Originally posted by: yllus
Gah. I need to improve my lightbox (add another lamp on) and start using RAW so pictures don't look so yellow.
Originally posted by: JMWarren
This is just for fun right? You don't actually use it in that configuration?
Isn't a filter that far from the lens going to create flare problems? Additionally won't debris on the filter begin to show at larger f/stops?
Originally posted by: alphatarget1
isn't that a f/1.8 lens?
Originally posted by: Mday
cant wait to play with my efs 17-55 IS USM ABCDEFGHIJKLMNOP
Originally posted by: fuzzybabybunny
Originally posted by: JMWarren
This is just for fun right? You don't actually use it in that configuration?
Isn't a filter that far from the lens going to create flare problems? Additionally won't debris on the filter begin to show at larger f/stops?
It's a brand new configuration, so I haven't had time to use it. But yes, I do plan to use it, but only when I have to, like when there's seaspray or blowing sand. The filter actually isn't that far away from the front lens thread, perhaps less than an inch away. As far as flare and stuff on the lens showing up, it's definitely a greater chance than just the naked lens, but it's probably not going to be that much of a threat.
The hoods make it look a lot bigger than it actually is.
Originally posted by: Mellman
sheehs...nice lens, i wasn't happy with my 50mm prime f/1.8 nikon lens, just wasn't shooting much at that range, got more use out of my 18-55mm kit lens. What do you typically shoot with your prime?
I DID just get a 80-200mm AF-S nikon though, and a Hoya 77mm CPL for itCan't wait to do some nice outdoor shots with it. I am having a tough time deciding what lens to pickup next though, i want to use the 50mm prime because its so cheap but I'm just afraid it wont get much use at all.
Originally posted by: JMWarren
Originally posted by: fuzzybabybunny
Originally posted by: JMWarren
This is just for fun right? You don't actually use it in that configuration?
Isn't a filter that far from the lens going to create flare problems? Additionally won't debris on the filter begin to show at larger f/stops?
It's a brand new configuration, so I haven't had time to use it. But yes, I do plan to use it, but only when I have to, like when there's seaspray or blowing sand. The filter actually isn't that far away from the front lens thread, perhaps less than an inch away. As far as flare and stuff on the lens showing up, it's definitely a greater chance than just the naked lens, but it's probably not going to be that much of a threat.
The hoods make it look a lot bigger than it actually is.
Ah, at less than an inch you'd have to be at very high f numbers to see any debris. I was thinking that filter was 2+ inches from the front element, which would have been more of an issue.
Originally posted by: pyonir
no chromatic abberation at all?
Nice set up.
Originally posted by: fuzzybabybunny
Originally posted by: pyonir
no chromatic abberation at all?
Nice set up.
Thanks!
None so far, but I haven't used it much.
Originally posted by: pyonir
Originally posted by: fuzzybabybunny
Originally posted by: pyonir
no chromatic abberation at all?
Nice set up.
Thanks!
None so far, but I haven't used it much.
Good to hear. I just recently picked up my first Alien Bee. a 800. Just one. all i could afford. LOL. I did a small shoot on Saturday with it and a reflector, and i'm pretty happy with the results. I'm looking forward to trying more things with it, and adding a second one down the road. No softbox though just a reversible umbrella (white/silver)
Understanding Exposure by Bryan PetersonOriginally posted by: RagingBITCH
Is there a good "primer" on lenses/DSLR's/photography in general you guys recommend? All these terms are "woosh"...over my head.![]()
Even better, Peterson goes into depth (while staying jargon-free) in the most crucial elements of photography: The tri-part balance of film speed (ISO), aperture (amount of light) and shutter speed. Highly, highly recommended.For serious amateur photographers who already shoot perfectly focused, accurately exposed images but want to be more creative with a camera, here?s the book to consult.
More than seventy techniques, both popular and less-familiar approaches, are covered in detail, including advanced exposure, bounced flash and candlelight, infrared, multiple images, soft-focus effects, unusual vantage points, zooming, and other carefully chosen ways to enhance photographs.
The A-Z format make sit easy for readers to find a specific technique, and each one is explained in jargon-free language. Top Tips for each technique help readers achieve superb results, even on the first attempt.