Adul
Elite Member
http://news.com.com/2009-1023-935557.html
With the May release of George Lucas' "Star Wars: Attack of the Clones," the spotlight is focused on the promise of digital cinema. But the digital transition in cinema has not been smooth. A new Booz-Allen & Hamilton study suggests full acceptance of digital by the film industry may remain a distant possibility unless key players can redefine how they share revenues and can find creative ways to finance the multibillion-dollar cost of the changeover.
It seems like the people with the most enthusiasm for digital cinema technology are those making movies with it. A half-dozen of the films shown at this year's Cannes Film Festival were shot at least partially using this new technology, which stores video and audio as digital data so it can be manipulated and transmitted electronically. The most prominent was "Clones," whose director seemed as intent on spreading the word about digital cinema as he was on hyping his movie. Still, although "Clones" was shot digitally from beginning to end, few moviegoers actually saw Lucas' film in its digital form. When it opened in the United States, only 60 screens out of 5,000 displayed it using digital projectors.
With the May release of George Lucas' "Star Wars: Attack of the Clones," the spotlight is focused on the promise of digital cinema. But the digital transition in cinema has not been smooth. A new Booz-Allen & Hamilton study suggests full acceptance of digital by the film industry may remain a distant possibility unless key players can redefine how they share revenues and can find creative ways to finance the multibillion-dollar cost of the changeover.
It seems like the people with the most enthusiasm for digital cinema technology are those making movies with it. A half-dozen of the films shown at this year's Cannes Film Festival were shot at least partially using this new technology, which stores video and audio as digital data so it can be manipulated and transmitted electronically. The most prominent was "Clones," whose director seemed as intent on spreading the word about digital cinema as he was on hyping his movie. Still, although "Clones" was shot digitally from beginning to end, few moviegoers actually saw Lucas' film in its digital form. When it opened in the United States, only 60 screens out of 5,000 displayed it using digital projectors.