ImpulsE69
Lifer
- Jan 8, 2010
- 14,946
- 1,077
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I was thinking much the same thing. Since most theaters are going to digital, I don't think it would be hard to embed a code into the movie (that would transfer over to tape) similar to how data can be embedded into jpegs, etc. Find the leaked copies, and investigate to determine the origin. Since it's digital, it would be relatively effortless to do this. Though, with extra frames, it might be more difficult as that could (not sure how all the encoding works) unsynchronize the sound.
In fact, I'm surprised they don't already do this. I'd suspect that it's not a widespread problem - just a problem at a small handful of places. Determine the locations, and threaten that if they don't tighten their security, they won't be getting any more movies from any of the MPAA affiliated companies.
edit: this tab was open the last few hours while I sold a car. I see poofy already answered this.
Though, I find it amazing that the watermark that they put on the films CAN be discovered and removed by someone; seems that it should be able to be done in such a manner that it's impossible to detect.
Are you new to the digital era?
Movie studios are banking. Which is why it always makes me chuckle inside when they put out reports that they don't. There are reasons they have those "omg we lost millions" numbers and it isn't because of piracy. In many cases even if it made a bunch of profit (and we'll include music in this) they still show on paper that it was a loss or darn near. The real criminals ARE the movie makers and their accountant/lawyers. (of course not all of them). The accounting of rich people is all about legal wording and loopholes.
Oh and if companies want to continue to actually have people PAY for their movies, they should probably avoid insulting their consumers intelligence:
Weinstein has demanded that 20 minutes of footage be cut from the US release of Snowpiercer. The information comes from writer and festival programmer Tony Rayns, who spoke with Bong at the premiere of Snowpiercer in Seoul and learned about the impending cuts. Apparently the scenes that are to be removed are primarily ones that flesh out the characters’ backgrounds and development, and by getting rid of them, Snowpiercer will come across more as a pure action movie than a drama. The goal, said TWC when explaining the request to Bong, is to make sure his film “will be understood by audiences in Iowa… and Oklahoma.” Weinstein also asked for introductory and closing voice-overs to be added in.
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