Railgun
Golden Member
- Mar 27, 2010
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That's pretty interesting. So maybe it's not the actual screens that are the limitation, it's been the transport mechanism of the media. A USB 2.0 128GB flash drive is $150 on NewEgg, a USB 3.0 128GB flash drive is $240. Obviously a studio could buy in bulk and cut out the middlemen and get those for cheaper, but, going on your data size, one would need one big @ss custom USB flash drive, or some standard that would string multiple drives together, to support a 500GB movie. And really, if studios and equipment manufacturers were going to go through all that trouble to switch, then they mine as well just go whole hog and design the new system to support something crazy, like 8K 3D 22.whatever 60p...then at least the theaters could 'buy once never again' type of thing.
I wonder how much something like that would cost, vs. a normal theatre setup they'd put in now (forget the actual speakers, just the system to take and decode and present the media)...I'm guessing it's one large amount of $$$...
Chuck
In regards to the cost, the only additional overhead would be the additional cost for the projector and the storage and delivery equipment. I'm not going to go into too much detail, but physical media as a transport mechanism is slow (getting from point A to B), can be costly and is still at risk from theft. You can encrypt to mitigate loss from theft, but the other issues remain.
One of the largest things that prevented companies from going that route was cost...no one wanted to pay for it. No one still wants to pay for it. But that's neither here nor there and is going way off topic.
Say they came out with 2160p. I don't have a very good understanding of this sort of stuff, but what kinda bandwidth would it requires to up the pixels like that? Maybe I am thinking about it the wrong way, but could an upgrade like that cause the cable companies to charge us more cause their bandwidth is higher?
Streaming wouldn't be the solution. Not yet...and not for a long time for that kind of content. Though CalTech and I can't remember who just did a 186Gbps pipe, that's a single link between huge organizations....and kind of as a proof of concept. You start throwing thousands of 4K lossless streams around...the Internet will die.
It would look a lot better to people concerned about artifacts. It wouldn't even have to be uncompressed, it could just be losslessly compressed.
Good point. I hadn't really bothered to make a point between lossless compression or none at all. Though from what I've seen, it's about a 10% ratio at best. Though, some is better than none I suppose.
