Originally posted by: ed21x
either an augmented fourth or a diminished 5th, forgot the terminology. What an ugly interval 😛
Originally posted by: TechBoyJK
ugly interval yes. One that is not found in either the minor or major scale deriving from C
However, the same interval can be found in the major C scale, if you start from the seventh (one half step diminished from C) which provides a 7th and 4th harmony.
Originally posted by: Red Irish
Originally posted by: TechBoyJK
ugly interval yes. One that is not found in either the minor or major scale deriving from C
However, the same interval can be found in the major C scale, if you start from the seventh (one half step diminished from C) which provides a 7th and 4th harmony.
It's only "ugly" until it's resolved 😉
Originally posted by: TechBoyJK
Originally posted by: Red Irish
Originally posted by: TechBoyJK
ugly interval yes. One that is not found in either the minor or major scale deriving from C
However, the same interval can be found in the major C scale, if you start from the seventh (one half step diminished from C) which provides a 7th and 4th harmony.
It's only "ugly" until it's resolved 😉
well, yea, if it's used specifically to create tension, then the realignment of more pleasing harmony would create a nice sense of dissonance and relief.
It could also be used briefly as a passing tone, such as in a chromatic walk up or down the scale. Preferably played during a relatively fast series of notes so that the ugly tone isn't as evident.
Originally posted by: TechBoyJK
Originally posted by: Red Irish
Originally posted by: TechBoyJK
ugly interval yes. One that is not found in either the minor or major scale deriving from C
However, the same interval can be found in the major C scale, if you start from the seventh (one half step diminished from C) which provides a 7th and 4th harmony.
It's only "ugly" until it's resolved 😉
well, yea, if it's used specifically to create tension, then the realignment of more pleasing harmony would create a nice sense of dissonance and relief.
It could also be used briefly as a passing tone, such as in a chromatic walk up or down the scale. Preferably played during a relatively fast series of notes so that the ugly tone isn't as evident.