I'm unclear on how light is perceived in terms of a pure wave as opposed to a harmonic.
Considering sound, a pure tone has a distinct, agreeably "pure" sound across the spectrum, with recognition to the change in frequency. A sound can also have a harmonic, in this case you have two separate tones that cannot be represented by a single frequency. Such a sound is distinguishably different than any pure tone.
With light however, I am unclear. It would seem to me that a change in wavelength would determine the hue of the color, however this seems to be contradicted by the fact that a combination of red and green produces yellow. These are two separate wavelengths that if I'm correct, together form an impure sine.
In fact the entire visible spectrum can be reproduced using only... seemingly three wavelengths, red, green and blue, but what about all the wavelengths in-between? Does combining these colors not introduce harmonics but instead shifts the wavelength? And if so, how does this explain saturation? White is a combination of "all" colors so they say, but what is the waveform of all colors? You cannot, for example, fit every audio frequency in a sound, there are certain smallest-intervals between two frequencies. How would white be represented on a spectrum analyzer?
One thing I'm sure of is that the solution is very simple, nevertheless it does elude me because there is surely one little thing I'm not taking into proper consideration.
Considering sound, a pure tone has a distinct, agreeably "pure" sound across the spectrum, with recognition to the change in frequency. A sound can also have a harmonic, in this case you have two separate tones that cannot be represented by a single frequency. Such a sound is distinguishably different than any pure tone.
With light however, I am unclear. It would seem to me that a change in wavelength would determine the hue of the color, however this seems to be contradicted by the fact that a combination of red and green produces yellow. These are two separate wavelengths that if I'm correct, together form an impure sine.
In fact the entire visible spectrum can be reproduced using only... seemingly three wavelengths, red, green and blue, but what about all the wavelengths in-between? Does combining these colors not introduce harmonics but instead shifts the wavelength? And if so, how does this explain saturation? White is a combination of "all" colors so they say, but what is the waveform of all colors? You cannot, for example, fit every audio frequency in a sound, there are certain smallest-intervals between two frequencies. How would white be represented on a spectrum analyzer?
One thing I'm sure of is that the solution is very simple, nevertheless it does elude me because there is surely one little thing I'm not taking into proper consideration.