And electrostatics are the most accurate there are, everybody knows this.
ES is smooth (and at the risk of sounding a bit audiphilish) and quick but they don't have the punch to deliver the brazen crescendo of a well recorded live performance at first row. Either the amplifier runs out of steam or the mylar snaps. Both very horrible sounding.
Paul Klipsch had it right back in the 50's. The mathematics don't lie. The same "problems" surrounding horn loaded drivers plague modern day systems. Many amplifiers have very high distortion at low levels. Horns in home systems are frequently played at moderate levels and given their efficiency the amps are run in a range where distortion is revealed easily by the listener. The listener in turn blames the speakers (rightly so as speakers always produce more distortion than electronics - common thought but incorrect in this case!). Fortunately, newer designs are lower in distortion at near zero output.
It's amazing listening how loud a full horn speaker can get with a headphone amplifier!
Really good recordings played through these systems are stunning. Unprocessed snare hits will raise the hair on your neck just as they do with a drummer in the room! A trumpet has the sizzle even at live volume without sounding fatigued.
I don't really listen to my music loud but I expect the playback system to deliver when there is a crash! Unfortunately most modern popular recordings are so overprocessed and compressed to make them louder they are fatiguing to listen to at anything louder than two. :thumbsdown: