I was a child of the 60s. Does that date me? I sure hope so. Jealous? You should be.
STAR TREK
If it wasn't for Lucille Ball and Desilu studios, there would be no Star Trek. And likely no Star Wars much later, too. She saw something in Gene's vision that no other studio could. She saw the future.
NBC showed tepid interest in a space type western like a Gunsmoke in space, so Gene eagerly sold them on this idea. But Gene really had other ideas.
Just think about the majority of sci-fi movies and TV series made before Star Trek. Except for the few stellar examples like Forbidden Planet, War of the Worlds, The Day the Earth Stood Still or even The Time Machine, most sci-fi movies were absolutely idiotic. Which is why Mystery Science Theater was so hugely successful.
Unfortunately, Lost in Space even as a youth just didn't click for me, at all. Neither did Land of the Giants. Or Voyage to the Bottom of the Sea. Sorry Irwin Allen. Does not compute. But Time Tunnel did have its moments. Yet among all this sci-fi drivel there was one shining star on NBC, Star Trek.
On Star Trek the writing was amazing. The casting, actors, sets, costumes, special effects and makeup was astounding. But Gene's biggest weakness seemed a bit of a flair for the over the top melodramatic acting. He really seemed to encourage the actors to just push the acting as far as the scripts would allow, completely unrestrained.
This over acted directing style really showed in The Menagerie. Thankfully he toned it down a lot, when the completed series was finally aired. But many times, you would still see him allowing the guest stars and lead roles just hamming it up as much as they could, like Kirk at times. Why did he do this? Higher ratings, of course.
For a contrast, just look at the constrained acting styles on Lost In Space. Major West was about the only bright spot on that series, besides the over the top neurotic Dr. Smith. And they happened to play antagonists against each other. What would the show have been without them? Canceled the first season? Mom, Dad, Judy, the robot even usually Will, were just completely barren of emotion and utterly forgettable. Flipper could have taught these guys a thing or 2 about acting. Even the guest stars on the show acted like they were trying to downplay their acting skills and not be noticed too much, even when they were the evil villains out to kill the Robinsons.
If you can get around the fact that the actors on Star Trek were trying to individually stand out like in Shakespeare rather than merely blend into the scenery like a Lost in Space vegetable garden, you will enjoy it a whole lot more.
THE NEXT GENERATION
Then, when The Next Generation came out, Gene somewhat returned to this over the top acting and directing style. Sort of like the new kid in school trying to be liked by everyone. He didn't want to be canceled after several seasons again. Would you? But after some initial episodes when he felt more secure, you will notice the actors get more subdued and laid back. Especially after the third season when he finally gave up directing and producing altogether due to health reasons.
And this really has less to do with the scripts, and more to do with the proper directing of the actors. But the more secure and mechanical the actors became through the years the farther away it was from the original Star Trek style. And the closer it got to a Lost in Space style of acting. Which is why TNG at the end of the series couldn't bring the ratings in like it did initially.
DEEP SPACE NINE
Then came along the zombie bastard step child Deep Space Nine. What a horrendous attempt to overcompensate for the perceived failings of TNG by the studio. Let's make a soap opera in space! And rather than have any real action going on most of the time (expensive CGI) let's have episode after episode of plodding mind numbing character development stuck in one place (cheaper sets) about characters no one really gives a crap about, anyhow!
And when that don't work (low ratings alert!) we can take old TNG characters who need a job, and bring them over to help anchor the tedious, boring and convoluted plot developments! Needless to say it was mercifully canceled before it killed off the Star Trek franchise permanently.
VOYAGER
Then when Voyager came out, they took the opposite approach of DS9, once again trying to fix the presumed mistakes with the first 3 Star Trek series. Instead of one broken down space station that hardly works right and never does anything, let's warp a cutting edge ship clear across space and make a whole new set of aliens and problems to bring people back to Star Trek.
But just don't forget the Borg, because fans love the Borg. And then let's put a sexy Borg in a skin tight suit with big Borg knockers, for the ratings win! Which in this series worked well with this premise, actually. It gave the writers virtually unlimited fodder for their imaginations to run wild. And they did. And you better not leave Q out.
The only reason Voyager really died, was the special effects budget killed it, more than the mediocre ratings did. And bad sitcoms were a whole lot cheaper to make, for the same mediocre ratings. Never mind the demographic watching Moesha and other brain dead mush was entirely different. Sci-fi fans fled to other channels like the Sci-fi channel in a mass exodus (duh).
ENTERPRISE
Then we come full circle back around to Enterprise, a prequel to Star Trek. OMG, we can already tell how many ways this is going to fail, just on the premise alone. The studio cut the budget substantially in a effort to reign in costs on Voyager. And since Enterprise took place before Star Trek, they could now go light shopping at Home Depot for Enterprise set lights. Hurray!
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But this series did have some good actors in it, in spite of strained budgets, and it was filmed in wide screen, and even in HDTV and digital in the final seasons. Some of the story arcs were actually interesting, and the writing overall was as solid as Voyager, thankfully. But it just did not look like the prequel to Star Trek, and it was hard to get around that fact, at least for myself.
And the theme song on Enterprise STUNK. How anyone could like that annoying mess of a song is just beyond me. I think the video is great for it, but the Bon Jovi style throat cancer vocals just make me ill.
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So that sums up my Star Trek series companion. :sun:
Now the Star Trek movies are a whole different antimatter. I might follow that up later. But the original series helped spawn it all, and motivated studios to finance huge sci-fi gambles like 2001, Star Wars, Aliens and Dune, to name just a few.