Alright, here we go
The Tree of Life - 8.5/10:
This was definitely nothing like anything I've seen before, it's truly a work of art. I was very cautious going in, and after pondering it for a while, I think I liked it. .....
....
:thumbsup:
I loved this movie. The GF and friend of ours that came with...not so much. I warned them to expect a "brooding, voice-over-driven meditation with little in the way of narrative and/or plot" before going in. Not knowing much about it, I just assumed this going off of what I know and love about Malick. needless to say, that didn't really work for them; esp it being a gorgeous Sunday afternoon at the time.
I'd give it an
9.5/10, and right up there with Thin Red Line as my favorite (but not quite, of course).
They asked me to explain it after we were leaving the theater...and my mind was blank. It's really hard to put into words, because he is so visual. ...and that's really what it is, I think. Malick is one of the very few pure filmmakers out there that truly understands the craft. more than any other filmmaker that I can remember, Malick relies on imagery to craft his story, or his narratives, whatever you want to call them. Film is visual medium, far more than anything, and in this age of loud, subwoofer-driven noise and insanity, I'm glad to see that he's still around to remind us why we watch film. Not for noise, not for 3D tomfoolery, but for quality imagery and craft.
More than his other films, Tree of Life felt very "Jungian" to me--snippets of images, memories, moments used to craft an emotion (think of the father and the son sauntering without direction down their neighborhood street during the summer, the father clasping the feet of the newborn, the boys tussling in the woods, random acts of malicious intent--
we all know what this is because we all grew up
human).
and to me, that is the central story in all of his films--his message never changes--from life, to death, we are all one, we all share the same pain, the same love, human or animal or plant--it is one giant circle.
My one criticism, and odd because it is probably the main intent of the film--is that the scenes with the dinosaurs and early earth felt a bit forced. Maybe just several minutes too long. I know what he was going with--"this has all happened before, and will continue to happen"--but it still felt a bit long for me.
I actually thought Pitt was more than just tough. His character confounded me for a while, because he was very much a loving father--but the prototypical 50s tough dad--he has no idea how to show it. He firmly believes in the roles that people are expected to play. The mother is to take care of the kids, the kids' role is to respect the father. The father's role is to provide, and to be respected by everyone. But even in his tough and sometimes brutal moments, there were times when he truly loved his boys. Though I think as he aged, he became more bitter and angry and the entire relationship changed.
There was a nice column in The New Yorker several weeks ago about the flame image that he uses for the opening and throughout. It is a piece from some famous light artist of the 50s-70s? I believe he took bended metal forms and added lights at weird angles to create these moving images. Tree of Life is the first time that any of his work has appeared on video--During his life, he refused to let it be recorded, as he felt that the effect was lost when not scene live. Malick received special permission from the estate to record this particular piece for the film.
This seems like Malick's most complete film. He takes the message that he has been presenting film after film, and presents in in a more focused and complete way. I would not be surprised if he retires after this.
By the way, I doubt I will see a better film this year, though I won't be able to recommend Tree of Life to most people. :\ In fact, I told someone this exact thing the other day.