Originally posted by: freedomsbeat212
I'm cutting a good 30 seconds and I'll remove some of the spinny cameras.. I just really like spinny cameras
I'm way too tired to think straight at the moment, but I liked the "spinny cameras"; I didn't like the blowing chunks, and the whites looked blown out in the beginning of the chessboard sequence.
I personally would have preferred to see more natural color and less black-and-white, but part of that is a prejudice developed from years of selling films to distribution companies who universally *hate* *hate* *hate* anything shot in black-and-white. I'd really need to know how good the use of light, color, and composition is in a natural-color shot because I'm interested in making movies that will produce positive returns on their investments.
What else I'd say would depend on your target audience; if it's someone looking to hire a DP for a non-documentary feature, they're going to be looking at smoothness of camera movement, good lighting and exposure, creative and interesting framing, and (at least for me) the use of the camera as an active participant in creating the emotional content of a scene rather than a passive observer. Anything that demonstrates the power of the camera to create or enhance a feeling is a great thing to show, and that's what I would remember (in a positive way) about a reel.
On the other hand, if it's for someone looking to tape sports footage, that's a whole different perspective.