Maybe you're misunderstanding something. Here's an explanation:Originally posted by: 0roo0roo
Originally posted by: jpeyton
There are a few holes in that argument. The first being that many Hollywood IMAX movies these days come from 35mm/4k stock (the exception being Batman, which had a few scenes filmed with a real IMAX camera).Originally posted by: K1052
Originally posted by: jpeyton
As much as I'd love to jump aboard the outrage bandwagon, I will still pay $15 to see IMAX versions of my favorite films, for three reasons:
1) I PREFER digital projectors. Uniform brightness/sharpness, no film degradation (dust/scratches), perfect alignment/convergence.
2) Despite IMAX "digital" wide-screens not being as large as traditional square IMAX screens, they are still the largest physical screens (or offer the largest perception) in their respective theaters from my experience.
3) ***MOST IMPORTANT REASON*** SOUND. Any theater enthusiast/pro will tell you sound is perhaps the biggest part of the movie theater experience, and IMAX sound quality is hands-down better than traditional theaters.
Digital projection as of yet has nothing on 15/70mm film. The Sony 4K systems that are running true 4K material would be the only thing in the digital world that wouldn't be totally embarrassing to run next to a IMAX print. Generally IMAX prints are VERY carefully handled by specifically trained projectionists due to their extreme expense.
I know a number of conventional theaters that use 60ft or wider sheets in some of their rooms. The IMAX conversions move the screen closer to provide an increased perception of size.
The second being that with the smaller screen size, differences between 15/70 and digital are less noticeable. This is the primary reason why they don't have digital projectors for their large screens, and vice versa. The larger IMAX theaters also won't be 3D compatible when Avatar comes out, while IMAX digital theaters will.
Lastly, the increased audio quality is reason enough to pay the extra $5 for any "must-see" film. Star Trek = worth it. Dark Knight = worth it. Night At The Museum 2 = fuck no.
wrong wrong wrong, as the articles already point out, imax archives their own films at at least 8k. 4k doesn't cut it. and when projected on such a large screen, it doesn't cut it still. i've noticed the screen door effect on digital films before, and apparently he has as well in his experience with the new imax projectors. because of the regularity of the grid pixel pattern you really have to exceed film resolution before it becomes acceptable, film grain has no such issue. our brains pick out that regular pixel grid pattern with ease. its no where near maxing out the possible quality for such an experience.
http://www.studiodaily.com/main/searchlist/9677.html
IMAX footage shot on 70mm film with an IMAX camera is archived/processed at 8k.
All other traditional 35mm/4k footage is archived/processed at 4k.
For Dark Knight, a movie shot with 35mm and 70mm film, they used both processes.
For Star Trek, shot entirely on 35mm, it's archived/processed at 4k.
A Star Trek 15/70 print was made from 35mm film scanned at 4k, uprezzed, then printed on 15/70. They didn't scan/archive Star Trek at 8k, nor is there any benefit to scanning 35mm film at 8k.
I don't see any screen door effect at all watching IMAX digital, but I never sit in the neck-cramping front row either.