Digital pictures suck

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Eli

Super Moderator | Elite Member
Oct 9, 1999
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Originally posted by: Anubis
4) its a hell of alot cheaper
What?

Film is cheaper than digital? :confused:

Oh. Maybe you meant the cameras themselves.
 

Deadtrees

Platinum Member
Dec 31, 2002
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Originally posted by: Anubis
Originally posted by: shilala
Originally posted by: myusername
Color film is silver-halide based and works on same principle as B&W film, except there are three different layers. In each layer, a different color of dye is couples with the silver halide to form a color image.

Digital color is inferior because of combinations of limitations in technology, including resolution. One of the other significant problems would be the bayer grid used in most digital cameras - foveon developed (and sigma adopted) a technology that may alleviate this problem.

The biggest difference between film and digital is exposure latitude.

Color film has a maximum resolution of about 6000dpi when speaking in terms of discerning minute detail unavailable at lower resolutions, though at that resolution you are looking at a *very* grainy image.

This sounds like good stuff...
Got anything else on the bayer grid? The foveon technology?
Exposure latitude being what, exactly?
Thanks for the 6000dpi comment. That puts things in perspective. I wasn't aware that film was that resolute.
6000 dpi on an 8x10 negative anubis mentioned=holy fvckin wow.

foveon basically is useing a 3 layered chip to capture each color and then it combigns them much like color film works, their current chip is in teh Sigma SD-10 , its ~10mp, 3.3mp for each color, the tech kind of hit a standstill because IIRC Sigma and fevon signed some deal where the chip could only be used in a sigma camera, i beleive that ends soon so hopefully we will see that tech pushed further

Samsung cut a deal and I think they might even use that in their cell phone cameras. Well, I'm sure about the deal but I'm not so sure about the cell phone camera part.

Oh and there alreay is Polaroid compact digital camera that uses Foveon sensor(Does JPG, unlike SD10). Anyway, the biggest problem with current Foveon is that it generates too freaking much noise.
 

Anubis

No Lifer
Aug 31, 2001
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tbqhwy.com
Originally posted by: Eli
Originally posted by: Anubis
4) its a hell of alot cheaper
What?

Film is cheaper than digital? :confused:

Oh. Maybe you meant the cameras themselves.

300$ gets you a SLR and 50mm f/1.8 lens, buy film and you are good to go

with digital you are gonna spane d like a grand for a DSLR lens and memory card, then there like a grand for a computer and storage to do it all and liek 500$ for photoshop
 

Anubis

No Lifer
Aug 31, 2001
78,712
427
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tbqhwy.com
Originally posted by: Deadtrees
Originally posted by: Anubis
Originally posted by: shilala
Originally posted by: myusername
Color film is silver-halide based and works on same principle as B&W film, except there are three different layers. In each layer, a different color of dye is couples with the silver halide to form a color image.

Digital color is inferior because of combinations of limitations in technology, including resolution. One of the other significant problems would be the bayer grid used in most digital cameras - foveon developed (and sigma adopted) a technology that may alleviate this problem.

The biggest difference between film and digital is exposure latitude.

Color film has a maximum resolution of about 6000dpi when speaking in terms of discerning minute detail unavailable at lower resolutions, though at that resolution you are looking at a *very* grainy image.

This sounds like good stuff...
Got anything else on the bayer grid? The foveon technology?
Exposure latitude being what, exactly?
Thanks for the 6000dpi comment. That puts things in perspective. I wasn't aware that film was that resolute.
6000 dpi on an 8x10 negative anubis mentioned=holy fvckin wow.

foveon basically is useing a 3 layered chip to capture each color and then it combigns them much like color film works, their current chip is in teh Sigma SD-10 , its ~10mp, 3.3mp for each color, the tech kind of hit a standstill because IIRC Sigma and fevon signed some deal where the chip could only be used in a sigma camera, i beleive that ends soon so hopefully we will see that tech pushed further

Samsung cut a deal and I think they might even use that in their cell phone cameras. Well, I'm sure about the deal but I'm not so sure about the cell phone camera part.

sweet, that might mean that the deal with sigma ended
 

Eli

Super Moderator | Elite Member
Oct 9, 1999
50,419
8
81
Originally posted by: Anubis
Originally posted by: Eli
Originally posted by: Anubis
4) its a hell of alot cheaper
What?

Film is cheaper than digital? :confused:

Oh. Maybe you meant the cameras themselves.

300$ gets you a SLR and 50mm f/1.8 lens, buy film and you are good to go

with digital you are gonna spane d like a grand for a DSLR lens and memory card, then there like a grand for a computer and storage to do it all and liek 500$ for photoshop
Yeah, wow.

But at least it starts to pay for itself immediately since you don't have to buy and pay for developing film.
 

Deadtrees

Platinum Member
Dec 31, 2002
2,351
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Originally posted by: Anubis

sweet, that might mean that the deal with sigma ended

There alreay is a Polaroid compact digital camera that uses Foveon sensor(Does JPG, unlike SD10). Anyway, the biggest problem with current Foveon is that it generates too freaking much noise
 

Anubis

No Lifer
Aug 31, 2001
78,712
427
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tbqhwy.com
Originally posted by: Deadtrees
Originally posted by: Anubis

sweet, that might mean that the deal with sigma ended

There alreay is a Polaroid compact digital camera that uses Foveon sensor(Does JPG, unlike SD10). Anyway, the biggest problem with current Foveon is that it generates too freaking much noise

yea however if you keep it at the base ISO and nail the exposure it can be pretty damn amazing
 

shilala

Lifer
Oct 5, 2004
11,437
1
76
Originally posted by: Anubis
Originally posted by: shilala
Originally posted by: myusername
Color film is silver-halide based and works on same principle as B&W film, except there are three different layers. In each layer, a different color of dye is couples with the silver halide to form a color image.

Digital color is inferior because of combinations of limitations in technology, including resolution. One of the other significant problems would be the bayer grid used in most digital cameras - foveon developed (and sigma adopted) a technology that may alleviate this problem.

The biggest difference between film and digital is exposure latitude.

Color film has a maximum resolution of about 6000dpi when speaking in terms of discerning minute detail unavailable at lower resolutions, though at that resolution you are looking at a *very* grainy image.

This sounds like good stuff...
Got anything else on the bayer grid? The foveon technology?
Exposure latitude being what, exactly?
Thanks for the 6000dpi comment. That puts things in perspective. I wasn't aware that film was that resolute.
6000 dpi on an 8x10 negative anubis mentioned=holy fvckin wow.

foveon basically is useing a 3 layered chip to capture each color and then it combigns them much like color film works, their current chip is in teh Sigma SD-10 , its ~10mp, 3.3mp for each color, the tech kind of hit a standstill because IIRC Sigma and fevon signed some deal where the chip could only be used in a sigma camera, i beleive that ends soon so hopefully we will see that tech pushed further

Numberswise...
Does 6000 dpi on an 8x10 negative translate to 480 Megapixels?
Does 3.3 megapixels translate to 3300 pixels on a 1"x1" sensor?
If the size of a sensor is increased (once the faveon technology is available) is that the answer to chasing film's resolution?
Or is the goal to keep squeezing more pixels on the same small sensor?
In my way of thinking sensors will need to get bigger if you'd hope to match information stored on an 8x10 negative.
Even if all that optical data can get squeezed onto a 1"x1" sensor (480MP worth) there's no way you'd ever get enough light squeezed into that small space to acurately record what's out there, could you?
Is the sensor size to light relation the bottleneck that diminishes digital reproduction?
If that's the case, the only answer is bigger cameras, isn't it?
 

LS20

Banned
Jan 22, 2002
5,858
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Originally posted by: DurocShark
There are aspects of film that digital is only beginning to approach.

There is a "feel", for want of a better term, that film *can* have that digital doesn't yet.

Note I said "can". It takes a true artist to reach it.

true... there is a certain intangible romanticism to film

that said, digital has UNMATCHED convenience and ive been using it exclusively... though im going start carrying a very compact Olympus Epic 35mm around.



as far as 95% of the population is concerned, it shouldnt matter because their photo skills are the limitation.. not clarity, resolution, dynamic range, etc of the equipment
 

aplefka

Lifer
Feb 29, 2004
12,014
2
0
If the person taking the picture doesn't know what they're doing then yes, digital pictures suck.

Otherwise, your friend is a n00b. ;)
 

Triumph

Lifer
Oct 9, 1999
15,031
14
81
Originally posted by: Descartes
Originally posted by: DurocShark
There are aspects of film that digital is only beginning to approach.

There is a "feel", for want of a better term, that film *can* have that digital doesn't yet.

Note I said "can". It takes a true artist to reach it.

Did you look at some of those pictures from my link? Please tell me what "feel" is different between the film and digital?

That's the same old digital vs. analog argument that has gone on in the music world since the advent of CD's. People who want to feel special claim that a good record sounds better than a good CD recording. They're probably all the same people who buy bottled water.
 

Deadtrees

Platinum Member
Dec 31, 2002
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Well, there're just way too many digital cameras with so many different specs.
When you buy a consumer film camera, you know what you're getting and the outcome is about the same unless you go into Dslr level.
However, digital cameras are very different even in consumer levels. Colors variation, Shadow/highlight, dymanic range/, chrome abb., noise level are all different even in a same brand.

With someone like Anubis, I know I'm on the same subject as I know that he knows about this kind of stuff. When he says film cameras are better, I know what he means by it. But, those are things that majority of people don't notice even when they see a picture.
(Some might come with their own thoughts after using something like BenQ compact digital camera that uses CMOS sensor without any setting adjustments. )

My conclusion is, yes, film cameras are better in terms of picture quality but majority of people don't notice a thing.

What they notice is that digital cameras are
1. Cheaper to maintain(very important)
2. Convinient
3. Getting smaller that it's easy to carry around
4. easier to make adjustments
5. easier to change ISO setting .


 

DurocShark

Lifer
Apr 18, 2001
15,708
5
56
Originally posted by: Triumph
Originally posted by: Descartes
Originally posted by: DurocShark
There are aspects of film that digital is only beginning to approach.

There is a "feel", for want of a better term, that film *can* have that digital doesn't yet.

Note I said "can". It takes a true artist to reach it.

Did you look at some of those pictures from my link? Please tell me what "feel" is different between the film and digital?

That's the same old digital vs. analog argument that has gone on in the music world since the advent of CD's. People who want to feel special claim that a good record sounds better than a good CD recording. They're probably all the same people who buy bottled water.

What's bottled water?

;)

Vinyl is widely accepted as being superior to CD. But CDs were never meant to replace vinyl. They were to replace cassettes which suck. People just stopped buying vinyl when CDs became common because few could hear the difference. Anybody that says they can "hear" an improvement of CD over vinyl is either full of sh*t or the audio was recorded in 47khz (or whatever it is, I forget) to begin with.

Analog methods tend to be drastically different from the digital methods developed to imitate or replace the older technology. Not always better, but different.

Remember when videocams started replacing film cameras for TV shows in the 80's? Remember how crappy those shows looked? Now look at Episode II, a fully digital movie. Digital capture and digital processing. Looks *almost* as good as film!

We're seeing the same thing with still cameras. With enough time and patience, a skilled photographer can create great images with ANY camera. Including a pinhole camera. But film lends itself to natural scenes and gives a feel that digital is missing. Some call it the soul. Whatever. It's difficult to quantify, but having worked with both film and digital I can honestly say I still prefer my film images. But I'll keep plugging away with digital. Why? Because film and processing were eating me alive.

Now if a Hassy dropped into my lap... ;)
 

Anubis

No Lifer
Aug 31, 2001
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Originally posted by: shilala
Originally posted by: Anubis
the only color film i can tell you about how it works is kodachrom which is pretty rare now adays because kodak decided to stop processing it

its basically a 3 layered film one for each color channel, none of the color info is kept in the film its all added in the processing through a machine that costs like 500K

nothing and i tell you NOTHING is as accurate as the color you can get from it

with large format its basically more = better, i know from expirence that you can blow a 4x5 negative up to at least 20x30 before you start to see any grain at all, 8x10 negatives pretty much have no limit

one 4x5 negative holds the same amount of data as about 9 35mm negatives
a 8x10 in negative holds as much data as a whole roll of 36 exposures on 35mm film

depending on the exact size of the medium format you are shooting its about 2-3x as much data


digital for color anyway cant reach the saturationlevel of film without work in photoshop it also has a even smaller range it can capture

B&W film can capture about 7-8 zones, zone 1 is pure black zone 10 is pure white
Color slide film gets about 5-6 zones and you need to be spot on in exposure because its extreamly unforgiving

most digitsl sensors can capture about 5 zones and they are baised twards teh shadows, highlight detail vanishes in digital extreamly quickly and theres nothing you can do to get it back, with B&W film through a combo of development and printing you can pull back blown highlights pretty eaisly
Thanks for taking the time Anubis. That's some awesome info.
It's helped me understand a lot of the stuff I've already read. Now for the opportunity to apply some of it. :)

just to keep your mind going they make cameras that take 11x14, 16,20 and 20x24in pieces of film
 

Seeing how 9/10 guitar players would rather play an amp with vacuum tubes in it over a solid state amp, I think the same logic will apply to photography, even 20 - 30 years from now.
 

edro

Lifer
Apr 5, 2002
24,326
68
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There will always be the critics. There are 3 types of critics though:
1. The douche who heard from a friend of a friend of a guy who read an article online, that digital will never be as good as film.
2. The actual film photographer who is in denial and will continue to have subpar photos and manipulation techniques.
3. The medium / large format photographer "artist" who knows his film is better, but also uses digital for everything else.

Any "real" photographer knows that digital is already on par with film for 99% of applications.
 
Aug 23, 2000
15,509
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Well as far as compairing film vs. digital online is pretty impossible, since any film made picture would have to be scanned in thus lowering the quality.

I can tell the difference between prints of the same thing from digital and a film camera. It amazes my friends and family that I can see the difference. It's like people that can hear the difference between a Sony stereo you buy at Best Buy, or a Harmon Kardon THX certified system you'd buy at StarPower or Tweeter.
 

digitalsm

Diamond Member
Jul 11, 2003
5,253
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Originally posted by: TuxDave
If you're arguing film vs digital 4x6 pictures, you can tell your friend to STFU. Now if he was talking about banner sized pictures, then I say film will kick the arse out of digital

Well not exactly true, some of the truely high end pro cameras do rival high end film cameras. But you are talking $15-20k vs $2k-$5k in equipment(not counting lenses).
 

GTaudiophile

Lifer
Oct 24, 2000
29,767
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All depends on the size of the print you're printing. Film is still better for large, blown-up prints, like over 20" x 20".
 

Calin

Diamond Member
Apr 9, 2001
3,112
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Digital is better in some ways:
The images are just as good to me
Looking at them is easier
They can be printed on paper, and it is cheap enough as to not concern me too much
I can make no matter how many pictures I like, and only the ones I like cost me something
I find the color of the digital cameras to be comparable to those from film
It is much easier to make "another copy of a photo" with digital
(and I use glasses, and I need them)
I am really happy with the digital camera (a Kodak CX 4300 something), I would like to have some manual control over focus distance, but it is ok the way it is
 

broon

Diamond Member
Jun 5, 2002
3,660
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81
Originally posted by: GTaudiophile
All depends on the size of the print you're printing. Film is still better for large, blown-up prints, like over 20" x 20".

How often do people do that?
 

Injury

Lifer
Jul 19, 2004
13,066
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Originally posted by: Descartes
Originally posted by: ncircle
i know a photographer or two who still swear by film.
they went to school for it.

And? That's not much of an argument.

Yeah. It seems more like their way of saying they don't want their education to be outdated. ;)
 

faenix

Platinum Member
Sep 28, 2003
2,717
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76
Originally posted by: Anubis
i can tell you for a fact that they are not as good

no 35mm format digital can replicate what you can get when you shoot slide film especially 50 and 100 iso velvia, and kodachrom and no 35mm digital comes close to getting the look of a selenium toned B&W fiber print, even when printed on a pro level printer

they are close but not there yet

Anubis knows his stuff.