Question: I know that you and many others are loving this season of Fringe with the alt-world, Doublivia high jinks but I am a bit more, shall we say, off-put. One of my problems is that I'm getting a very Charmed vibe about the whole thing. Allow me to explain. I was a devoted Charmed fan (until the unfortunate last season), but one of the staples of that show which always bothered me were the possession/body-swap type episodes. One of the sisters would be overtaken or possessed or swapped out or what have you and the other sisters would take forever and a day to noodle it out. No matter how strangely or out of character they acted, they would sense nothing was amiss until the whole thing blew up in their faces. With Fauxlivia in the mix on our side, I'm getting that familiar feeling of "Really? Come on!" when it comes to the continued obliviousness of the rest of the cast. When she didn't call Peter before going to search the apartment bit would be one example. At least with Charmed, it would resolve itself within the hour, not so in this case as they will be ping-ponging back and forth, from what I understand, all season. Charmed, obviously, is a very different animal and the comparison is limited.
But I don't particularly like this whole back and forth business in general. I find the other universe more entertaining in small doses, and the fact that the audience knows information that the so-called geniuses on the show don't (but should be able to deduce) creates a disingenuous tone to me. I know I may be in the minority on this, and I will continue to watch as long as Fringe is on the air, but I am not loving this season as much as the previous ones. Just wondering if you can see my perspective. — Jill
Matt Roush: The difference to me — and I can't comment on Charmed, as I didn't go on that ride — is that this dual-world doppelganger-Olivia storyline is not a stunt, it's an arc. And it's an arc that Fringe spent two seasons building toward and is now showing the consequences of ripping the fabric between universes, trapping our heroine on one side with her lookalike covert agent on the other. It may not be the story you wish they were telling, but it's clearly the story they've laid the groundwork for, and if they were to cut it short, they'd get hammered by the "mythology" fans who live for this kind of thing. I'll also take issue with your calling "disingenuous" the device of making the audience aware of things our heroes, as of now, can't see. That is a classic form of suspense storytelling, dating back to vintage Hitchcock and beyond, and it's giving Anna Torv the best material she's had to date on the show, allowing her to raise her game in a way I didn't think possible. So while I'm with you that I don't want this storyline to take over the entire season — and the trailer at the end of next week's episode made it sound like things might change in the near future — I'm OK with it for now. Plus, watching John Noble play two versions of Walter is a bonus. Way too early for backlash on this front.