Nigel Tufnel: The numbers all go to eleven. Look, right across the board, eleven, eleven, eleven and...
Marty DiBergi: Oh, I see. And most amps go up to ten?
Nigel Tufnel: Exactly.
Marty DiBergi: Does that mean it's louder? Is it any louder?
Nigel Tufnel: Well, it's one louder, isn't it? It's not ten. You see, most blokes, you know, will be playing at ten. You're on ten here, all the way up, all the way up, all the way up, you're on ten on your guitar. Where can you go from there? Where?
Marty DiBergi: I don't know.
Nigel Tufnel: Nowhere. Exactly. What we do is, if we need that extra push over the cliff, you know what we do?
Marty DiBergi: Put it up to eleven.
Nigel Tufnel: Eleven. Exactly. One louder.
Marty DiBergi: Why don't you just make ten louder and make ten be the top number and make that a little louder?
Nigel Tufnel: [Pause] These go to eleven.
Originally posted by: Joemonkey
"0 dB is defined as the THRESHOLD OF HEARING, and it is with reference to this internationally agreed upon quantity that decibel measurements are made. In some situations, such as tape recording, a given intensity level is assigned 0 dB, and other levels are measured in negative decibels in comparison to it. "
From here
ain't google grand?
Originally posted by: dman
Nigel Tufnel: The numbers all go to eleven. Look, right across the board, eleven, eleven, eleven and...
Marty DiBergi: Oh, I see. And most amps go up to ten?
Nigel Tufnel: Exactly.
Marty DiBergi: Does that mean it's louder? Is it any louder?
Nigel Tufnel: Well, it's one louder, isn't it? It's not ten. You see, most blokes, you know, will be playing at ten. You're on ten here, all the way up, all the way up, all the way up, you're on ten on your guitar. Where can you go from there? Where?
Marty DiBergi: I don't know.
Nigel Tufnel: Nowhere. Exactly. What we do is, if we need that extra push over the cliff, you know what we do?
Marty DiBergi: Put it up to eleven.
Nigel Tufnel: Eleven. Exactly. One louder.
Marty DiBergi: Why don't you just make ten louder and make ten be the top number and make that a little louder?
Nigel Tufnel: [Pause] These go to eleven.
Originally posted by: dpopiz
yeah, so I'm just wondering what the reason is for assigning a certain level to be 0
Originally posted by: Trygve
Why is 0 degrees (F or C) 0 degrees? (That's a rhetorical question; I know the history.) Every unit of measurement is based on some arbitrary standard, except for natural constants like the speed of light or Planck's constant.
Originally posted by: CptObvious
Originally posted by: dman
Nigel Tufnel: The numbers all go to eleven. Look, right across the board, eleven, eleven, eleven and...
Marty DiBergi: Oh, I see. And most amps go up to ten?
Nigel Tufnel: Exactly.
Marty DiBergi: Does that mean it's louder? Is it any louder?
Nigel Tufnel: Well, it's one louder, isn't it? It's not ten. You see, most blokes, you know, will be playing at ten. You're on ten here, all the way up, all the way up, all the way up, you're on ten on your guitar. Where can you go from there? Where?
Marty DiBergi: I don't know.
Nigel Tufnel: Nowhere. Exactly. What we do is, if we need that extra push over the cliff, you know what we do?
Marty DiBergi: Put it up to eleven.
Nigel Tufnel: Eleven. Exactly. One louder.
Marty DiBergi: Why don't you just make ten louder and make ten be the top number and make that a little louder?
Nigel Tufnel: [Pause] These go to eleven.
I :heart: Spinal Tap
Originally posted by: dpopiz
Originally posted by: Joemonkey
"0 dB is defined as the THRESHOLD OF HEARING, and it is with reference to this internationally agreed upon quantity that decibel measurements are made. In some situations, such as tape recording, a given intensity level is assigned 0 dB, and other levels are measured in negative decibels in comparison to it. "
From here
ain't google grand?
yeah, so I'm just wondering what the reason is for assigning a certain level to be 0
Originally posted by: Calin
If they want to make gradations on the volume button (or dial), then the only way for consistency is to make the measures relative. The dB scale fits. And more, the dB scale is somewhat linear to hearing (it is exponential in fact - 3 dB is about twice the power - but human hearing is also somewhat logarithmic, so it compensate).
The relative scale is used for the wildly different volumes of IN - highly different even from one audio CDto another, not talking about other sources
Calin
Originally posted by: Shockwave
Originally posted by: Calin
If they want to make gradations on the volume button (or dial), then the only way for consistency is to make the measures relative. The dB scale fits. And more, the dB scale is somewhat linear to hearing (it is exponential in fact - 3 dB is about twice the power - but human hearing is also somewhat logarithmic, so it compensate).
The relative scale is used for the wildly different volumes of IN - highly different even from one audio CDto another, not talking about other sources
Calin
3db is twice the power. However, human hearing actually needs about 10 db to be percieved as twice as loud. THus, a true +3db, while twice the power, wont sound twice as loud.
Originally posted by: Calin
Originally posted by: Shockwave
Originally posted by: Calin
If they want to make gradations on the volume button (or dial), then the only way for consistency is to make the measures relative. The dB scale fits. And more, the dB scale is somewhat linear to hearing (it is exponential in fact - 3 dB is about twice the power - but human hearing is also somewhat logarithmic, so it compensate).
The relative scale is used for the wildly different volumes of IN - highly different even from one audio CDto another, not talking about other sources
Calin
3db is twice the power. However, human hearing actually needs about 10 db to be percieved as twice as loud. THus, a true +3db, while twice the power, wont sound twice as loud.
I beg to differ - the human hearing is also logarithmic (while you hear someone's whisper at 5m, 100 persons whispering at 5 m (in a circle around you) won't sound 100 times as loud
Calin