_Rick_
Diamond Member
- Apr 20, 2012
- 3,981
- 74
- 91
Get the Tokina 11-16/2.8 or a used 300/4, depending on whether you can be bothered to lug the tele around. It's not huge - but much larger than what you currently have.
The wide angle really opens up another world. Not just in landscapes, where I'd go so far as to say it's almost too wide, and gives you just a bunch of sky, but in perspective.
You can stop it down to get an incredibly deep sharp field, which allows you to place close up subjects into an actual environment. You have to work a bit, to get the perspective distortion in your favor, but you can get shots that are more complex, than what tighter imaging angles do. Of course, it's also a bit of a gimmick, if used badly, but it's a fun lens to learn and to get to grips with. It's also good enough to be an only lens, on a walk around. Sure, you won't get any wild life, but it's awesome for capturing atmospheres.
The 300 on the other hand is the gateway to the real tele lenses. On DX it's a nice starter lens for birding even, especially on a high-res sensor. The extra F/stop over a 5.6 helps in low light, and is sharpness-wise probably comparable to a 70-300VR at F/8 when at F/4 - but I'm just estimating. That 70-300VR would be another alternative - if you can get it significantly cheaper than the 300/4. or can't live with the bulk.
A real third alternative would be a macro in 60-90 mm range, which works nice for flowers, reproduction work and such, while doubling as a reasonable portrait lens. F/2.8 might not look like a lot, but it sure beats F/4.5 when trying to blur the background.
The wide angle really opens up another world. Not just in landscapes, where I'd go so far as to say it's almost too wide, and gives you just a bunch of sky, but in perspective.
You can stop it down to get an incredibly deep sharp field, which allows you to place close up subjects into an actual environment. You have to work a bit, to get the perspective distortion in your favor, but you can get shots that are more complex, than what tighter imaging angles do. Of course, it's also a bit of a gimmick, if used badly, but it's a fun lens to learn and to get to grips with. It's also good enough to be an only lens, on a walk around. Sure, you won't get any wild life, but it's awesome for capturing atmospheres.
The 300 on the other hand is the gateway to the real tele lenses. On DX it's a nice starter lens for birding even, especially on a high-res sensor. The extra F/stop over a 5.6 helps in low light, and is sharpness-wise probably comparable to a 70-300VR at F/8 when at F/4 - but I'm just estimating. That 70-300VR would be another alternative - if you can get it significantly cheaper than the 300/4. or can't live with the bulk.
A real third alternative would be a macro in 60-90 mm range, which works nice for flowers, reproduction work and such, while doubling as a reasonable portrait lens. F/2.8 might not look like a lot, but it sure beats F/4.5 when trying to blur the background.