StageLeft
No Lifer
I [Skoorb] know the person who wrote this.
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I would like to start with a quotation:
Women are the only oppressed group in our society that lives in intimate association with their opressors. ~Evelyn Cunningham
Terminator 4 salvation, the latest trans-gender racist man-olage from Joseph McGinty Nichol describes the post cultural evolution of a half human, half cybernetic organism named Marcus as it discovers its inner feelings, and ultimately explores its identity within a post nuclear earth, a simplistic analogy for a new born baby wallowing in the after birth. Marcus, although ostensibly male, can clearly be seen to exhibit the female side of a cybernetic organism as it empathisizes with John Connor, a terminally repressed image of phallic idolatry.
This repeated epithet is conjoined with the repeated symoblogy of the Terminator, a non-deist robotic life form that exposes the demonstrable racism within Western Culture. This is further proven when the ?Harvester? ? what surely must be a metaphor for Geia as it plucks a group of Mexican resistance fighters from their shack in the desert and thrusts them into an HK Transport ship for later processing; the zymology of male dominated intercourse, and the oppression of minorities is clearly abhorrently glorified in this sequence.
In establishing a ?poetics of knowledge?, based on an ?absence of final reason?, Chrsitan Bale posits a world understood primarily via ?common language and the common capacity to invent objects, stories and arguments?; This is clearly illustrated in the hydrobots that attempt to terminate both John Connor and Marcus; in a dichomotic irony, both heroes play the role of the ovaries, and the hydrobots semen; In a departure from the underying male dominated theme of the account the hydrobots are defeated.
Ultimately Terminator 4 Salvation is a macabre diatribe.
----
I would like to start with a quotation:
Women are the only oppressed group in our society that lives in intimate association with their opressors. ~Evelyn Cunningham
Terminator 4 salvation, the latest trans-gender racist man-olage from Joseph McGinty Nichol describes the post cultural evolution of a half human, half cybernetic organism named Marcus as it discovers its inner feelings, and ultimately explores its identity within a post nuclear earth, a simplistic analogy for a new born baby wallowing in the after birth. Marcus, although ostensibly male, can clearly be seen to exhibit the female side of a cybernetic organism as it empathisizes with John Connor, a terminally repressed image of phallic idolatry.
This repeated epithet is conjoined with the repeated symoblogy of the Terminator, a non-deist robotic life form that exposes the demonstrable racism within Western Culture. This is further proven when the ?Harvester? ? what surely must be a metaphor for Geia as it plucks a group of Mexican resistance fighters from their shack in the desert and thrusts them into an HK Transport ship for later processing; the zymology of male dominated intercourse, and the oppression of minorities is clearly abhorrently glorified in this sequence.
In establishing a ?poetics of knowledge?, based on an ?absence of final reason?, Chrsitan Bale posits a world understood primarily via ?common language and the common capacity to invent objects, stories and arguments?; This is clearly illustrated in the hydrobots that attempt to terminate both John Connor and Marcus; in a dichomotic irony, both heroes play the role of the ovaries, and the hydrobots semen; In a departure from the underying male dominated theme of the account the hydrobots are defeated.
Ultimately Terminator 4 Salvation is a macabre diatribe.
