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Nikon 17-55 f/2.8...almost bought

JohnnyRebel

Senior member
Nearly pulled the trigger on the Nikon 17-55 f/2.8 DX, but just could not do it with all the good press about the Tamron 17-50 f/2.8.

The $1000 difference is incredible (half a 24mm PCE, or a whole 105mm DC). I did go with the screw-drive non-VC model, which is recommended by Thom Hogan.

I'll post pics and a review when it gets here.

JR
 
I think you made a good decision considering the price difference. We'd all rather have the Canon for the faster AF and somewhat superior optics, but your Tamron lens will do 99% of what the more expensive Canon will. The Tamron even focuses a bit closer, which is a vastly undervalued attribute IMHO.
 
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i have the Tokina 11-16 and while its a fantastic lens it serves a totally different purpose then a 17-55
 
i have the Tokina 11-16 and while its a fantastic lens it serves a totally different purpose then a 17-55

I guess you're right. If the OP was more interested in the wide end, he might have mentioned the 14-24 instead.

How about the Sigma?

What Thom's Actually Using

Nikon DX DSLR: D7000 (primary lenses: Tokina 11-16mm, Sigma 17-50mm, Nikon 70-200mm or 70-300mm)
 
I guess you're right. If the OP was more interested in the wide end, he might have mentioned the 14-24 instead.

How about the Sigma?

Thom Hogan -
[FONT=Verdana, Arial, Helvetica, sans-serif]Wither the Sigma 18-50mm? I haven't used it enough to review it, but I have used it enough to know that it doesn't beat the Tamron.[/FONT]

The Sigma is probably a good lens, also. Thom might have liked it better in a later review....

As far as the Tokina, it is on my "to get" list but I just don't have a use for a wide-angle lens at this time.

I was wanting a mid-range for photographing the symphony orchestra concerts. I shot groups @ 28mm and the stage @ 50. I used the 28-85 f/3.5-4.5 zoom which is super sharp, but really wanted wider and faster. At 28mm, the light falloff was noticible and made the group shots less than perfect. The lighting also was greater on the center of the groups and I had to be far enough back, that while standing on the seats a few rows back the first row of seats are visible in the bottom of some shots.
 
--SNIP__
I was wanting a mid-range for photographing the symphony orchestra concerts. I shot groups @ 28mm and the stage @ 50. I used the 28-85 f/3.5-4.5 zoom which is super sharp, but really wanted wider and faster. At 28mm, the light falloff was noticeable and made the group shots less than perfect. The lighting also was greater on the center of the groups and I had to be far enough back, that while standing on the seats a few rows back the first row of seats are visible in the bottom of some shots.

I feel your pain. My daughter plays in her school jazz and symphony bands and I shoot most of her concerts. The way they have the lighting set up two stops brighter in the center should be criminal.
 
I have the Tamron 17-50 f2.8 NON vibration reduction one... it is an amazingly sharp lens. I'm very happy with it despite the fact it feels cheap as shit, it takes very good pictures.

focus was on my dog's nose/mouth area

DSC_2695.JPG
 
I had that Tamron and returned within a few weeks.
Couldn't stand the loud AF motor. One can hear across it across the room. Or even a church or auditorium.
 
Thom Hogan -
I was wanting a mid-range for photographing the symphony orchestra concerts. I shot groups @ 28mm and the stage @ 50.

Don't want to crap on the thread too much, but figured it was worth pointing out that group shots are better with longer lenses from a large distance.

I wouldn't use a 17mm for a big group. That will look weird, as the people in the center will be noticeably bigger than the people on the edges. That sort of focal length also does weird things to parallel lines and things when shooting large flat objects (like a riser full of people). It will be subtle and not immediately apparent, but the photos will feel "off".

Best off using a 200mm lens from the back of the auditorium, to be honest, for pleasing compression and lack of distortion, rather than a 28mm from the front row or a 17mm from the stage.

Unless, of course, such a working distance is impossible... then you just have to settle for what you can do. 🙂

But when I was shooting professionally, I remember a mentor making a really big deal pointing out how a zoom isn't a substitute for moving your feet, it's an artistic tool. Comparing two group shots, one at a very wide angle from close and one from a large distance with a long lens... the difference is subtle on first glance but striking when you compare the two. You won't shoot a group of people with a 17mm lens again after doing that comparison.
 
Don't want to crap on the thread too much, but figured it was worth pointing out that group shots are better with longer lenses from a large distance.

I wouldn't use a 17mm for a big group. That will look weird, as the people in the center will be noticeably bigger than the people on the edges. That sort of focal length also does weird things to parallel lines and things when shooting large flat objects (like a riser full of people). It will be subtle and not immediately apparent, but the photos will feel "off".

Best off using a 200mm lens from the back of the auditorium, to be honest, for pleasing compression and lack of distortion, rather than a 28mm from the front row or a 17mm from the stage.

Unless, of course, such a working distance is impossible... then you just have to settle for what you can do. 🙂

But when I was shooting professionally, I remember a mentor making a really big deal pointing out how a zoom isn't a substitute for moving your feet, it's an artistic tool. Comparing two group shots, one at a very wide angle from close and one from a large distance with a long lens... the difference is subtle on first glance but striking when you compare the two. You won't shoot a group of people with a 17mm lens again after doing that comparison.


I get what you're saying. I will have to give it some thought.

JR
 
Got home from work and found my lens waiting on me. A couple of quick snaps and initial first impression is WOW! Quick snap of bookcase in poorly lit room shows great low light performance, dead on autofocus, and tack sharp. I'll take some shots tomorrow and post for all to enjoy. I think I'll shoot some comparisons between the Tam 17-50 and the Nikon 35mm f/1.8.

Right now I'm glad I gave Tamron another chance.

JR
 
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