telling them apart.
So I'd have something like AAC from 64kbit to 320 kbit of a couple of tracks to see whether people can differentiate those. This should be quite doable at low bitrates, but I'm very interested to see how well people differentiate 192kbps+ AAC files from the original.
Like I said in the other thread, I don't think the Biggie, and maybe the talent & wagner (depending) are recorded well enough to tell the difference at 320. I've only DL'ed the gabriel so far, and I think I've got that, but I'm going to give it a second round in a bit, just to be sure.
I'll post a best guess for all four, but I may have to do a fair bit of guessing in some places. I'd be highly surprised if somebody using even the best system could nail all four, just due to the sources.
thats one of the things is that you have to figure out what bitrate they were originally recorded at. but im not using my headphones right now, only the speakers w/ a crossover that was ment for off-axis listening not straight on. and a marantz 1120.
MIKE
Except that you should still be able to hear any compression artifacts regardless of source since you actually have the sourceOriginally posted by: Dubb
you read that wrong.
I'm saying the ORIGINAL CDs were not recorded well enough for a good compressor to make a noticable difference. anything mastered for radio = not good. alot of classical cds are pretty piss poor transfers of old tapes. so it's crap in, crap out by the time it gets to the compressor.
Originally posted by: RaynorWolfcastle
Except that you should still be able to hear any compression artifacts regardless of source since you actually have the sourceOriginally posted by: Dubb
you read that wrong.
I'm saying the ORIGINAL CDs were not recorded well enough for a good compressor to make a noticable difference. anything mastered for radio = not good. alot of classical cds are pretty piss poor transfers of old tapes. so it's crap in, crap out by the time it gets to the compressor.![]()
Originally posted by: Kyteland
The problem with your poll is that you wanted to do the doubleblind thing on audiophiles. Most of the people voting here won't fit that bill. I know I sure don't. All your poll is going to prove is that your average computer user can't tell the difference. The "audiophile" result will just be lost in the mix.
You really need a way to restrict who is voting.
