- Oct 10, 2006
- 21,562
- 3
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Quite honestly I'm wondering if it's worth my time. I bought this movie due to its ratings and recommendations from a few people. I was told it was the "thinking man's Saving Private Ryan", and being a huge fan of the former I was intrigued. What I got (so far) was a director's stream-of-consciousness musings mixed with the occasional well done combat scene.
IMO this is not a war movie, it's a philosophical work set in the context of WWII; and while that's all well and good it's so disjointed and directionless that I have absolutely no fucking idea what is going on. It's like the movie doesn't care about the war at all. Hell maybe I just wasn't paying attention (or was too busy trying to make sense of the movie's opening musings) but I had to look on wikipedia to know that they were even on Guadalcanal. When they started talking about rocks and air strips I was thinking Iwo Jima. Then they landed on an island with foliage and I was mind-fucked as hell.
But I digress. My main problem with the movie is it's structure. IMO a good movie makes you ask the big questions yourself. The Thin Red Line asks them for you, and if you don't like the current question or don't understand it (and there are plenty of obscure lines that end in question marks), too bad. Movie goes right on to the next one.
And that might all be acceptable, if this wasn't billed as a war movie. This is a movie for philosophy majors. When I think "war movie" I think about the situation and the men/women involved. I also think about the immediate reality of said, and like to be as close to that as I can get, including the big questions they're probably considering. In Saving Private Ryan they didn't need to verbalize their heavy thoughts, you could see it in their faces. From there, I can ask the big questions of my own whilst lying awake at night. This movie has shots of very existential "thoughts" that supposedly describe what the soldiers are thinking, but they make no sense. Somehow I doubt a solider on Guadalcanal was thinking about having very sensually poetic sex with his wife... while he's approaching a fucking machine gun nest and could be killed at any moment.
I could go on with more specific examples, but suffice to say the realism in this movie, aside from a few very well shot combat sequences, is TMK virtually nonexistent.
So back to my original question: I just sat through a 2 hour philosophy discourse. Does TTRL turn into an actual war movie or am I better off popping in Donnie Darko?
IMO this is not a war movie, it's a philosophical work set in the context of WWII; and while that's all well and good it's so disjointed and directionless that I have absolutely no fucking idea what is going on. It's like the movie doesn't care about the war at all. Hell maybe I just wasn't paying attention (or was too busy trying to make sense of the movie's opening musings) but I had to look on wikipedia to know that they were even on Guadalcanal. When they started talking about rocks and air strips I was thinking Iwo Jima. Then they landed on an island with foliage and I was mind-fucked as hell.
But I digress. My main problem with the movie is it's structure. IMO a good movie makes you ask the big questions yourself. The Thin Red Line asks them for you, and if you don't like the current question or don't understand it (and there are plenty of obscure lines that end in question marks), too bad. Movie goes right on to the next one.
And that might all be acceptable, if this wasn't billed as a war movie. This is a movie for philosophy majors. When I think "war movie" I think about the situation and the men/women involved. I also think about the immediate reality of said, and like to be as close to that as I can get, including the big questions they're probably considering. In Saving Private Ryan they didn't need to verbalize their heavy thoughts, you could see it in their faces. From there, I can ask the big questions of my own whilst lying awake at night. This movie has shots of very existential "thoughts" that supposedly describe what the soldiers are thinking, but they make no sense. Somehow I doubt a solider on Guadalcanal was thinking about having very sensually poetic sex with his wife... while he's approaching a fucking machine gun nest and could be killed at any moment.
I could go on with more specific examples, but suffice to say the realism in this movie, aside from a few very well shot combat sequences, is TMK virtually nonexistent.
So back to my original question: I just sat through a 2 hour philosophy discourse. Does TTRL turn into an actual war movie or am I better off popping in Donnie Darko?
