Educate me on starter DSLRs

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Paladin3

Diamond Member
Mar 5, 2004
4,933
878
126
I'm going to weigh in on the sports shooting aspect of this debate. I've probably shot more baseball than any other sport over the years. Everything from little league to MLB (Go Dodgers!). I used to shoot our local single A team at least twice a week during the baseball season.

Focal length of lens: 200mm on a 1.5x or 1.6x crop body is plenty for covering the infield of a little league or softball game. 250mm or 300mm would be a better and let you reach out into the outfield some. Remember to shoot tight and don't give into the temptation to zoom out wider than necessary because you are afraid some of the action will be out of frame. Don't sit in the stands, find someplace at the end of the dugout where they will let your shoot, or get right up and put your lens against the fence if you have to. Take any lens hood off and make sure you have a front filter to protect your lens, but right up against the fence.

My daylight high school or little league baseball lens was a 300/f4 on a 35mm camera. For night sports I used a 300/2.8 or 400/2.8. I used a second camera with a 135/2 or 180/2.8 for shooting the bases closest to me, but you've got a handy zoom and don't need a second shorter lens.

MLB requires at least a 400/2.8 since you are often farther back from the field. On a 1.5x crop body you could get away with a 300/2.8, but a 400/2.8 (35mm equivalent of a 600/2.8) would be damn sweet.

Auto Focus: An AF system fast enough for sports will often require that you buy fast f/2.8 professional lenses and a pro camera. You can get away with slightly slower AF on baseball because you can often prefocus on the bases and just wait for the action to arrive. Either way, unless you invest $$$ in pro equipment, it is best to learn to manual focus when you shoot sports.

Shooting sports with manual focus is not that hard, it just take a little bit of practice. I personally like to rock the focus ring back in forth and watch the focus pop in and out. Before you know it you will be doing it faster than your camera can AF. If you have to AF, put the camera on single AF point and practice setting the focus before the action arrives.

FPS: Nobody has mentioned yet how slow 3 fps really is when shooting sports. I never enjoyed shooting sports at anything less than 5 fps. In a pinch I've shot sports on a 35mm camera without a motor drive and made good shots. You just have to work on your timing. It's far easier to get good shots though if you have a fast camera and can make several shots of a single play. Out of the cameras the OP mentioned, I would want the 5100 for it's 4 fps.

Flash and sports: Never the best choice, but if you do end up using flash for sports you will want to use it as fill flash, not the main light for the image. Because of this you need a camera that syncs flash at least 1/250. 1/500 is MUCH better.

I've used flash on night football and indoor basketball and volleyball. I usually bounce the flash off of a wall behind me or a large bounce card. I often shot ISO 1600 or 3200 in dark gyms at 1/250 @ f2 or f2.8 and then bounced a flash off of a wall/ceiling to fill in faces. Expect some blur when you use flash, since anything less than about 1/500 will blur in an action photo.

The other alternative is to shoot a powerful flash at a lower ISO like 400 or 800, and overpower whatever available light there is. Yes, if you are close enough and have a powerful enough strobe you will stop the action with that huge blast of light. You will also be making terrible, washed out images with black backgrounds. And you will probably blind the players and be asked to stop pretty quickly.

To sum up: If I was the OP, and didn't have to shoot any night games, I would go with the camera with the fastest FPS and the cheaper kit zoom lens like the 55-200. It is long enough if you don't try to shoot from the stands. Learn to manual focus if the AF isn't fast enough for you.

For baseball on a small little league field, your timing and ability to predict where the action will be is far more important than having expensive equipment.
 
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AkumaX

Lifer
Apr 20, 2000
12,648
4
81
This seems like an INCREDIBLY cheap deal:

http://www.amazon.com/Canon-EOS-T2i...8G/ref=sr_1_14?ie=UTF8&qid=1328641026&sr=8-14


I know the "extras" are pretty much the cheapest Chinese crap you can buy, but for starters it can't hurt.

How are the lenses in this kit? I mean know they aren't the best, but apparently are at least Canon branded...

Standard 18-55mm IS to help you get started, great quality especially past f8. However...
... I would never EVER recommend the 75-300mm no matter what the price. With something that long, but NO IS?!

The 55-250mm IS is MUCH more preferable, and street value is considerably less than when it came out. If you could spring for it, the 70-300mm IS is also a decent lens.

Don't forget about the 50mm f/1.8. You learn the most about photography with this lens, about aperture, etc... You use this lens to learn about how you shoot, and exactly what you want your next "real" lens to be!
 

CuriousMike

Diamond Member
Feb 22, 2001
3,044
544
136
I would not recommend buying one of those package deals with a crap tripod and crap case. You're throwing money away on most of those extras; focus on buying the body and the lens(es) you want.

Obviously, buying a 70-200 f2.8 lens (or even an F4 equivalent) would be fantastic - are you looking to spend $1000-$2000 on a single lens?

Speaking to the Nikon deal:
The Sigma 70-300 is a questionable choice; the Tamron 70-300 is a much better choice, followed by the Nikon 55-300 or the Nikon 55-200.
 

Paladin3

Diamond Member
Mar 5, 2004
4,933
878
126
Standard 18-55mm IS to help you get started, great quality especially past f8. However...
... I would never EVER recommend the 75-300mm no matter what the price. With something that long, but NO IS?!

The 55-250mm IS is MUCH more preferable, and street value is considerably less than when it came out. If you could spring for it, the 70-300mm IS is also a decent lens.

Don't forget about the 50mm f/1.8. You learn the most about photography with this lens, about aperture, etc... You use this lens to learn about how you shoot, and exactly what you want your next "real" lens to be!

Optical quality aside, lack of image stabilization isn't a reason to avoid a lens unless you are shooting still subjects. IS is useless on anything that moves, like people or sports.
 

twistedlogic

Senior member
Feb 4, 2008
606
0
0
Expect some blur when you use flash, since anything less than about 1/500 will blur in an action photo.

Shutter speed has no effect on flash, it is for ambient light only. The duration of the flash is what freezes motion, with a speedlight the lower the power setting, the shorter the duration of the flash and the ability to freeze motion.

IS is useless on anything that moves, like people or sports.

+1

I rarely shoot anything that is not moving or breathing.
 

Throckmorton

Lifer
Aug 23, 2007
16,829
3
0
Optical quality aside, lack of image stabilization isn't a reason to avoid a lens unless you are shooting still subjects. IS is useless on anything that moves, like people or sports.

It's not useless. It still lessens the blurring from camera movements.
 

Homerboy

Lifer
Mar 1, 2000
30,890
5,001
126
I think you would be happy with this deal. I have the 70-300 and it is nice, but they say the 250 gets better image quality.

It is tempting.
I have to admit as well I am still tempted by the cheap package I listed earlier for the T2i (I seem to be leaning towards the T2i more based on "total purchase price" more than anything admittedly). I know some comments have been made on the 300mm lens not being IS, but as other have pointed out/suggested does that really matter THAT MUCH when snapping moving object. I know too the accessories are all likely pure crap, but I've purchased a pack like this with Point and Shoots, and while it is crap, having that emergency battery or SD card in the bottom of your bag is a nice safety net...

.... arggh decisions...
 

twistedlogic

Senior member
Feb 4, 2008
606
0
0
The package deals you have linked are running upwards of $1100.

I see used T1is running $350 on fredmiranda, that would leave you $750 for glass and other accessories.

I know some comments have been made on the 300mm lens not being IS, but as other have pointed out/suggested does that really matter THAT MUCH when snapping moving object.

IS is actually non-beneficial when reaching shutter speeds above 1/500, which is a must to begin to stop faster action like the pitcher's arm or the swing of the bat.

The only way to get faster SS is to raise ISO (adding noise) or a larger aperture lens. A 200mm 2.8 lens will gather 8 times more light than a 200mm 5.6 lens, resulting in 8 X the shutter speed.

http://www.dxomark.com/index.php/Ca...brand)/Canon/(appareil2)/586|0/(brand2)/Canon
 

Throckmorton

Lifer
Aug 23, 2007
16,829
3
0
That is pretty cheap.
I'm not familiar with compatibility though... would that work on a Nikon/Canon?

If so are you suggestion a Nikon/Canon 35-55 Kit and then add this Sony 55-300 for telephoto?

No, it's for Sony A-mount cameras. My point is that lenses for Sony cameras seem pretty cheap. The main reason I guess is they don't need IS built into the lens. You can also use old Minolta AF mount lenses which I think are even cheaper.
 

Paladin3

Diamond Member
Mar 5, 2004
4,933
878
126
Shutter speed has no effect on flash, it is for ambient light only. The duration of the flash is what freezes motion, with a speedlight the lower the power setting, the shorter the duration of the flash and the ability to freeze motion.

Yup, you are correct. Flashes go off mighty fast and will freeze sports action if you are shooting far enough above the ambient light. Then you end up with a harshly lit subject in a dark room. Is that the kind of photo anyone wants to make? I'd rather see some surroundings myself.

Just like when we shoot portraits, we don't toss out the ambient light just because we are using a flash. We mix the two and/or bounce our light around and try to simulate multiple light sources. All of this is easier to do with a camera that syncs flash at a faster shutter speed.

basketball.jpg

I shot this at ISO 3200, 1/250 @ f/2. With just the available lights I get dark faces, so I pointed my flash at a wall and ceiling to the right of the frame. It filled in and gave me detail in the faces, while the available light gave me the detail in the background. If my camera didn't sync at 1/250 (1/500 would have been better) then the shot would have been blurred.

Flash? I would think distracting players alone would be reason not to use a flash.

Sometimes it is, especially if you are trying to blast enough direct strobe to shoot ISO 800 at 5.6 or something ridiculous like that. A gentle kiss of strobe bounced off a wall or ceiling to fill in a photo shot at ISO 3200 @ 2.8 is much less obtrusive.

Many pro indoor sports arenas are lit by the bigger papers and sports magazines with multiple strobe heads in the rafters. Again, you stop seeing it after a while when you are just filling in a bit and not blasting the entire arena to f/8 @ ISO 100.

It's not useless. It still lessens the blurring from camera movements.

You are technically correct, but if the subject is moving then you are normally shooting at a shutter speed high enough to both stop the action and prevent camera shake. I don't dislike IS, I just don't think it's as important as many photographers think, unless you are shooting still subjects. Someone who wants to shoot mainly family and sports photos doesn't necessarily need IS.
 

elitejp

Golden Member
Jan 2, 2010
1,080
20
81
I think in order for you to get better help it would be necessary for you to give everyone a ballpark figure of what you want to spend.
 
Feb 10, 2000
30,029
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No, it's for Sony A-mount cameras. My point is that lenses for Sony cameras seem pretty cheap. The main reason I guess is they don't need IS built into the lens. You can also use old Minolta AF mount lenses which I think are even cheaper.

I actually bought an A580 largely for the ability to use old Minolta AF lenses. There are some very fine Minolta AF lenses from the 80s and 90s that are inexpensive on the used market. I ended up going with an A580 over the A65 and A77 because I prefer the venerated 16MP sensor (also used on the Nikon D7000) over the 24MP on the newer cameras, an OVF over an EVF (though in fairness the OVF on the A580 is nothing special), and a non-translucent mirror for low-light use.
 

Silenus

Senior member
Mar 11, 2008
358
1
81
For very fast action...yes you don't necessarily need IS/VR/OS ect. However...with longer focal length telephotos it is still pretty easy to get in between shutter speeds that are fast enough to stop mild motion...but slow enough to worry about camera/hand shake. For example 1/200 may be fast enough to freeze someone walking, but still too slow to make 200mm on DX reliable sharp from camera movement. The point really is that that there is simply no reason to AVOID IS/VR. All the decent consumer telephotos have it now at reasonable prices, and there is always an off switch! You will find times it is useful, guaranteed. Better have it and not need it.

For Nikon definitely go with one of the Nikon lenses. There are 5 possible options for DX cameras, all of them good:
1) AF-S DX 55-200mm VR. Least expensive and a good lens. $250
2) AF-S DX 55-300mm VR. As good as lens 1 in it's range, but goes to 300mm, more expensive at $400.
3) AF-S VR 70-300mm VR. Even better than first two optically. More expensive still, but fantastic for the money. Also FX compatible. $590
4) AF-S 70-200/f2.8 VR. The best. You gain wide aperture for better low light performance, better isolation through less DoF, very fast focus. Big and heavy compared to others. Now discontinued, though deals on USED can get you one in the $1400-$1500 range.
5) AF-S 70-200/f.8 VRII. The best of the best! Very similar to 4 on DX cameras so probably not worth it. Better than 4 for FX cameras. $2400, used possibly around $2000.
 

you2

Diamond Member
Apr 2, 2002
6,919
1,982
136
It is a very good deal for the price; but not suitable for action sports if that is the op intentions.
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Also the camera has no viewfinder (you frame using the back lcd). I'm not saying this is good or bad but pointing out the feature set so the op is aware.
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I forget if this camera takes the optional evf; vaguely I think there was a circuit change and only the newer camera takes the newer evf but you will have to check into the details if that is a concern.



Just to throw some monkeys and wrenches into the mix and to generate controversy..

Have you thought about something like micro 4/3 ? This is probably a good deal if you want to check that option out.

http://www.costco.com/Browse/Produc...gName:BC&Ns=P_Price|1||P_SignDesc1&lang=en-US
 

Tom

Lifer
Oct 9, 1999
13,293
1
76
Yes the e-pl1 can use the EVF.

Mostly wanted to add though that I just noticed Costco also is selling the Canon T2i 2 lens bundle for $10 more than the one through Amazon, but it includes an 8gb class 10 sd card, a Canon Rebel carrying bag, and an hdmi cable.

I'm not even a member of Costco but thought I'd mention it since I know some people like to buy electronics there.
 

Homerboy

Lifer
Mar 1, 2000
30,890
5,001
126
I considered 4/3 at a time. But then I looked into them more and decided they weren't for me. The lack of a view finder just kills them for me.