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Moriarty, you evil genius, you!
I sent this review to Harry, and hadn't heard back or seen it on the site. I figured he's pretty swamped (as I'm sure you are) so I thought I would send this to you!
Oats here, and I just got back from seeing the new John Cusack psychological thriller, Identity. I give this film a whole hearted recommendation (and hopefully more people will agree with me than they did after my reviews of Head of State and The Hot Chick.) Even though Cusack is featured most prominently in the trailers, the film is filled with a great cast, John C McGinley, Ray Liotta, Amanda Peet, Alfred Molina ... even Jake Busey has a few great moments.
I'll try not to give any spoilers, at least any more than you get from the previews.
It's a dark and stormy night and a group of strangers are brought together at a rundown motel some where in the desert between Los Angeles and Las Vegas. One by one they start dying in different and disturbing ways. Then they realize they all share the same birthday ... but soon we discover they're connected even closer than that.
That's all I'll give you for plot.
At first glimpse, and after one surprising death with a baseball bat, this seems like your run-of-the-mill slasher flick. But considering the producers probably wouldn't have been able to get this cast together for such a thing you realize there's something else, something deeper ... and you're not disappointed. By the time we're given the answer (or think we have been given it) we're whisked through a third act which gives all the answers.
The film looks great. At some point you feel like reaching for a towel. The screen is constantly filled with rain and shadows and dark places lit briefly by lightning which only reveals more dark places. Director James Mangold does a great job of keeping the audience on edge, even when we know the scares are coming.
But then comes the final two minutes which seems to suck the wind out of the whole thing. It's well worth seeing because every minute, every moment leading up to the end is a thrill ride ... the last two minutes is like the anti-climactic push back to the station at the end of the roller coaster.
I'll spoil it below. For those who don't want to know what happens, stop here and feel free to flame me in the talkback. For everyone else ...
Spoiler warning.
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Getting closer
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There's a monster at the end of this book!
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Okay, here we go.
In the end we find that the kid is the most violent of the crazed guy's personalities.
I can accept that the only reason he could commit such murders is because it's all part of the convict's psychosis. But why bother with the flashbacks showing how he did it all? It seemed the director was trying to give a logical answer to an illogical puzzle. After the movie people were outside trying to figure it all out, but it was like debating over a quiz that everyone had the correct answer to. If the film had just given us the final moment with the kid and the claw and Amanda at the orchard I would have loved it. Then we would have had to figure out when he had the time, or opportunity, to knock off the other personalities ... and that would have made for some great after-movie discussions.
I'm not sure if that even makes sense without seeing the film.
Oats
Actually, Oats, it doesn?t really make sense out of context. If anyone?s still reading, they don?t mind spoilers, so I?ll try to make it clearer...
You know the film Donald Kaufman is writing in ADAPTATION? THE THREE? Well, this is that film. Thanks for the review, Oats, and I look forward to checking this one out this coming weekend.
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