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The most well written scene in a movie ever

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Originally posted by: Farang
Originally posted by: z0mb13
ummm what exactly is a reach around??

During anal sexual intercourse, the person inserting their penis into another person's anus wraps their arm around, or gives a "reach around," the other person in order to fondle that person's genitals.
Nice description.

I love the movie and that scene!
 
too bad that wasn't ever written. the majority of Hartman's lines that made the final cut were improvised. Kubrick didn't cast a former drill sergeant for nothing 😉

EDIT: curses. Savij beat me too it. I thought for sure I was going to crap on this thread successfully. (of course I love FMJ, btw).
 
Originally posted by: edro
Originally posted by: Farang
Originally posted by: z0mb13
ummm what exactly is a reach around??

During anal sexual intercourse, the person inserting their penis into another person's anus wraps their arm around, or gives a "reach around," the other person in order to fondle that person's genitals.
Nice description.

I love the movie and that scene!

wow the things you learn from ATOT everyday...
 
Originally posted by: pontifex
Originally posted by: legoman666
Originally posted by: pontifex
only on atot would deragotory insults and vulgarity be the most well written stuff in a movie.

yes, clearly vulgarity = instant bad scene.

god damned puritan.

lol. quote where i said it was a bad scene. also show me some kind of proof that i'm a god damned puritan...


you obviously didn't get the joke...

ashame all of the wonderful points 🙂rolls😉 made in this thread are moot. 😀
 
Originally posted by: Iron Woode
there are lots of well written scenes:

Casablanca:

Rick: Last night we said a great many things. You said I was to do the thinking for both of us. Well, I've done a lot of it since then, and it all adds up to one thing: you're getting on that plane with Victor where you belong.
Ilsa: But, Richard, no, I... I...
Rick: Now, you've got to listen to me! You have any idea what you'd have to look forward to if you stayed here? Nine chances out of ten, we'd both wind up in a concentration camp. Isn't that true, Louie?
Captain Renault: I'm afraid Major Strasser would insist.
Ilsa: You're saying this only to make me go.
Rick: I'm saying it because it's true. Inside of us, we both know you belong with Victor. You're part of his work, the thing that keeps him going. If that plane leaves the ground and you're not with him, you'll regret it. Maybe not today. Maybe not tomorrow, but soon and for the rest of your life.
Ilsa: But what about us?
Rick: We'll always have Paris. We didn't have, we, we lost it until you came to Casablanca. We got it back last night.
Ilsa: When I said I would never leave you.
Rick: And you never will. But I've got a job to do, too. Where I'm going, you can't follow. What I've got to do, you can't be any part of. Ilsa, I'm no good at being noble, but it doesn't take much to see that the problems of three little people don't amount to a hill of beans in this crazy world. Someday you'll understand that. Now, now... Here's looking at you kid.

 

INT. COCKPIT - NIGHT

GROUND CONTROLLER (v.o.)
Flight two-zero-niner, you are cleared for
takeoff.

OVEUR
Roger.

MURDOCK
(turning to Oveur)
Huh?

Oveur throws console lever into second gear.

GROUND CONTROLLER (v.o.)
L.A. departure frequency two-point-niner.

OVEUR
Roger.

MURDOCK
(turning to Oveur)
Huh?

BASTA
(to tower)
Request vector...over.

OVEUR
(turning to Basta)
What?

GROUND CONTROLLER (v.o.)
Flight two-zero-niner, cleared for vector
three...two four.

MURDOCK
We have clearance, Clarence.

OVEUR
Roger, Roger. What's our vector, Victor?

Oveur throws console lever into third.

EXT. RUNWAY - NIGHT

Flight 209 takes off, flying erratically.

BASTA (v.o.)
Tower radioed clearance, over.

OVEUR (v.o.)
That's Clarence Oveur...over.

BASTA (v.o.)
Roger.

MURDOCK (v.o.)
Huh?

TOWER (v.o.)
Roger, over.

OVEUR (v.o.)
What?!

MURDOCK (v.o.)
Huh? Who?


Linkage for the reading impaired. Classic comedy. 😀
 
Originally posted by: BooGiMaN
recently there were a few scenes in No Country for Old men that i thought where very good, maybe it was just the delivery by the guy playing anton chigurh

one scene is the one where he is talking to the gas station owner and he tells him to pick heads or tails on a coin flip:

on that note, I'd have to say that the majority of scenes in the Big Lebowski are better-written than that FMJ scene. (note the necessary qualifications).

Hyman Roth's "This is the Business we chose" speech in GF2 is also better 😉
 
Originally posted by: MisterJackson
Hands down, number 1 in my book:

Coccotti: You know who I am, Mr. Worley?

Clifford: I got no idea.

Coccotti: I'm the Anti-Christ. You got me in a vendetta kind of mood. You tell the angels in heaven you never seen evil so singularly personified as you did in the face of the man who killed you. My name is Vincent Coccotti. I work as counsel for Mr. Blue Lou Boyle, the man your son stole from. I hear you were once a cop so I can assume you've heard of us before. Am I correct?

Clifford: I heard of Blue Lou Boyle.

Coccotti: I'm glad. Hopefully it means we can cut out the part of the conversation where you're wondering how full of shit I am.

--------------------------------------------------------------------------------

--snip--

:thumbsup:

great scene
 
Originally posted by: mugs
Originally posted by: Farang
Originally posted by: Savij
From IMDB:
"Much, if not all, of R. Lee Ermey's dialogue during the Parris Island sequence was improvised. While filming the opening scene, where he disciplines Pvt. Cowboy, he says Cowboy is the type of guy who would have sex with another guy "and not even have the goddamned common courtesy to give him a reach-around". Stanley Kubrick immediately yelled cut and went over to Ermey' and asked, "What the hell is a reach-around?" Ermey politely explained what it meant. Kubrick laughed and re-shot the scene, telling Ermey to keep the line."

Wow, I thought for sure it was written because it is just gold. Thank God for giving us R. Lee Ermey.

The man has a talent.
Also from IMDB:
Former US Marine Corps Drill Instructor R. Lee Ermey was not originally hired to play Gunnery Sgt. Hartman but as a consultant for the Marine Corps boot camp portion of the film. He performed a demonstration on videotape in which he yelled obscene insults and abuse for 15 minutes without stopping, repeating himself or even flinching - despite being continuously pelted with tennis balls and oranges. Stanley Kubrick was so impressed that he cast Ermey as Gunnery Sgt. Hartmann.

I believe he is the only person to ever be promoted to Gunnery Sgt. of the USMC AFTER retirement.

From wiki:

On May 17, 2002 he received an honorary promotion to Gunnery Sergeant (E-7) by the Commandant of the Marine Corps (later Supreme Allied Commander Europe (SACEUR)) United States Marine Corps General James L. Jones, becoming the first retired military member in the history of the United States Marine Corps to be promoted.
 
Peter Gibbons: What would you do if you had a million dollars?
Lawrence: I'll tell you what I'd do, man, two chicks at the same time, man.
Peter Gibbons: That's it? If you had a million dollars, you'd do two chicks at the same time?
Lawrence: Damn straight. I always wanted to do that, man. And I think if I had a million dollars I could hook that up, cause chicks dig a dude with money.
Peter Gibbons: Well, not all chicks.
Lawrence: Well the kind of chicks that'd double up on me do.
Peter Gibbons: Good point.
Lawrence: What about you, what would you do?
Peter Gibbons: Besides two chicks at the same time?
Lawrence: Well yeah.
Peter Gibbons: Nothing.
Lawrence: Nothing, huh?
Peter Gibbons: I'd relax, sit on my ass all day, I would do nothing.
Lawrence: Well you don't need a million dollars to do nothing, man. Just take a look at my cousin, he's broke, don't do shit.

 
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