There has been many discussions regarding image processing problems of D3, D300, yet nobody was able to come up with solid reasons.
(Two of the main problems are: 1. too much saturation in certain situations 2. Low and no color information topped with high grain noise in certain situations.
Low and no saturation has been the main concern of users as it, in many cases, produces gray face when shooting portraits. Even worse, you can't post-process it to fix it as there's no color information) http://www.slrclub.com/bbs/vx2...um&desc=asc&no=1545198
A Korean user named Z3000 found reasons of the problems and the bad news is that it can't be fixed by a simple firmware update.
(About Z3000: Nobody really knows much about him but he must be an engineer in that area, otherwise his crazy knowledge and engineering equipments don't make sense.
He also has adjustment softwares of all the camera brands although he does not work for any of those companies. Using those softwares, he uses his own fine tuned cameras.
And he once developed "1:1 converter" that makes your cropped sensor cameras to become a FF camera. Production samples were out but it couldn't hit the market due to paetent issues)
I wish I could clearly translate what he said but even in Korean, I can't really understand what he's saying; it's too technical thus I couldn't fully translate the whole thing.
Anyway, this is my best shot.
"The problem is caused by CMOS gain control and ISO sensivity. The boost rate of signal in the given current and the dealy time of ISO sensivity must be fixed to avoid the problem.
In other word, the dealy time of CMOS getting the light and the sensivity of the CMOS....
Current ISO sensivity must be down by -1EV. By doing so, the color information in the shadow and detail will be normal.
ISO 200 must go down to ISO 100. The shutter speed also must be fixed following the ISO level.
(I changed Canon cameras' settings to be like Nikon D3/D300 and the same problems occured)
Picture Control can help to reduce the problem but it's only marginal.
By changing ISO sensivity and CMOS -1EV gain will give more time for CMOS to be exposed to the light.
(Unlike D3/D300, the reason why Canon didn't set their CMOS gain and ISO sensitivity higher is because the contrast goes up too much.
Some of you may like contrasty images but adjusting contrast level is better to be done in software. Otherwise, the tonal reponse takes the damage too much.
Contrast gained by setting high CMOS gain is different on each RGB channel. It causes too much high saturation or low saturation.
Using Active D-lighting sets even more ISO sensivity. Active D-lighting works by boosting ISO sensivity then balancing out the light and shadow.
That's why it greatly damages shadow details in shots taken in where there aren't enough light.
In that case, Canon did a good job of selecting the right ISO sensivity as their cameras keep the detail while maintaining DR.
Now, some you must be confused about CMOS gain and ISO sensivity.
Think about CCTV cameras that don't have apertures. On those cameras, the exposure level is controlled by CMOS gain coltrol and ISO sensivity.
Exposure on Cell phone cameras are adjusted by the same way.
I found out that the image problems of D3/D300 can be fixed by adjusting those values.
Much improved tonal reponse and shadow detail can be achived by adjusing ISO sensivity by -1EV.
The result is that Nikon went too aggresive and boosted CMOS sensivity to the extreme level.
I don't think High ISO-Low noise is more important <when it come with these problems>"
Regarding this post, many people asked questions and here're some of this replies:
"Canon also lied about ISO sensivity but it was the other way around.
ISO sensivity of Canon has been improved due to the expansion of CMOS miro-lens but, unlike Nikon, they lowered it for the sake of shadow and high ISO detail."
"The lost color information and detail can't be brought back in JPEG. RAW is similar but it's much better than JPEG"
"The reason why it can't be fixed by firmware upate is because every cameras have different CMOS gain levels.
For an example, some camera's working CMOS voltage is 3.2v and some others can be 3.25. This difference is adjusted in the manufacturing process and
a general firmware update will not handle it. It will require per-camera calibration"
-------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------
Here's how I understood:
So the problem is that Nikon sensor isn't really getting enough light for the sake of high ISO performance. To make up for it, it boosts the lack of information by using software boost.
This wouldn't be a much problem if all the RGB sensors receive the same amount of light thus generating same amount of signals(G channel being the worst offender in this case) However, it is not the case thus creating the current problems of D3/D300.
--------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------
Link of the original post: http://www.slrclub.com/bbs/vx2...dnum&desc=asc&no=37519
Sample pictures:
http://www.slrclub.com/bbs/vx2...dnum&desc=asc&no=37487
http://www.slrclub.com/bbs/vx2...dnum&desc=asc&no=37521
http://www.slrclub.com/bbs/vx2...dnum&desc=asc&no=37517
http://www.slrclub.com/bbs/vx2...dnum&desc=asc&no=37518
http://www.slrclub.com/bbs/vx2...dnum&desc=asc&no=35923
(Two of the main problems are: 1. too much saturation in certain situations 2. Low and no color information topped with high grain noise in certain situations.
Low and no saturation has been the main concern of users as it, in many cases, produces gray face when shooting portraits. Even worse, you can't post-process it to fix it as there's no color information) http://www.slrclub.com/bbs/vx2...um&desc=asc&no=1545198
A Korean user named Z3000 found reasons of the problems and the bad news is that it can't be fixed by a simple firmware update.
(About Z3000: Nobody really knows much about him but he must be an engineer in that area, otherwise his crazy knowledge and engineering equipments don't make sense.
He also has adjustment softwares of all the camera brands although he does not work for any of those companies. Using those softwares, he uses his own fine tuned cameras.
And he once developed "1:1 converter" that makes your cropped sensor cameras to become a FF camera. Production samples were out but it couldn't hit the market due to paetent issues)
I wish I could clearly translate what he said but even in Korean, I can't really understand what he's saying; it's too technical thus I couldn't fully translate the whole thing.
Anyway, this is my best shot.
"The problem is caused by CMOS gain control and ISO sensivity. The boost rate of signal in the given current and the dealy time of ISO sensivity must be fixed to avoid the problem.
In other word, the dealy time of CMOS getting the light and the sensivity of the CMOS....
Current ISO sensivity must be down by -1EV. By doing so, the color information in the shadow and detail will be normal.
ISO 200 must go down to ISO 100. The shutter speed also must be fixed following the ISO level.
(I changed Canon cameras' settings to be like Nikon D3/D300 and the same problems occured)
Picture Control can help to reduce the problem but it's only marginal.
By changing ISO sensivity and CMOS -1EV gain will give more time for CMOS to be exposed to the light.
(Unlike D3/D300, the reason why Canon didn't set their CMOS gain and ISO sensitivity higher is because the contrast goes up too much.
Some of you may like contrasty images but adjusting contrast level is better to be done in software. Otherwise, the tonal reponse takes the damage too much.
Contrast gained by setting high CMOS gain is different on each RGB channel. It causes too much high saturation or low saturation.
Using Active D-lighting sets even more ISO sensivity. Active D-lighting works by boosting ISO sensivity then balancing out the light and shadow.
That's why it greatly damages shadow details in shots taken in where there aren't enough light.
In that case, Canon did a good job of selecting the right ISO sensivity as their cameras keep the detail while maintaining DR.
Now, some you must be confused about CMOS gain and ISO sensivity.
Think about CCTV cameras that don't have apertures. On those cameras, the exposure level is controlled by CMOS gain coltrol and ISO sensivity.
Exposure on Cell phone cameras are adjusted by the same way.
I found out that the image problems of D3/D300 can be fixed by adjusting those values.
Much improved tonal reponse and shadow detail can be achived by adjusing ISO sensivity by -1EV.
The result is that Nikon went too aggresive and boosted CMOS sensivity to the extreme level.
I don't think High ISO-Low noise is more important <when it come with these problems>"
Regarding this post, many people asked questions and here're some of this replies:
"Canon also lied about ISO sensivity but it was the other way around.
ISO sensivity of Canon has been improved due to the expansion of CMOS miro-lens but, unlike Nikon, they lowered it for the sake of shadow and high ISO detail."
"The lost color information and detail can't be brought back in JPEG. RAW is similar but it's much better than JPEG"
"The reason why it can't be fixed by firmware upate is because every cameras have different CMOS gain levels.
For an example, some camera's working CMOS voltage is 3.2v and some others can be 3.25. This difference is adjusted in the manufacturing process and
a general firmware update will not handle it. It will require per-camera calibration"
-------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------
Here's how I understood:
So the problem is that Nikon sensor isn't really getting enough light for the sake of high ISO performance. To make up for it, it boosts the lack of information by using software boost.
This wouldn't be a much problem if all the RGB sensors receive the same amount of light thus generating same amount of signals(G channel being the worst offender in this case) However, it is not the case thus creating the current problems of D3/D300.
--------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------
Link of the original post: http://www.slrclub.com/bbs/vx2...dnum&desc=asc&no=37519
Sample pictures:
http://www.slrclub.com/bbs/vx2...dnum&desc=asc&no=37487
http://www.slrclub.com/bbs/vx2...dnum&desc=asc&no=37521
http://www.slrclub.com/bbs/vx2...dnum&desc=asc&no=37517
http://www.slrclub.com/bbs/vx2...dnum&desc=asc&no=37518
http://www.slrclub.com/bbs/vx2...dnum&desc=asc&no=35923