- Jan 6, 2002
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I asked on a producer/engineer forum I frequent and got mixed answers. Looking to get a 25' XLR cable for a microphone I'm ordering. I would like to think the advice from a dude who's been a professional engineer for 25 years is good but I don't know. One's telling me little to no difference in brand outside of durability. Another's saying you need shielded and higher quality cables with have much better impedance and give you noticeably better sound. And they talk about how dead silent the higher quality cables are when you're recording vocals.
I'm ordering a middle of the line M-Audio Luna condenser mic, I don't know squat about XLR cables, I don't want to just assume they're like HDMI or others where a cable's a cable. The other forum's suggestions included Mogami Neglex Star-Quad, Monster and a few others. Oddly enough the Monster was way cheaper than the others mentioned. The Mogami was $100 for a 5 foot cable.
Does anything outside of how well made the cable is matter at all? I'm seeing 25 footers for $20 bucks and wondering if I should just go with one of those and call it a day.
I'm ordering a middle of the line M-Audio Luna condenser mic, I don't know squat about XLR cables, I don't want to just assume they're like HDMI or others where a cable's a cable. The other forum's suggestions included Mogami Neglex Star-Quad, Monster and a few others. Oddly enough the Monster was way cheaper than the others mentioned. The Mogami was $100 for a 5 foot cable.
Does anything outside of how well made the cable is matter at all? I'm seeing 25 footers for $20 bucks and wondering if I should just go with one of those and call it a day.
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