Originally posted by: cmdrdredd
Originally posted by: zinfamous
Originally posted by: cmdrdredd
So Uncompressed PCM and TrueHD are the same bitrate etc?
bitrate is FUD. very similar to the marketing FUD that has lead many to believe that MP is the most important aspect of quality in a digital camera.
From what I understand, there is very little reason to even look at bitrate. All codecs and cables are capable of achieving any bitrate that will be necessary for the forseeable future.
The higher the bitrate the MORE data is being processed at one time thus more of the original audio is preserved. That's why DTS 5.1 IS better than DolbyDigital 5.1 it has more bandwidth.
that's NOT guaranteed to be true. the thing is, DTS and Dolby use two completely different compression techniques, and Dolby has a superior compression algorithm. However, while a DTS track was larger simply due to not as efficient compression, it was also larger because it did want to present superior audio to the listener.
however, while in this case it is true, more bitrate isn't guaranteed to present better quality audio since compression algorithms differ amongst companies, and thus one may actually produce a higher quality audio track while actually having a lower bitrate.
to use a more fitting example, look to uncompressed PCM, TrueHD and DTS HD-MA. TrueHD, at least of tracks I have seen, my PS3 reports usually around 4mbps. The PCM tracks I have encountered, and when I used the PS3 to look at the bitrate, was always around 5-6.5mbps. DTS HD-MA? No clue, as the PS3 cannot touch that as of yet.
Why all three exist, I have no clue, especially considering all are supposedly lossless. Now, obviously there is a difference in bitrate, and there is a such thing as lossless compression, so keep that in mind. Dolby likely uses light compression when wrapping the audio into the TrueHD codec, versus straight PCM audio.
I assume PCM audio really was only around as a filler in-between the period of BD introduction (do any HD DVD titles have PCM audio?) and adoption of HDMI v1.3 spec receivers. That's my guess and it makes sense, to allow those who do not have capable receivers, and players not capable of internal decoding, to still enjoy HD audio. Is that the real reason? Who knows. Maybe it's simply to avoid fees for using codecs of the audio companies, as PCM, I assume, is free to use since it's really not a codec, just a transmission standard?
and I have my own question:
is it possible to add HDMI v1.3 spec audio track decoding through a firmware update to a v1.1 spec receiver, such as my H/K AVR247? I honestly doubt it and have no hopes, but it's an interesting idea. Would be awesome if possible.
