I got this information from the nforcershq audio forums FAQ.
We all know why nforce3/4 don't have soundstorm; the mb manufacturers didn't see the need for an added cost to the mb when "no one really cared about it". yadda yadda
Fanboyism aside, Soundstorm is appreciated for two things.
1) Quality of SPDIF output
2) DD encoding.
1) The analog (headphone jack) outputs were not good quality for any of boards with Soundstorm. There is a tremendous quality difference when using SPDIF however.
2) DD encoding. With DD encoding we can use a coax digital input and get 5.1 channels out of one cable into our home theatre receivers instead of 6 analog jacks. With DD encoding I got 5.1 channels out of Doom3, UT2004, and Far Cry. The keypoint being that you can use your home theatre receiver. Without DD encoding, you only get stereo sound. This is not acceptable, and most receivers do not have DVD-Audio inputs (apparently these are the same plugs that computer speakers use) to create all the channels for sound. The problem with Creative (and Hercules/Turtle Beach) is that their Audigys do have SPDIF output, but they do not do the DD encoding. Soundstorm leaving the market means that anyone with a DD/DTS receiver made in the past 7 years is left with stereo sound on their setup.
To reiterate what I'm saying here is that with a Creative Audigy2, I would only get Stereo sound from a coax SPDIF output plug instead of 5.1.
Former Soundstorm users are now forced to do one of two things:
1) Buy a new receiver that supports DVD-Audio (several hundred bucks)
2) Settle for a computer sound system (several hundred bucks)
3) Lose their home-theatre setup and deal with it. (so upgrading actually becomes a downgrade!)
NOTE: It seems there is a major reason Creative has not put DD encoding on their hardware. Realtime DD encoding requires about 200MB of bandwidth, something that the PCI bus is just not capable of transmitting. Neither can USB2.0. That was the benefit of Soundstorm; since the encoder was on the motherboard itself and didn't have to shuttle through the PCI bus, the bandwidth was not a problem. PCI-Express may be able to handle this load and hopefully a new solution is just around the corner.
We all know why nforce3/4 don't have soundstorm; the mb manufacturers didn't see the need for an added cost to the mb when "no one really cared about it". yadda yadda
Fanboyism aside, Soundstorm is appreciated for two things.
1) Quality of SPDIF output
2) DD encoding.
1) The analog (headphone jack) outputs were not good quality for any of boards with Soundstorm. There is a tremendous quality difference when using SPDIF however.
2) DD encoding. With DD encoding we can use a coax digital input and get 5.1 channels out of one cable into our home theatre receivers instead of 6 analog jacks. With DD encoding I got 5.1 channels out of Doom3, UT2004, and Far Cry. The keypoint being that you can use your home theatre receiver. Without DD encoding, you only get stereo sound. This is not acceptable, and most receivers do not have DVD-Audio inputs (apparently these are the same plugs that computer speakers use) to create all the channels for sound. The problem with Creative (and Hercules/Turtle Beach) is that their Audigys do have SPDIF output, but they do not do the DD encoding. Soundstorm leaving the market means that anyone with a DD/DTS receiver made in the past 7 years is left with stereo sound on their setup.
To reiterate what I'm saying here is that with a Creative Audigy2, I would only get Stereo sound from a coax SPDIF output plug instead of 5.1.
Former Soundstorm users are now forced to do one of two things:
1) Buy a new receiver that supports DVD-Audio (several hundred bucks)
2) Settle for a computer sound system (several hundred bucks)
3) Lose their home-theatre setup and deal with it. (so upgrading actually becomes a downgrade!)
NOTE: It seems there is a major reason Creative has not put DD encoding on their hardware. Realtime DD encoding requires about 200MB of bandwidth, something that the PCI bus is just not capable of transmitting. Neither can USB2.0. That was the benefit of Soundstorm; since the encoder was on the motherboard itself and didn't have to shuttle through the PCI bus, the bandwidth was not a problem. PCI-Express may be able to handle this load and hopefully a new solution is just around the corner.