Am I the only one that hates the "I only listen to losslessly compressed audio" crowd

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sandorski

No Lifer
Oct 10, 1999
70,791
6,350
126
Originally posted by: darkswordsman17
I don't understand the people who say how DVD-A and DD are not that good because they have compression. DVD-A is still much better sounding than stereo.

I've caught more than a few "audiophiles" who listen to very crappy sounding 128bit mp3s that likely started out at 64bit rips and then were up and down coded and transferred from MP3 to every other format and back again.

Another thing that bothers me is the stuck up posers who if you ask them haven't even heard a DVD-A or SACD disc, and then when you ask why they say its because its compressed. If its the best sounding rendition of an album you can get it shouldn't matter if its been compressed if it still sounds better than every other medium out there.

To me the definition of audiophile is someone who strives for the ultimate sound quality even in the face of extremely diminishing returns.

I don't claim to be an audiophile, but I like things to be good sounding, and so I'll take whatever I can get. I hope Blu-Ray offers that for music and maybe for games (how awesome would an uncompressed DVD-A quality version of Symphony of the Night or Final Fantasy or any number of other games with great music be?).

Audiophiles were the same way when CD first came out. They were upset that CD's only had 44k(whatevers) and insisted that they could hear the difference between a CD and LP. CD's just were "missing" a lot of the music, so they said.
 

austin316

Diamond Member
Dec 1, 2001
3,572
0
0
Originally posted by: VanillaH
Originally posted by: RaynorWolfcastle
I don't know what these guys are smoking but above about 250kbps even mp3s are pretty much transparent let alone AAC, Vorbis, or WMA. Hypothetically, even if you had incredible hearing, there are few circumstances where you can get a room quiet enough with good enough speakers to tell the difference.

The best part of all this is people who want lossless audio for portables and cars. I mean wth, seriously, you think you can tell the difference in your car?! If someone has some spare server space, I'd love to set up a double-blind test to verify the claims of people who "need" lossless audio.


I agree going lossless on portables makes zero sense, not only because they are not likely to have a good enough setup to appreciate the difference, but also because of storage & power consumption constraints.

Just as I stay agnostic about religeon, I dont believe in something so strongly unless I have enough factual information at hand, and it goes both ways. The way I see it, there are zealots on both camps; if someone DOES here some difference and sees its worth it, why scoff at them and try to "enlighten" them? elitist attitude definitely deserves some swift boot in their face, but i dont rule out the possibility of the differing abilities in us to appreciate the music. claiming there should be no difference and everyone should agree on that is another form of eliticism - except its on the opposite end of the spectrum - in my book.

Not everyone agrees AB blind test is the ONE AND ONLY ABSOLUTE way to determine the use for theoratically superior formats. certain things arent as apparantly noticeable like going from 11khz to 22khz, rather intagible but definitely there and you keep noticing gradually over time - as cited with many audiophiles with some nice gear. When I listen to music, i just try to groove and staying analytical to pinpoint the differences is the last thing i would do for listening pleasure. naturally, my setup tends to "musical", "lush" or "unanalytical" sound, or whatever you call it.

I used to rip my own CDs using lame with standard/extreme settings, and nowadays I just use EAC/FLAC automated process in one step. it sure does take more space, but with storage being under 20cents per a megabyte, extra stroage requirement doesnt terribly bother me. Some tracks sound much or less the exact same, others sound different - being a tad more "airy" with FLAC/CD. certain decay effects sound better also, but it isnt SOOOO pronounced I need to delete all of my mp3 collection. so the difference is there sometimes, and isnt very noticeable for most part, but I still go with FLAC since it isnt that big of a setback stroage-wise for home use.

associated gear : HD-650 with headphile silver -> headphile silver IC -> Singlepower PPX3-6CG7 -> EMU-1212M with heavy modding

on a side note, I couldnt tell any difference at all even if i tried on my humble midiland s2-4100s. while not the best speakers in the world, they are considered to be quite ok for computers.

Thats like $200 a gig.
 

QuitBanningMe

Banned
Mar 2, 2005
5,038
2
0
Originally posted by: sandorski
Originally posted by: darkswordsman17
I don't understand the people who say how DVD-A and DD are not that good because they have compression. DVD-A is still much better sounding than stereo.

I've caught more than a few "audiophiles" who listen to very crappy sounding 128bit mp3s that likely started out at 64bit rips and then were up and down coded and transferred from MP3 to every other format and back again.

Another thing that bothers me is the stuck up posers who if you ask them haven't even heard a DVD-A or SACD disc, and then when you ask why they say its because its compressed. If its the best sounding rendition of an album you can get it shouldn't matter if its been compressed if it still sounds better than every other medium out there.

To me the definition of audiophile is someone who strives for the ultimate sound quality even in the face of extremely diminishing returns.

I don't claim to be an audiophile, but I like things to be good sounding, and so I'll take whatever I can get. I hope Blu-Ray offers that for music and maybe for games (how awesome would an uncompressed DVD-A quality version of Symphony of the Night or Final Fantasy or any number of other games with great music be?).

Audiophiles were the same way when CD first came out. They were upset that CD's only had 44k(whatevers) and insisted that they could hear the difference between a CD and LP. CD's just were "missing" a lot of the music, so they said.

:confused:
I would say that CDs had "too much" of the music.
 

konakona

Diamond Member
May 6, 2004
6,285
1
0
Originally posted by: austin316
Originally posted by: VanillaH
Originally posted by: RaynorWolfcastle
I don't know what these guys are smoking but above about 250kbps even mp3s are pretty much transparent let alone AAC, Vorbis, or WMA. Hypothetically, even if you had incredible hearing, there are few circumstances where you can get a room quiet enough with good enough speakers to tell the difference.

The best part of all this is people who want lossless audio for portables and cars. I mean wth, seriously, you think you can tell the difference in your car?! If someone has some spare server space, I'd love to set up a double-blind test to verify the claims of people who "need" lossless audio.


I agree going lossless on portables makes zero sense, not only because they are not likely to have a good enough setup to appreciate the difference, but also because of storage & power consumption constraints.

Just as I stay agnostic about religeon, I dont believe in something so strongly unless I have enough factual information at hand, and it goes both ways. The way I see it, there are zealots on both camps; if someone DOES here some difference and sees its worth it, why scoff at them and try to "enlighten" them? elitist attitude definitely deserves some swift boot in their face, but i dont rule out the possibility of the differing abilities in us to appreciate the music. claiming there should be no difference and everyone should agree on that is another form of eliticism - except its on the opposite end of the spectrum - in my book.

Not everyone agrees AB blind test is the ONE AND ONLY ABSOLUTE way to determine the use for theoratically superior formats. certain things arent as apparantly noticeable like going from 11khz to 22khz, rather intagible but definitely there and you keep noticing gradually over time - as cited with many audiophiles with some nice gear. When I listen to music, i just try to groove and staying analytical to pinpoint the differences is the last thing i would do for listening pleasure. naturally, my setup tends to "musical", "lush" or "unanalytical" sound, or whatever you call it.

I used to rip my own CDs using lame with standard/extreme settings, and nowadays I just use EAC/FLAC automated process in one step. it sure does take more space, but with storage being under 20cents per a megabyte, extra stroage requirement doesnt terribly bother me. Some tracks sound much or less the exact same, others sound different - being a tad more "airy" with FLAC/CD. certain decay effects sound better also, but it isnt SOOOO pronounced I need to delete all of my mp3 collection. so the difference is there sometimes, and isnt very noticeable for most part, but I still go with FLAC since it isnt that big of a setback stroage-wise for home use.

associated gear : HD-650 with headphile silver -> headphile silver IC -> Singlepower PPX3-6CG7 -> EMU-1212M with heavy modding

on a side note, I couldnt tell any difference at all even if i tried on my humble midiland s2-4100s. while not the best speakers in the world, they are considered to be quite ok for computers.

Thats like $200 a gig.
doh, its gettin late and i didnt bother getting the units right. but you see the point, storage is dirt cheap as is and getting even cheaper as we type. :)
 

ElFenix

Elite Member
Super Moderator
Mar 20, 2000
102,402
8,574
126
Originally posted by: sandorski

Audiophiles were the same way when CD first came out. They were upset that CD's only had 44k(whatevers) and insisted that they could hear the difference between a CD and LP. CD's just were "missing" a lot of the music, so they said.

CDs are lossy compared to an analog source.
 

SSP

Lifer
Oct 11, 1999
17,727
0
0
Originally posted by: RaynorWolfcastle
Originally posted by: QuitBanningMe
Will you use my favorite songs? As I said in most cases it makes absolutlely no difference to me and I am in no way an audiophile/elitist, I can simply tell the difference.

I'll use whatever song you like. You just have to provide a master copy, I do the compression.

The way I'd set it up would be by doing the following
master clip -> compress losslessly -> testfile1
master clip -> mp3 compression @ 320 kbps -> wav -> compress losslessly -> testfile2
master clip -> AAC compression @ 320 kbps -> wav -> compress losslessly -> testfile3

ATOT tries to figure out which is which.

People will pick the format they THINK should sound good. We are biased...

How about you do your compression thing, crop it to 1 minute or so.. then convert them to wave again with the same file name. Im guessing this will still preserve what ever changes the encoder did to the song. (correct me if im wrong)

This way, NO ONE can tell which song used what format except you, and we get a real *OFFICIAL* test.
 

grrl

Diamond Member
Jun 21, 2001
6,204
1
0
Originally posted by: ElFenix
Originally posted by: sandorski

Audiophiles were the same way when CD first came out. They were upset that CD's only had 44k(whatevers) and insisted that they could hear the difference between a CD and LP. CD's just were "missing" a lot of the music, so they said.

CDs are lossy compared to an analog source.


Can you explain that? If the analog signal can be accurately reproduced, where is the loss coming in?
 

ElFenix

Elite Member
Super Moderator
Mar 20, 2000
102,402
8,574
126
Originally posted by: grrl

Can you explain that? If the analog signal can be accurately reproduced, where is the loss coming in?

it isn't accurately reproduced. that is why you can make super cd type things, with 24 bit audio and 192khz sampling rates. at some point, the increase in quality just isn't worth the extra cost, however.
 

grrl

Diamond Member
Jun 21, 2001
6,204
1
0
Originally posted by: ElFenix
Originally posted by: grrl

Can you explain that? If the analog signal can be accurately reproduced, where is the loss coming in?

it isn't accurately reproduced. that is why you can make super cd type things, with 24 bit audio and 192khz sampling rates. at some point, the increase in quality just isn't worth the extra cost, however.

Are you talking about oversampling and the gentler filtering of the analog signal that allows (i.e. less phase shift)?
 

Gurck

Banned
Mar 16, 2004
12,963
1
0
I don't think I'm snobby about it, though I've certainly been called that and worse ;) Personally, 192bit ogg is a good balance between quality & drivespace for me, though I do like having a lossless backup (ie. CD). I also encode my favorites to flac rather than ogg. Lossless does make sense as a backup since over the course of time codecs, our equipment, interest, genres of choice and interest in fidelity may change. It allows you to reencode from the original copy, which always results in a better sounding rip.

What I get called snobby for is taking offense when some know-it-all punk teenager defends wasting money 128bit DRM'd music at ITMS by asserting that there is no difference, or his Boomitech speakers and Leet Bass Exploder headphones would make it apparent. Keeping in mind what I said about things changing over the course of time, I find the shortsightedness and arrogance of this argument to be as grating as fingernails on a chalkboard.
Originally posted by: sandorski
Audiophiles were the same way when CD first came out. They were upset that CD's only had 44k(whatevers) and insisted that they could hear the difference between a CD and LP. CD's just were "missing" a lot of the music, so they said.
It may well be true, personally I've never heard vinyl on a quality setup so can't comment on it - I'd like to at some point.
 

Skyclad1uhm1

Lifer
Aug 10, 2001
11,383
87
91
Originally posted by: austin316
Originally posted by: RaynorWolfcastle
Originally posted by: QuitBanningMe
Will you use my favorite songs? As I said in most cases it makes absolutlely no difference to me and I am in no way an audiophile/elitist, I can simply tell the difference.

I'll use whatever song you like. You just have to provide a master copy, I do the compression.

The way I'd set it up would be by doing the following
master clip -> compress losslessly -> testfile1
master clip -> mp3 compression @ 320 kbps -> wav -> compress losslessly -> testfile2
master clip -> AAC compression @ 320 kbps -> wav -> compress losslessly -> testfile3

ATOT tries to figure out which is which.


Yes, definetely do this. Although I have a bad feeling that computer people might be able to tell the difference based on the file, not the sound.

They'll open the files in something like Gspot, and then think they're cool because they can tell the difference by using a tool, rather than listening to the files.
 

randumb

Platinum Member
Mar 27, 2003
2,324
0
0
i started caring about my audio quality after i got a good headphone setup (hd650 & ppx3). most of my stuff is in 192-320 vbr or flac.
 

konakona

Diamond Member
May 6, 2004
6,285
1
0
Originally posted by: randumb
i started caring about my audio quality after i got a good headphone setup (hd650 & ppx3). most of my stuff is in 192-320 vbr or flac.

greetings, fellow hd-650/ppx3 user :) whats your source?
 

aidanjm

Lifer
Aug 9, 2004
12,411
2
0
Originally posted by: RaynorWolfcastle
Originally posted by: QuitBanningMe
Will you use my favorite songs? As I said in most cases it makes absolutlely no difference to me and I am in no way an audiophile/elitist, I can simply tell the difference.

I'll use whatever song you like. You just have to provide a master copy, I do the compression.

The way I'd set it up would be by doing the following
master clip -> compress losslessly -> testfile1
master clip -> mp3 compression @ 320 kbps -> wav -> compress losslessly -> testfile2
master clip -> AAC compression @ 320 kbps -> wav -> compress losslessly -> testfile3

ATOT tries to figure out which is which.

I'd be fascinated to compare the difference between the three, as would many people here I'm sure.

 

BillyBatson

Diamond Member
May 13, 2001
5,715
1
0
when i staretd colecting mppp3z 5+ years ago i only downloaded and ripped 128kbps, anything less you could really hear the drop in quality but anythign above you really couldn't tell the difference and back then i had dialup and only an 8gb HDD so when i did get 160 or 192kbps i would convert to wav then back to mp3 at 128 thus a large part of my collection is 128 however now i rip or dl at 192, 160 if i have to but i sitll can't tellt he diff between a 128 and 192 very rarely will there be a base quality difference where i keep the 192 over 128, anything higher is just silly
 

StageLeft

No Lifer
Sep 29, 2000
70,150
5
0
Considering that any digitized audio is losing information somewhere, regardless of how many gigs/second your bitrate is, yes it's safe to say I look down on these people.
 

daveymark

Lifer
Sep 15, 2003
10,573
1
0
wouldn't this test depend on the setup, or does it not matter? I'll be listening on a pair of dollar store headphones.
 

skace

Lifer
Jan 23, 2001
14,488
7
81
Originally posted by: jpeyton
So, for example, if you ripped your CD to lossless, and then converted some tracks to VBR MP3 for your iPod...and then the next week a new format came out called MP9 that blew away MP3 in quality/size...you could still use your lossless digital master to re-encode to MP9. If you only had MP3s, you would be recompressing something that was previously compressed, reducing quality further.

Although I agree, you probably won't be able to notice the difference unless you have a really nice pair of headphones, or a good hi-fi setup at home.

QFT. It is called thinking ahead. Realizing that the setup you have now may not be the best you will ever have. Realizing that you can take lossless audio and recompress it down to whatever you want but you cannot recompress lossed quality back to its original state.
 

DPmaster

Senior member
Oct 31, 2000
538
0
0
Nope doesn't bother me that some people only listen to lossless compressed audio. It's all about your source material and how it's encoded. Give me good source material and let me encode it (LAME -b 128 -m s -h -V 0 -B 320) and you would be hard-pressed to hear a difference with most music.

You would also need a very good pair of headphones to hear any difference. I've found that high-end speakers won't do because there's too much outside noise to compete with. Headphones tend to be better at cutting out outside noise.

I use a pair of HD650 and the only time I can really tell is with classical music. With mp3s, certain instruments have a "halo" sound around them. I notice this "halo" when the instrument starts and ends. You really have to listen for it though and won't be evident to the vast majority of people out there. It's a lot harder to tell with pop, rap, etc. Technically, there is/should be a drop in sound quality (by definition encoding will strip out some data) but I don't really notice it...not with pop, rap, etc. anyways.

With that said, I only listen to CDs in the car for the music I like. The stuff I don't really care for I'll use mp3s. I spent enough money on my car sound system to feed a small third-world country so you bet I'm gonna use CDs (as opposed to mp3s) as my main source.
 

Sphexi

Diamond Member
Feb 22, 2005
7,280
0
0
Straight up 128 here. I could care less about slight differences in quality, if I happen to like a CD I'll put it in 160 or 192, but that's as high as I bother with.
 

0roo0roo

No Lifer
Sep 21, 2002
64,795
84
91
yea its all different grades of cr@p compared to the failed sacd/dvda formats.
 

CrispyFried

Golden Member
May 3, 2005
1,122
0
0
Most of mine is lossless. But you need high end audio stuff to tell the diff between like 320 kbs mp3 and the originals.

But to each his/her own.