i am watching
Once Upon A Time In America (Original Cut Wasn't Long Enough Edition 4 Hours Long) -
https://www.imdb.com/title/tt0087843/reference/
it's a slog.
This film had a terrible history of studio-meddling, it was released at Cannes to a 20-minute standing ovation, to then flop massively at the box office after having been cut from 3h20m to just over 2 hours. And the 3h cut is already cut down from the 4hour, 9minute version i have just watched.
First off, a word about the "restoration". The film is essentially the 3h version, which itself has undergone an EXCELLENT color correction, spliced with some very crude footage from the 4h version, which is unwatchable. Grainy, almost B&W, absolutely disgraceful - just say you can't find the footage.
And, the footage doesn't really contain anything that is needed for the story to move forward.
OUATIA is the story of a bunch of street kids in 20s new york, primarily Max and David aka "Noodles". Director Sergio Leone (the Good / Bad / Ugly guy) goes into lengthy detail about Noodle's life, his crush on 14yo Jennifer Connelly (who shows him her naked butt; body double provided by the slightly-older Margherita Pace, although according to her - in a Italian-language website - Connelly did her own takes of the scene that were then cut, let's see if you can guess why), his relationship with frienemy Max, with the local police constable, the various mafia groups, etc.
Think about the scenes "back when" in The Godfather 2, except that they are 2hour long.
Eventually Noodles kills a bad guy and does time for it, where he is picked up from prison by now-adult Max, and taken back to their little empire of cash and crime.
Work goes on and Max and Noodles have a great time being small-time gangsters, doing it more for the fun and bravado than for just money. Eventually the film shows that Max is the more arrogant, power-tripping of the bunch, while Noodles wants more of a quiet life. This particular theme also shows up when he tried - now that he's got money - to seduce now-adult Deborah (Connelly), but she doesn't want to be "locked up" in a traditional marriage; she's the "Max" of the crew.
Prohibition ends, and the crew are looking to be left without the income of bootlegging. Max plans to hit the Federal Reserve Bank, a BIG JOB. Everyone else thinks this is too much, but only Noodles knows that Max will manage to persuade the others, and will likely get them all killed by going through with something impossible. He's persuaded to instead call the cops on Max with some minor offence, so that maybe a year behind bars will make him realize how ridiculous the idea was - there's even a scene where Max has purchased himself a THRONE, that he is sitting on, and he says "it's a throne, and i'm sitting on it".
Noodles goes through with the plan, but it massively misfires, and everyone else in the gang gets killed by the police.
All the above is narrated in a non-chronological fashion, where the film starts with Noodles already old, and in a opium den, trying to forget the pain of having betrayed and essentially killed his old friends. It skips ahead and back again several times, but it's fairly easy to follow - mostly because Leone leaves ABSOLUTELY NO FUCKING DOUBT about what happens in the story, instead going through every little tiny detail. The original pre-cut footage was 10 hours.
After all this bit, there is also a section where Noodles in even older - this exists in all the various cut versions, but is expanded here. He has a last meeting with Deborah (remember, he rapes her when she turns him down), now a successful yet lonely actress, and meets her son, who looks like .. Max.
He goes to meet Deborah's husband, who turns out to be Max - the one who was supposedly killed by the police.
There is a bit here which is the most confusing if you are watching one of the earlier cuts, as very little is explained. One of the "jobs" that the young-adult Noodles crew does, is to go save a union organizer, a "Teamster", from a bunch of crooked cops. In the shorter cut, this is literally just a job in a section where they show all the jobs this crew does, almost a montage, to show Noodles' crew becoming successful.
In the longer cut, Max gets more and more involved with the Teamsters. Noodles "quiet life" instead is shown at every occasion to not want to chase power, because he thinks this will split the crew. Eventually the police and mafia pressure becomes too much for the crew, and Max decides to fake his own death - comes back as a different person, takes Deborah as wife, gets knee-deep with the union mafia.
(the guy, the teamster they save, is none other than the protagonist of the film Hair, the hippie Berger)
From a cinematic perspective, the film is magnificent. The lighting, costume, sets, the recreation is amazing. The script does the opposite of trying to tell a story, but instead delights itself in showing every part of the bigger picture as a film in itself, giving everything its own importance. Now, while i have often said this is something you should NOT do, this is mostly because TV shows use this as filler; i don't care for Protagonist's Wife Yoga Class, but when the characters are charismatic, and they are relevant to the story - such as the prostitute Carol (the .. uh .. "other"? rape scene? find this really weird because to any human being who watches this scene, this character is ASKING to get raped, literally) who then eventually falls OUT of Max's arms to ask Noodles to turn in Max to save his life, shows her superficially being attracted to power, but eventually just wanting a normal life.
It's .. also 4 hours long. Or 3 hours long, because the not-sux edit is pretty much all there with the story, provided that you pay attention. It doesn't have a great central theme, the confidence in its own strength, that The Godfather (either) does.
.. i suspect that, somewhere out there on teh interwebz, there is a fanedit of this film that is better than any other "official" version.
I defo would recommend this film, but i am not sure which version, probably the 3 hour one. Margherita Pace's 2-second long butt scene isn't worth the additional hour of film, it took me over SIX hours to watch this because i had to take not one, but two breaks in between.
On an unrelated note, i will now have to watch all the filmography of Tuesday Weld, the actress who plays the rape-happy Carol.
My vote .. uh .. 8/10 or 8.5/10 but am leaning more towards 8/10, although with a good cut that gets to the fucking point,
8.5/10