Originally posted by: GTaudiophile
Well, those who do it manually, what is it that you're doing?
DISCLAIMER: After typing all of the following, I realized you were looking for Photoshop workflow!
. Instead of wasting this, I'm leaving it in, dammit!
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My workflow consists of throwing all my RAW files from the day into it's own specific folder. Everything is seperated by date. I do absolutely no renaming to the files.
I'll sort through everything within the browser in Capture NX. Anything that looks good, I'll open in the main window to get a larger view at it. Any of them that's a keeper gets minimized to the bottom of the screen. RAM isn't an issue here, since I never have many that are keepers
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I'll open them up one at a time, and the first thing I'll do is adjust my exposure and use the black/white points in the program. I absolutely love these points, and it's the most important tool in my PP workflow to make my pictures look great. I'll check the double threshold box, which basically makes the entire picture turn either grey, black, or white. I'll adjust the sliders on the histogram to define the boundries of the highlights and the shadows in the picture, set a black and white point, respectively, on the spots in the picture, then voila, my brightness, contrast, and whatever else is set perfectly. It really cleans up the picture in regards to contrast and color. You can also use a neutral grey point, but I'm not that advanced into it yet.
I'll then crop/straighten the picture. Next up is to adjust white balance to my liking, adjust color mode, saturation, etc....typical RAW adjustments. I just go down through the list and adjust anything that the picture is calling out for.
Up next, if applicable, is to place color control points anywhere where I want to make slight adjustments to only parts of the picture. One recent example is a picture I took of my wife this past weekend. The picture was a quick snap, and turned out fantastic. I placed some control points on the skin of her face, and added some saturation and color to bring out some better flesh tones....all without touching anything else (gotta love those control points).
Last is some USM. Then the final result will be saved as a JPG within the Capture program, and then I go into Photoshop to add my trademark border, shadow, and signature.
Sometimes I'll see a picture that doesn't quite work as a typical photo, so I'll stick it into Photoshop and work with the Nik photo plugin that I have. I love the B&W options that plug-in has, as it's vastly superior to the plain B&W conversions of other programs. I may decide to dress up a photo with a high-pass filter also, to add some pizzazz.
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One of my favorite Photoshop tricks was learned from Daniel Diaz over at dpreview.com. Create a new layer on top, and apply a high-pass filter. Adjust the slider to create a nice contrast between the blacks and whites in the preview screen, but don't overdo it so as to have easily discernable halos around edges.
Go into adjustments, and turn your saturation all the way down to prevent artifacts in your high-pass layer. Then go into selective color, and set your black, white and neutral gray to where they are well defined (with black, move the bottom slider to the right, with white, move the bottom slider to the left). Then, make the high-pass layer an overlay, and the result should look pretty decent. Once I can get home and find that process (I'm at work right now), I'll update this with better specifics.