this might be the reason...no ILM
"This is a massive operation," Gaeta says. "It's the biggest thing that's ever been done that isn't ILM (Industrial Light & Magic) doing 'Star Wars.' It's much bigger than 'The Lord of the Rings.' And we got some stellar performances out of these third-party companies."
"ESC, the visual effects company formed by the Wachowskis and Warner Bros. Pictures to handle effects for the "Matrix" sequels, which incorporate more than 2,000 shots on a combined VFX budget said to be in the vicinity of $100 million. Warner Bros. Pictures is a division of AOL Time Warner, as is CNN.com.
In addition to ESC -- named after the "get-me-outta-here button" on a computer keyboard and pronounced, by some, "escape" -- work spilled over to eight or nine other firms, including Tippett Studios, Sony Pictures Imageworks, Giant Killer Robots, Australia's Animal Logic and Paris-based BUF Compagnie. In all, 800-1,000 people worldwide were striving for a synchronized vision.
That combination of creative energy and technical savvy has made ESC "easily more capable than any other effects firm in the industry," says Gaeta, who works at Eon but was part of the team at Manex, the now-defunct Bay Area effects house that handled the original "Matrix" film. "It's a magic combination. In terms of talent and technology, they've surpassed everyone, in my opinion."
The fate of ESC and its 290 employees is not clear beyond the completion of "Revolutions." It is not uncommon for talented effects guns to move from project to project and facility to facility, following their fancy as well as industry demand. But Gaeta hopes for a miracle, even as he laments some industry trends -- specifically, that the volume required by today's tentpole releases has resulted, to a large degree, in the commoditization of visual effects.