thecoolnessrune
Diamond Member
- Jun 8, 2005
- 9,671
- 580
- 126
Based on the posts here I can easily conclude that most have no clue.
If you compare dirty old vinyl played on USB $112 player and $150 set of speakers it will lose to any digital MP3.
But, once set up properly with good table/stylus combo (Rega RP6), preamp/amp and decent speakers like even Dali Zensor or Regas / Martin Logans it will destroy flat digital sound.
Last, but not least the vinyl pressing is crucial as well. But that's beyond today's iListeners youth comprehension.
Based on your snobby demeanor and ridiculous claims I can easily conclude that you have no clue.
You're speaking 100% bullcrap. Not just any bullcrap, but scientifically disproven bullcrap.
Digital audio is 100% capable of matching not only our entire hearing range, but is able to *easily* sample audio at a rate that our ears can hear no difference. Thanks to the Nyquist Theorem, we know that at 48Khz, we are sampling at a rate that is 100% lossless to any audible analog waveform.
We also know that thanks to shaped dithering, that 16 bits is enough to cover our entire withstandable range of hearing, from the noise floor, to effectively 120dB. From hearing complete silence, all the way to instant hearing damage. Unless we develop bionic ears that can translate and send signals to our brain enabling better hearing than what we are equipped with, there will never be an improvement. 16bit/48Khz digital files losslessly capture the entire bandwidth and amplitude of human hearing.
We have the PCM waveform which guarantees that we always have this fidelity. And even better, we have fantastic lossless codecs such as FLAC (my personal favorite), ALAC, and others that ensure we are hearing an unadulterated waveform.
The best part? The files can do this over and over again. As long as the bits are unaltered, that file will always play the exact same way. No turntable adjustments, no stylus replacements, and more importantly, you don't have to buy ridiculously expensive gear to still have that same sub-par experience. Spending even $100 on a dead silent DAC gives you everything you need to go to your amp and speakers of your choice, (or heaphones as the preference may be), and you have a transport that is not only cheaper, but objectively better than your best analog transport.
That's not to say component selection doesn't matter. Noisy DACs are awful, and if you are listening to CDs, and you want accuracy, you must ensure that your CD transport is using the error correction built into CD's to ensure an original bitstream is being produced. A relatively small amount of money fixes the first problem, and the second problem is solved either with a great audio player or, my personal preference, using a good ripping program like EAC to make a file that I know is the original bitstream that is now saved in a lossless file to be perfectly replayed anytime I want.
The only people you're going to win over with that superiority crap are people who *want* to be swayed. Science has already proven all of the above. Now that's not to say you can't subjectively prefer Vinyl. I subjectively prefer Tube amplifiers because I love warm distortion they produce. But I know it is not objectively better. It is not true to the original waveform. It simply improves the sound in a way that I personally prefer.
It's odd that this "youth" comprehends this so much better than you do. :hmm:
Last edited:
