To be fair, I am a huge Jodorowsky fan, and don't really care about Dune. it would have been interesting to see just for the bizarreness of it all. The main draw is the surrealism and lunacy
... while in a way i agree with you, i also want to know why crazy film director 1 gets a pass at treating Dune liberally as nothing more than artistic inspiration, yet crazy film director 2 gets trashed for, you know, being pretty fucking damn faithful to the book, while allowing for a few necessary concessions needed for the restrictions of the medium.
I mean, the title of this thread is "how can you fuck up worse than Lynch". In the years past i could appreciate that D1 doesnt spoonfeed you so it was ok if some people didnt understand the plot, but what exactly is it that Lynch did so badly? The weirding modules?
Because that is filmwriting 101 and visually the modules are far better than trying to show a melee' of people in shields using
the voice to win battles. Paul teleporting the water of Caladan on Arrakis is a simpler resolution than explaining the Fremen water qanats and how they plan to break the ecology of Arrakis by poisoning the worms.
There are multiple issues with the criticism of Lynch's Dune, the biggest ones being:
1. everyone reads a book differently; and
2. people think Herbert was a genius of the same calibre of Tolkien.
i sure do not want Sardaukar troops fighting in parade uniforms, or wing-flapping orni - this was already stupid in the books. Herbert's book is a "nice" scifi story with plenty of plot holes, instances of poor writing, mediocre plot decisions, but it has a pretty good background idea so it works well enough as a film. Pretty much ALL fiction breaks under scrutiny if you just so slightly deviate from reality, and it's never the point of any fantastic story to try to be realistic. Short of LOTR or 2001 you're not gonna find many works that hold up to "why did they not do this?", and, most authors dont even care, they just want the story to read well on the first pass.
You know, book Paul is 15yo at the start of Dune, and barely 18 by the end. Alia is 3 years old, lol, when she faces the emperor. Both have dialogue better suited to a 25yo and a 12yo respectively because Herbert WAS NOT TRYING TO WRITE A FILM. It's fantasy and meant to be absurd, not realistic.
And, finally, D2 is the same.exact.film, just worse visually, worse in acting and in everything else, but it's essentially identical. So again im confused as to how Villeneuve "fucked up even worse".