The problem with amp distortion is it usually involves SPL's at unreasonable / unmanageable levels. I agree, that the sound is "better" but if you drive everyone out of the room, what's the point?Originally posted by: deathkoba
I personally prefer amp distortion as I find them to sound much bigger and fuller. Distortion boxes always sound..tiny. If this is for home use and won't be cranking it to obnoxious levels, I highly recommend the Tech 21 Trademark 10. It's a small 10 watt analog modelling amp but it sounds GREAT. I had one and ended up getting it's bigger cousin the Trademark 60. I too play metal although non-thrash...more power metal type but also get into the blues, funk, neoclassical shred etc. This amp does it all. I just plug my guitars straight in without any effects and I get killer tone.
HEY doofus, one watt in a proper enclosure can yield 100 -115 dbA. That just MIGHT be unreasonable.Originally posted by: deathkoba
That's why I suggested the 10 watt Trademark doofus. It sounds great at REASONABLE levels as it has no tubes to be pushed.
Originally posted by: AlienCraft
That Green Ibanez pedal < having A senior moment, or the BOSS Od-1 orange pedal have always served me well.
< been a guitar tech for some really well known players and for a very long time.
That green Ibanez pedal I referred to. used by Vai, Satriani and Schon among many.
Maybe at distances closer than a meter. 1W of output is 112dB at 1 meter with 0% conversion loss.Originally posted by: AlienCraft
HEY doofus, one watt in a proper enclosure can yield 100 -115 dbA. That just MIGHT be unreasonable.Originally posted by: deathkoba
That's why I suggested the 10 watt Trademark doofus. It sounds great at REASONABLE levels as it has no tubes to be pushed.
Bite me.
Beside, he was asking for a pedal. not a NEW AMP dumbass.
Still does not address the OP's original request and redirects it into an amp question. At Musicians Friend, the pedal is $80.00 cheaper buying NEW and that pedal can be found for less than the $170.00 they're asking for it.Originally posted by: Howard
Maybe at distances closer than a meter. 1W of output is 112dB at 1 meter with 0% conversion loss.Originally posted by: AlienCraft
HEY doofus, one watt in a proper enclosure can yield 100 -115 dbA. That just MIGHT be unreasonable.Originally posted by: deathkoba
That's why I suggested the 10 watt Trademark doofus. It sounds great at REASONABLE levels as it has no tubes to be pushed.
Bite me.
Beside, he was asking for a pedal. not a NEW AMP dumbass.
Yet another Ibanex Tube Screamer user checks in. Guess I might just know a little something after all.Originally posted by: eviltoon
I just love my Ibanez Tube Screamer. Goes from just a hint of distortion to very full and heavy. Don't know if it would meet the need of death metal or thrash though. It doesn't sound tinny, thin or metalic. It's just a very warm full distortion. The Tube Screamer, along with the MXR Phaser 90 pedal is an awsome combination.
Them's fighting words, sonny....as a matter of fact I do play guitar, I've worked for several NAME players as a tech and engineer, both equipment and recording. I've trained several techs, including SLASH's, and KID ROCK's, to name but a few, I got Tommy Johnson of the DOOBIE BROTHERS his tech and was considered for a gig with Carlos Santana until he and his tech made up. Rather than diverting the thread, with my own prejudices and preferences, such as suggesting a new amp, I answered the OP's question without modification. If you would care to read my other replies, I agreed that amp distortion sounds better, but that it comes with a trade off, that being SPL. Your suggestion of a new amp smacks of a Guitar store salesman trying to upsell someone who simply wants to try a new pedal, has money to buy now, and you send him home empty handed because you are convinced you are right and you fail to HEAR what the person asked of you.Originally posted by: deathkoba
Who says you HAVE to crank the 10W amp!? The dude wanted a kickin METAL tone. You just can't get a satisfying metal tone out of a freakin stomp box going through some cheap azz Crate (well I don't know if he has a cheapy Crate amp but most people that asks this type of question DO own something similar, hence the unsatisfying performance.) The amp I suggested goes for about $120 used and sounds GREAT on it's own and is very versatile. It can be played at low low bedroom levels while sounding like a cranked tube amp, can record DIRECT via Sansamp output and has 3 ultra cool sounding voicings all in one analog box that is highly regarded by studio players worldwide. I think he'd be much happier with it than spending more money on sh!tty stomp boxes. Sounds like to me that you don't even PLAY guitar and just spew technical GARBAGE out of your mouth. I've gone through many amps in the years I've played and actually settled on the Trademark series because they sound so freakin good.
To the OP, feel free to PM me and I can send you some clips of it.
Dude, I wasn't trying to give you a wedgie (figuratively speaking) , but the guy asked for a pedal to replace what he's using. If he had said AMP, we could go a number of ways, but he said pedal and that's what I was trying to answer.Originally posted by: deathkoba
Well, I can't comment but to say that with your credentials then, you should know exactly what I'm talking about. PWNED I am indeed and I humbly accept that. No need to show who's dick is bigger or wrinklier. While I'm no old geezer like you are, I wanna help this guy out and he wants a rockin metal tone and that's a big part of my passion. However, I have no idea what applications he'll be needing it for whether it's recording mic'd/direct, home practicing, gigging, rehearsing, all of the above etc. etc. etc.
BTW, I've PWNED Richard Lloyd during a live jam with some buddies awhile ago. The guy simply can't improv.
Originally posted by: AlienCraft
The problem with amp distortion is it usually involves SPL's at unreasonable / unmanageable levels. I agree, that the sound is "better" but if you drive everyone out of the room, what's the point?Originally posted by: deathkoba
I personally prefer amp distortion as I find them to sound much bigger and fuller. Distortion boxes always sound..tiny. If this is for home use and won't be cranking it to obnoxious levels, I highly recommend the Tech 21 Trademark 10. It's a small 10 watt analog modelling amp but it sounds GREAT. I had one and ended up getting it's bigger cousin the Trademark 60. I too play metal although non-thrash...more power metal type but also get into the blues, funk, neoclassical shred etc. This amp does it all. I just plug my guitars straight in without any effects and I get killer tone.
A load resistor can help with manageing levels, but they have drawbacks as well.
Originally posted by: deathkoba
Who says you HAVE to crank the 10W amp!? The dude wanted a kickin METAL tone. You just can't get a satisfying metal tone out of a freakin stomp box going through some cheap azz Crate (well I don't know if he has a cheapy Crate amp but most people that asks this type of question DO own something similar, hence the unsatisfying performance.) The amp I suggested goes for about $120 used and sounds GREAT on it's own and is very versatile. It can be played at low low bedroom levels while sounding like a cranked tube amp, can record DIRECT via Sansamp output and has 3 ultra cool sounding voicings all in one analog box that is highly regarded by studio players worldwide. I think he'd be much happier with it than spending more money on sh!tty stomp boxes. Sounds like to me that you don't even PLAY guitar and just spew technical GARBAGE out of your mouth. I've gone through many amps in the years I've played and actually settled on the Trademark series because they sound so freakin good.
To the OP, feel free to PM me and I can send you some clips of it.
Originally posted by: AlienCraft
Dude, I wasn't trying to give you a wedgie (figuratively speaking) , but the guy asked for a pedal to replace what he's using. If he had said AMP, we could go a number of ways, but he said pedal and that's what I was trying to answer.Originally posted by: deathkoba
Well, I can't comment but to say that with your credentials then, you should know exactly what I'm talking about. PWNED I am indeed and I humbly accept that. No need to show who's dick is bigger or wrinklier. While I'm no old geezer like you are, I wanna help this guy out and he wants a rockin metal tone and that's a big part of my passion. However, I have no idea what applications he'll be needing it for whether it's recording mic'd/direct, home practicing, gigging, rehearsing, all of the above etc. etc. etc.
BTW, I've PWNED Richard Lloyd during a live jam with some buddies awhile ago. The guy simply can't improv.
Yes I do indeed know what you're talking about and even with him saying "Metal" may have different connotations to you than to me. I hear "Metal" and I'm thinking Ronnie James Dio / Malmsteen / Lynch and you may have something /someone else in mind. I was a TOTAL amp sound guru in the studio but am now SLOWLY accepting the modeling technology simply because it doesn't require the SPLs of a stack or three or four amps together with split inputs and different cabinets.
Now I'll grant you, I don't think I'm that GOOD of a player, but I can transpose chords and keys, sight read and run through the scales and circle of fifths and am always trying to learn a new song or figure a basic chord structure of something out. One of my favorite things to do is to figure at least one song out per tour. Gotta keep the grey matter flexible
The line in "Sultans of Swing", "He don't like to make it cry or sing" would apply to me.
Hell, I'm still struggling with "Boys of Summer", but I can re-wire a guitar or amp half baked out of my mind. :shocked:
Anyway, truce, peace, :beer: whatever and good luck with your music. May it satisfy you, even if no one else hears it.