The Almighty Led Zeppelin

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realsup

Senior member
Oct 10, 2004
357
0
0
Originally posted by: teh meow
Originally posted by: shilala
Jimmy was a mega-smackhead satan worshipper, too.
:thumbsup: for the King.

Uh, no he wasn't. Supposably, he followed satanism called Laveyan Satanism, Anton LaVey's philosophy of Satanism. Jimmy page didnt follow that either

Anton Lavey satanism does not have a damn thing to do with worshiping satan. Satan is just used as a figure. Read about it.


Not realy he was more into the Golden Dawn cult. He did buy Aleister Crowley's mansion.
 

compuwiz1

Admin Emeritus Elite Member
Oct 9, 1999
27,112
930
126
John Bonham was Led Zeppelin. Sure the group pretended, or tried to function, after his death, but John's death really marked the end of the band, as we knew it, and finaly...uh..death :(
 

Analog

Lifer
Jan 7, 2002
12,755
3
0
If Led Zeppelin did it so easily, then why didn't everyone? Seriously folks, the major bands in history melded many elements together to form a unique sound, this includes the Beatles, Stones etc. They deserve the credit - they set the template for everyone else afterwards.
 

Fritzo

Lifer
Jan 3, 2001
41,920
2,161
126
OK, since I'm a self proclaimed Page-ologist, I can say the following:

EVERY band in the 60's and 70's took music from their influences and made it their own. If you play the original music that Page borrowed from, it's unlistenable (unless you're really a fan of the genre). What makes Page great is he was able to take those influences and turn their otherwise lost works into something great. Most of the blues songs that were borrowed from were considered public domain at the time since the artist was either dead, or their recording company folded.

In today's music, we have "artists" being so lazy they're taking actual clips of classic songs and putting them in their own. If you can take someone's work and make it better, that's one thing, but this sampling crap is going to be the death of music.

Also, I've heard nearly all of the sources this list says Zep stole from. In a lot of cases, it was a couple of lyrics, a riff, or maybe a beat, but the song was always significantly different from the original. The Stairway to Heaven claim is a real stretch as the song Taurus uses a similar arrangement as the beginning of Stairway, but the chords aren't even the same.
 

Zebo

Elite Member
Jul 29, 2001
39,398
19
81
Originally posted by: yellowfiero
If Led Zeppelin did it so easily, then why didn't everyone? Seriously folks, the major bands in history melded many elements together to form a unique sound, this includes the Beatles, Stones etc. They deserve the credit - they set the template for everyone else afterwards.

BEcause they still have tremendous talent like the author said. There are talented theives too you know.

The evidence is laid out. It is up to you, gentle reader, to assess whether Jimmy Page and Led Zeppelin deserve the prestige they have been accorded. Now, this may appear to be nothing but gratuitous Page-bashing. Far from it. To this day, Jimmy Page is unacknowledged as one of the two the greatest psychedelic guitar players ever. The other one is not Jimi Hendrix, but rather the aforementioned Syd Barrett. Page's criminally underrated work with the Yardbirds and on countless sessions (take note of his hypnotic work on Donovan's "Sunshine Superman") reveal him to have set the standard for lysergic discord par excellence.

Further, in light of the fact that Page played on 60% of everything released in Britian between 1963-66 and then adding his work with the Yardbirds and Led Zeppelin, he is undoubtedly the most recorded major guitarist ever. His fretwork itself is never in question. Even on the lightweight session material he appears on, Page's guitar playing itself is impeccable (which is amazing if you consider that the majority of those forgotten groups should not have been within ear-shot of a studio). But it his habit for putting his name on others materials that is being examined here, not his guitar sorcery.
 

HendrixFan

Diamond Member
Oct 18, 2001
4,646
0
71
Blues has a very LONG tradition of "passing down" classics. Any great blues artists play other people's material. Naturally, that kind of thing leads to adaptations of original compositions.

I can tell you that quite a few of Jimi Hendrix's songs were variations of old blues standards, and a few were straight cover songs.

 

Zebo

Elite Member
Jul 29, 2001
39,398
19
81
Originally posted by: Carbo
Led Zeppelin isn't music. It's volume. :thumbsdown:

Compared to what? That crap, no talent, 100% base machine produced top 40 out today?
 

Cerb

Elite Member
Aug 26, 2000
17,484
33
86
Originally posted by: realsup
Originally posted by: teh meow
Originally posted by: shilala
Jimmy was a mega-smackhead satan worshipper, too.
:thumbsup: for the King.
Uh, no he wasn't. Supposably, he followed satanism called Laveyan Satanism, Anton LaVey's philosophy of Satanism. Jimmy page didnt follow that either

Anton Lavey satanism does not have a damn thing to do with worshiping satan. Satan is just used as a figure. Read about it.
Not realy he was more into the Golden Dawn cult. He did buy Aleister Crowley's mansion.
Early presses of LZ III had "Do what thou wilt" on the A side. :cool:

\m/ doesn't quite cut it for the ward against the evil eye...we need a new emoticon!

As to the OP and link: OMG blues guys took stuff from other blues guys?! The horror! This has never been seen before! This is really old news. I could have sworn part of Gallows' Pole was stolen, as well. Eh.
 

Cerb

Elite Member
Aug 26, 2000
17,484
33
86
Originally posted by: Carbo
Led Zeppelin isn't music. It's volume. :thumbsdown:
Be glad we don't have user ratings. This would get you many 1s.

Californication by RHCP, now that's volume (it beats out Oasis' be Here Now for crappiest I've ever heard).
 

Analog

Lifer
Jan 7, 2002
12,755
3
0
Originally posted by: Zebo
Originally posted by: yellowfiero
If Led Zeppelin did it so easily, then why didn't everyone? Seriously folks, the major bands in history melded many elements together to form a unique sound, this includes the Beatles, Stones etc. They deserve the credit - they set the template for everyone else afterwards.

BEcause they still have tremendous talent like the author said. There are talented theives too you know.

The evidence is laid out. It is up to you, gentle reader, to assess whether Jimmy Page and Led Zeppelin deserve the prestige they have been accorded. Now, this may appear to be nothing but gratuitous Page-bashing. Far from it. To this day, Jimmy Page is unacknowledged as one of the two the greatest psychedelic guitar players ever. The other one is not Jimi Hendrix, but rather the aforementioned Syd Barrett. Page's criminally underrated work with the Yardbirds and on countless sessions (take note of his hypnotic work on Donovan's "Sunshine Superman") reveal him to have set the standard for lysergic discord par excellence.

Further, in light of the fact that Page played on 60% of everything released in Britian between 1963-66 and then adding his work with the Yardbirds and Led Zeppelin, he is undoubtedly the most recorded major guitarist ever. His fretwork itself is never in question. Even on the lightweight session material he appears on, Page's guitar playing itself is impeccable (which is amazing if you consider that the majority of those forgotten groups should not have been within ear-shot of a studio). But it his habit for putting his name on others materials that is being examined here, not his guitar sorcery.

yup, just like Steve Jobs and his stealing of WYSIWYG Xerox template for the Mac...
 

Led Zeppelin

Diamond Member
Oct 15, 2002
3,555
0
71
Originally posted by: meltdown75
thanks. i'll hate them now.

you saved the day.


LOL!!!!!!

***throws every Zep CD and bootleg I own into the fire because of the OP's "breaking news"***

More propaganda from Zep haters found via the intraweb. Give yourself a pat on the back.
 

Vic

Elite Member
Jun 12, 2001
50,422
14,337
136
Originally posted by: Zebo
.. what a bunch of dicks. Makes me wanna to find out a little more about bittorrent and rip them off too. Course I already own every Zepplin CD legit but my reverance for them definity drops a couple notches. Thanks for the info OP which steers me to check out whom they stole from.
It shouldn't drop your opinion of them. What did they was also done by many other artists of the time, including greats like the Stones and Clapton. They took the '30s and '40s delta blues and make it into some of the greatest rock n' roll of all time. And what did we, Americans, call that fantastic amazing delta blues before it went to England and then was brought back to us by those Brisitsh rock greats? "Jungle music"

And don't think musicians don't copy. ALL musicians copy. Music is an evolution, not an invention.

And you really should blame their twisted manager, Peter Grant, more than the band itself. Managers had tremendous power of their artists' works at the time. John Fogerty of CCR (who was also known to shamelessly rip the blues) was sued by the band's management after he left the band because his solo work sounded too much like his work in CCR (which rates a big "duh" there). For nearly a decade ('75-'85), he lost nearly all his royalties both from CCR and his solo work to his crooked former management. When he finally was able to get paid again, his work had to sound different than CCR's sound even though he developed CCR's sound (and wasn't getting paid for it), and he had to go back into court to prove it.

So think about it here. Are you defending artists? Or management that can't play a note?
 

WildHorse

Diamond Member
Jun 29, 2003
5,006
0
0
It's NOT like Jimmy Page's stealing of Mississippi Delta Blues words and guitar rifs is innocent infringement of the true music writer's rights.

Jimmy Page actually travelled in the Missippi Delta to seek out lyrics and guitar work he could steal. This has been reported in news.

I did a Google search to find an authoritative source to cite for you all about this.
I can't find one now, probably because it's too old, but this definitely was reported in the past. Guess you have to trust me on this one. If I find it I'll come back here & insert with an edit.

On the other hand, some musicians honor and respect the truly creative people who made the music which LZ stole, repackaged, & made fame & great wealth off of.

Prime example: John Hammond, The search for Robert Johnson, dvd, ISBN 0738900796 ( Recommended. Your local public library may have it. )
 

cavemanmoron

Lifer
Mar 13, 2001
13,664
28
91
Link to all the original versions,and Led Zeppelin versions,
so I can listen to them. Please.

I have to hear both sides of the story to make an imformed desicion. ;)

Plus I like Zep,and always nice to hear.:D

 

Zebo

Elite Member
Jul 29, 2001
39,398
19
81
Originally posted by: compuwiz1
John Bonham was Led Zeppelin. Sure the group pretended, or tried to function, after his death, but John's death really marked the end of the band, as we knew it, and finaly...uh..death :(

No doubt about that.. powerful machine gun drummer best of all time!
http://www.drummerworld.com/Videos/johnbonham2.mov

That's just it with zeppelin super talent at every position no reason whatsoever not to give a shot out to those they heavily borrowed from on some songs. They lost twice in court apparently but I agree with VIC management team was borderline mafioso and probably most responsible..
 

DainBramaged

Lifer
Jun 19, 2003
23,454
41
91
Jimmy Page's guitar playing fvcking owns. Regardless of whether or not it was original music, it will never be played better.
 

sandorski

No Lifer
Oct 10, 1999
70,791
6,350
126
Who cares about Zep lyrics anyways? It's the freakin awesome sound that make them one of the Best.
 

Red Dawn

Elite Member
Jun 4, 2001
57,529
3
0
Originally posted by: davestar
I assume that most of Page's plagarism is common knowledge, but then again there's a ton of blind Zeppelin worship floating around these forums. For the uninitiated:

"Babe I'm Gonna Leave You" - A folk song by Anne Bredon, this was originally credited as "traditional, arranged by Jimmy Page," then "words and music by Jimmy Page," and then, following legal action, "Bredon/Page/Plant."
"Black Mountain Side" - uncredited version of a traditional folk tune previously recorded by Bert Jansch.
"Bring It On Home" - the first section is an uncredited cover of the Willie Dixon tune.
"Communication Breakdown" - apparently derived from Eddie Cochran's "Nervous Breakdown."
"Custard Pie" - uncredited cover of Bukka White's "Shake 'Em On Down," with lyrics from Sleepy John Estes's "Drop Down Daddy."
"Dazed And Confused" - uncredited cover of the Jake Holmes song (see The Above Ground Sound Of Jake Holmes).
"Hats Off To (Roy) Harper" - uncredited version of Bukka White's "Shake 'Em On Down."
"How Many More Times" - Part one is an uncredited cover of the Howlin' Wolf song (available on numerous compilations). Part two is an uncredited cover of Albert King's "The Hunter."
"In My Time Of Dying" - uncredited cover of the traditional song (as heard on Bob Dylan's debut).
"The Lemon Song" - uncredited cover of Howlin' Wolf's "Killing Floor" - Wolf's publisher sued Zeppelin in the early 70s and settled out of court.
"Moby Dick" - written and first recorded by Sleepy John Estes under the title "The Girl I Love," and later covered by Bobby Parker.
"Nobody's Fault But Mine" - uncredited cover of the Blind Willie Johnson blues.
"Since I've Been Lovin' You" - lyrics are the same as Moby Grape's "Never," though the music isn't similar.
"Stairway To Heaven" - the main guitar line is apparently from "Taurus" by Spirit.
"White Summer" - uncredited cover of Davey Graham's "She Moved Through The Fair."
"Whole Lotta Love" - lyrics are from the Willie Dixon blues "You Need Love."

An interesting read:

Jimmy Page's Dubious Recording Legacy

Yeah like I give a sh!t:roll: