Originally posted by: MrDudeMan
Originally posted by: Shockwave
Originally posted by: MrDudeMan
actually, you morons saying polk is bad, they tend to make pretty good stuff but probably got a bad rap from previous equipment like ibm and the 75gxp, even though the 120 and the 180gxp own the newer WD and maxtor drives....
i had polk subs in my car and they hit harder than some of the JL series (on the same amp in the same box (air space was +- .1ft ^3 to the specs)in the same car, difference of 5+ decibels)
so dont tell him to get a new one, how about sticking to the topic for a change?
deeko, did you try telling them you couldnt get it out?
A) Theres better then Polk.
B) Difference of 5+ Decibels? And this was measured by what kind of mic? Where was it located? What was the test material?
C) Same amp? No gain settings changed ANYWHERE? (HU, amp, EQ's)
D) Boxes were plotted for borh subs to create a similiar box? Sub A will not perform the same as sub B in the same box. Fact of life, boxes make all the difference.
A) i know, but polk is not bad and people say its crap, which is not true
B) a friend of mine has a recording studio and he has all of these nifty little gadgets. we got in the car and mounted it on the dashboard in front of us. we left it there for both sets of subs, the average for the polks was about 133-135 and the JL's came in around 126-130 (on the most bass intensive song i could find)
C) exact same amp, exact same settings
D) yes, i know, the box makes ALL the difference, but both subs (in a ported box) only required about 1.5 ft^3 and 1.7 ft^3 (im pretty sure that was it) and the box they were in was pretty dang close to 1.6ft^3 (thats how we designed it for the JL's, it just happened to be a good size for both sets)
E) both sets RMS at 400 a piece
F) both were bridged the same way