- Aug 23, 2003
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Because I'm not really interested in 30 year old film cameras.If you insists, why don't we go bottom and look at things from the beginning of electronic technologies?
Because I'm not really interested in 30 year old film cameras.If you insists, why don't we go bottom and look at things from the beginning of electronic technologies?
You can phrase things however you like. However, the 7D is designed to be the competitor to the D300s and the 50d is designed to compete with the D90.
The 50D *does not and did not fill the same segment in Canon's lineup as the D300 does for Nikon*. The 50D fills the same segment as the D90. Yes, the pricing is not identical.
Yes, the 50D did cannibalize *some* sales from the D300. However the D300 took way way more sales from Canon because Canon just flat out didn't have a D300 competitor. A huge glaring hole in their lineup. The D200 wasn't a big deal because the IQ wasn't up to Canon standards but the D300 was a knockout amazing product. The 50d didn't really compete with it. The 50d's IQ was/is great, but features wise the D300 was a much more pro body and it (along with the D700) caused many to switch to Nikon. Which is fantastic for us Canon users because it made Canon get off their ass and focus on making a great product (7d).
Just because products are priced similarly does not mean they are positioned against each other. For example the D700 and 5Dmk2. Canon users whine about the 5d's af when Nikon puts their best one in the D700, etc, etc. Nikon users whine that they hafta spend $8,000 to get the IQ you can get from canon for $2,500 when you don't need the pro body.
Anyway, just a tangent![]()
T1i vs D5000, you have to say D5000 gets a huge advantage. That sensor is just amazing. What about D90 vs 50D? The D5000 sensor in terms of noise and dynamic range is just beautiful.
i wonder why imaging-resources can't keep the exposure consistent between cameras? exif shows all were at f/8, the D700 has 1/3 stop longer shutter than the D3s, and the 5D2 has 1/3 of a stop longer than that. and that's with both the D700 and D3s shot in M mode! (the 5D2 was shot in A for whatever strange reason). only the 5D2's exif has sensitivity information. comparing between them all, you can easily see that the D700 was given more apparent exposure as the picture is brighter. the 5D2 and the D3s look like they got the same apparent exposure, which is strange considering the 5D2 had 2/3 of a stop longer shutter (so the D3s had sensitivity set 2/3 of a stop higher than the 5D2?)
another problem is that the position of the cameras isn't quite the same in each one. the D3s is clearly closer to the subject than the 5D2 (everything is slightly larger). the D700 is also closer to the scene than the 5D2 and offset a bit from the D3s (though it looks like the they were just about the same distance away). all of the cameras used a focal length of 70 mm so i assume they were each using the respective 24-70 lenses set to the long end.
another problem is that the position of the cameras isn't quite the same in each one. the D3s is clearly closer to the subject than the 5D2 (everything is slightly larger). the D700 is also closer to the scene than the 5D2 and offset a bit from the D3s (though it looks like the they were just about the same distance away). all of the cameras used a focal length of 70 mm so i assume they were each using the respective 24-70 lenses set to the long end.