Originally posted by: funboy42
Shudda bought the new Panasonic cameras with the manual focus ring
Much better camera IMO then the canon with the mega zoom and IS.
Linkage
Originally posted by: mercanucaribe
Originally posted by: funboy42
Shudda bought the new Panasonic cameras with the manual focus ring
Much better camera IMO then the canon with the mega zoom and IS.
Linkage
Why does it use a proprietary battery?
Another question... why don't these damn uberpixel cameras use bigger CCDs? That would greatly alleviate the noise problem.
Originally posted by: mercanucaribe
Originally posted by: funboy42
Shudda bought the new Panasonic cameras with the manual focus ring
Much better camera IMO then the canon with the mega zoom and IS.
Linkage
Why does it use a proprietary battery?
Another question... why don't these damn uberpixel cameras use bigger CCDs? That would greatly alleviate the noise problem.
Originally posted by: virtuamike
Damn Nikons and their crappy high ISO
#1
#2
Either ISO800 or 1600 from the D200, taken on Sunday in the middle of the night. No noise reduction set in camera or during processing. Canons are cleaner, but that doesn't make Nikon unusable.
The biggest mistake is buying into a brand for the body. They get updated so fast that you'll go broke trying to keep up. Smart money is investing in quality lenses. I was shooting the Chinese New Year parade alongside the "official" photographer and nothing was uglier than seeing his shiny new Canon with a Sigma on it, a lot of good that high ISO will do you with slow glass that needs to be stopped down even further to get decent results. I cried no tears when he dropped his lens (noob).
Now on the other hand, walking through the photo pits at the Giants game and seeing all the SI and AP guys with their 1D's and bags full of L, that was intimidating.
Originally posted by: blurredvision
Wait a second guys.....we're talking about DSLR's and low noise at high ISO's, and nobody has mentioned the Nikon D50? To the OP, try to get a bit of this Canon nonsense out of your head for a second, and check out the D50. Widely considered THE best DSLR when it comes to low noise at high ISO.
Want proof? I'll send you a couple of pics later tonight to prove myself (after I get home from work). Plus, the D50 kit is as cheap as all the other prices listed here, and you'll have plenty of money left for a very decent telephoto to compliment the kit lens.
Just keep in mind that in the DSLR world, you won't always get better looking pictures just by spending more money.
Yeah, he should have used the Canon kit lens. :roll:Originally posted by: virtuamike
The biggest mistake is buying into a brand for the body. They get updated so fast that you'll go broke trying to keep up. Smart money is investing in quality lenses. I was shooting the Chinese New Year parade alongside the "official" photographer and nothing was uglier than seeing his shiny new Canon with a Sigma on it, a lot of good that high ISO will do you with slow glass that needs to be stopped down even further to get decent results. I cried no tears when he dropped his lens (noob).
canon's P&S color is due to in-camera processing. they also don't do as much sharpening as other brands *cough*panasonic*cough*.Originally posted by: TheGoodGuy
Even in the P&S realm, canon's color quality and sensitivity is better than SONY or KODAK. Nikon is a close second.
Originally posted by: ElFenix
canon's P&S color is due to in-camera processing. they also don't do as much sharpening as other brands *cough*panasonic*cough*.Originally posted by: TheGoodGuy
Even in the P&S realm, canon's color quality and sensitivity is better than SONY or KODAK. Nikon is a close second.
a canon G7 might have been perfect for you if canon had bothered with RAW format for it. but noooo, they don't want to impact d-reb sales (giant ca$h cow).
RAW in any non DSLR though is not very good. They tend to lock up for 10-20 seconds while writing a RAW file. Granted, this has more to do with the in-camera software and hardware that is implemented, but they just aren't fast at saving RAW files.Originally posted by: ElFenix
canon's P&S color is due to in-camera processing. they also don't do as much sharpening as other brands *cough*panasonic*cough*.Originally posted by: TheGoodGuy
Even in the P&S realm, canon's color quality and sensitivity is better than SONY or KODAK. Nikon is a close second.
a canon G7 might have been perfect for you if canon had bothered with RAW format for it. but noooo, they don't want to impact d-reb sales (giant ca$h cow).
Originally posted by: Zenmervolt
Yeah, he should have used the Canon kit lens. :roll:Originally posted by: virtuamike
The biggest mistake is buying into a brand for the body. They get updated so fast that you'll go broke trying to keep up. Smart money is investing in quality lenses. I was shooting the Chinese New Year parade alongside the "official" photographer and nothing was uglier than seeing his shiny new Canon with a Sigma on it, a lot of good that high ISO will do you with slow glass that needs to be stopped down even further to get decent results. I cried no tears when he dropped his lens (noob).
Here's the deal, non L-series Canon lenses are on par with Sigma or Tamron; some are good, some aren't. Both Sigma and Tamron's "Pro" lenses offer some great lenses (Sigma EX and Tamron SP).
I've made the mistake of judging Sigma on some of their low-end lenses. A $1,000 Sigma is not going to be appreciably different in quality than a $1,000 Canon lens, and a $300 Sigma is very likely better than a $300 Canon lens because Canon can con brand-whores into paying more for even their low-end lenses.
ZV
Originally posted by: virtuamike
Had he been shooting with something faster than a Bigma, I would've had a different opinion. But for night event coverage? Come on, he could do better.
From an image quality standpoint, the Bigma is an excellent lens. Yes, it's f/4-6.3, but you find me a faster 500mm lens even at twice the price. Or maybe he should just be using a lens that is $7,000 or more.Originally posted by: virtuamike
Had he been shooting with something faster than a Bigma, I would've had a different opinion. But for night event coverage? Come on, he could do better.
Originally posted by: fuzzybabybunny
Originally posted by: virtuamike
Had he been shooting with something faster than a Bigma, I would've had a different opinion. But for night event coverage? Come on, he could do better.
Being an owner of the Bigma, I'd have to agree that it's no where near a good lens for night event stuff. But then again maybe that's all he had, and it wasn't important enough for him to go out and rent a brighter lens?
And he dropped the Bigma? Did it destroy the ground?
Originally posted by: Zenmervolt
From an image quality standpoint, the Bigma is an excellent lens. Yes, it's f/4-6.3, but you find me a faster 500mm lens even at twice the price. Or maybe he should just be using a lens that is $7,000 or more.Originally posted by: virtuamike
Had he been shooting with something faster than a Bigma, I would've had a different opinion. But for night event coverage? Come on, he could do better.
If he was using a 1DS or something, then I'll agree that it's a little odd, but with a D20 or D30, I don't see any reason to expect a different lens than the Bigma.
ZV
Originally posted by: virtuamike
Originally posted by: fuzzybabybunny
Originally posted by: virtuamike
Had he been shooting with something faster than a Bigma, I would've had a different opinion. But for night event coverage? Come on, he could do better.
Being an owner of the Bigma, I'd have to agree that it's no where near a good lens for night event stuff. But then again maybe that's all he had, and it wasn't important enough for him to go out and rent a brighter lens?
And he dropped the Bigma? Did it destroy the ground?
Bigma went bye bye. He had a waist bag and missed the bag when trying to put the lens away, didn't survive.
And if he's the "official" photographer then yeah it's probably important enough to rent something better. Hell I was with KTVU and he tried to kick me out. Karma, it's a bitch.
You say that you have to live with the shortcoming of the D50, however I was basing my suggestion on the fact that the OP decided to go with the S3IS for low-light shooting, therefore I'm sure a D50 would be well within his operating range. For 90% of the amateurs out there, the D50's feature set is way more than enough.Originally posted by: fuzzybabybunny
You make an incredibly good point. It does seem that Nikon's sensors are becoming incredibly good at high ISO, with the D50 being the champ. But you've got to live with the D50's shortcomings relative to other cameras on the market.Originally posted by: blurredvision
Wait a second guys.....we're talking about DSLR's and low noise at high ISO's, and nobody has mentioned the Nikon D50? To the OP, try to get a bit of this Canon nonsense out of your head for a second, and check out the D50. Widely considered THE best DSLR when it comes to low noise at high ISO.
Want proof? I'll send you a couple of pics later tonight to prove myself (after I get home from work). Plus, the D50 kit is as cheap as all the other prices listed here, and you'll have plenty of money left for a very decent telephoto to compliment the kit lens.
Just keep in mind that in the DSLR world, you won't always get better looking pictures just by spending more money.
From DPReview on the review of the D80: "High sensitivity (ISO) noise levels higher than Canon EOS 400D"
http://www.dpreview.com/reviews/nikond80/page29.asp
Even so, from looking at the pictures it's not too far off.
Ah, OK. My impression was that he was the "official" photographer in the same way the vintage racing clubs here have "official" photographers. They're hobbiests who are crazy enough to volunteer to take photos all weekend and also sign the waiver saying that they won't sue if a car comes off the track and hits them.Originally posted by: virtuamike
There really was no need for something as long as the Bigma. We were shooting next to the TV crews. Should've went shorter and faster. And if he couldn't afford it, then rent.Originally posted by: Zenmervolt
From an image quality standpoint, the Bigma is an excellent lens. Yes, it's f/4-6.3, but you find me a faster 500mm lens even at twice the price. Or maybe he should just be using a lens that is $7,000 or more.Originally posted by: virtuamike
Had he been shooting with something faster than a Bigma, I would've had a different opinion. But for night event coverage? Come on, he could do better.
If he was using a 1DS or something, then I'll agree that it's a little odd, but with a D20 or D30, I don't see any reason to expect a different lens than the Bigma.
ZV
And I'm pretty sure he had a 1D.
Originally posted by: Zenmervolt
From an image quality standpoint, the Bigma is an excellent lens. Yes, it's f/4-6.3, but you find me a faster 500mm lens even at twice the price. Or maybe he should just be using a lens that is $7,000 or more.Originally posted by: virtuamike
Had he been shooting with something faster than a Bigma, I would've had a different opinion. But for night event coverage? Come on, he could do better.
If he was using a 1DS or something, then I'll agree that it's a little odd, but with a D20 or D30, I don't see any reason to expect a different lens than the Bigma.
ZV
Originally posted by: fuzzybabybunny
Originally posted by: dug777
Originally posted by: fuzzybabybunny
Well, Canon DSLRs will give you the least noise at high ISOs, but none of them have in-camera IS. If you want to go the DSLR route you could pick up a XTi, or a used 20D or XT for cheap. As for lens choice, that's kind of a toughie. The closest lens with the range you're looking for is either the Sigma 70-300mm APO Macro Super, or the Canon 70-300mm, with the Sigma being better. They're both around $200, BUT they are not particularly bright lenses. I think your S3 is even brighter than these two lenses. With this in mind, since these lenses are so dark they'd actually be "making up" for the extra speed that you get from a higher ISO, and you'd probably end up with a wash. At ISO 800 you'd still be getting around 1/20-1/40, and with ISO1600 you'd be getting around 1/40-1/80. Better, but with noise definitely apparent.
Keep in mind that DSLRs like the Rebel, 20D, 30D, D50, D80, Pentax stuff, have a crop factor of either 1.5x or 1.6x. This means a 70-200mm mounted on a 1.6x crop factor Rebel would be equivalent to a 112-320mm lens. A 70-300mm would be equivalent to a 112-480mm lens (The S3 is 36-432mm equivalent). I'm not too sure what to do. I've done a little concert photography before and I've found that a 70-200mm f/4 on a XT is often too slow. The 70-300mm lenses I mentioned above would be worse. The 70-200mm f/2.8 lense from Sigma would be better, but you're sacrificing the reach of a 300mm, and taking a hit of about $500.
What you CAN do with a DSLR though is push your pictures later in RAW software or photoshop. Basically set the camera to the minimum shutter speed you need to take the picture, and take the picture. It'll be underexposed, perhaps severly in some cases, but later you can increase the exposure value in RAW software and bring out a lot of detail in the image. For example, you need 1/30s at ISO1600 and f/4 to get a properly exposed shot. But to get a shot with no motion blur, you need a shutter speed of at least 1/80s. Simply switch the camera to manual or drop your exposure compensation so that your shutter speed is now at 1/80s, and shoot at that. Later on in the computer, you'll see that all the images are dark, but because of the flexibility of RAW and DSLR sensors, you can increase the exposure value to bring out lots of details in the shadows.
There is a limit to how much detail you can bring out though. Push the picture too far and you'll get blotchy details.
Can you post without whoring Canon out to people? It's strange that the professional camera world manages to take perfectly good photos using Nikon and Canon, and plenty of other brands, but to hear a little ATOT kid talk, Canon is the ONLY option :roll:
Take your fanboyism elsewhere.
I believe all my statements are fair... TGG stated that high ISO is a big priority. Nikon and Canon people will both tend to agree that Canon has the best high-ISO performance, therefore my recommendation that he go for Canon. If he'd wanted ergonomics and high-ISO performance weren't paramount, I'd probably suggest a cheaper Pentax or something. It's mostly about the glass anyway.
Not to mention my post IMO was quite informative apart from what you'd call "brand whoring."
