darkswordsman17
Lifer
- Mar 11, 2004
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Originally posted by: CKent
Steve Hoffman, a legend in the field of audio engineering, has said that the outer third of a vinyl recording can't be matched by digital (CD) audio, which is actually lossy (though for digital audio purposes it's considered lossless). I'd assume that this is because in a given amount of time, the needle on a record player covers a greater physical distance on the record during the outer third, which can therefore hold more information. He hosts a surprisingly busy audiophile forum with a lot of good information to be found, though the demographic there is older than AT and most of the music they enjoy is 60s-70s stuff, so YMMV. Not to say they aren't with the times; the horrendous quality of Metallica's Death Magnetic sparked such a long thread there it had to be closed and continued in a part 2 (whch itself is a megathread already).
While I agree with him conceptually, I think the vast majority of the problem with modern music stems not from the digital format, but the bad mixing & mastering which has become so prevalent in the past two decades. I've heard CDs which raise the hairs on my neck... AiC Unplugged (and for that matter, all the "Unlplugged" CDs have excellent sound quality, proving that even MTV can't do everything wrong)... Pink Floyd's The Wall MFSL remaster makes my fucking nipples hard, it's amazing... as are most MFSL (aka MoFi) remasters. DCC and other Steve Hoffman remasters sound great as well. The famous 'black triangle' pressing of Abbey Road is similarly impressive, though the actual recording could be better imo, probably due to the fact analog recording hadn't come into its own until a good 5-10 years later. On the other hand, I found the Black Triangle Dark Side of the Moon a bit sterile in comaparison to the lush MFSL version, though many people disagree.
FWIW, Monster Cables and Bose are jokes among the audiophile community. To say that "audiophiles" are silly for purchasing these subpar and overpriced products is misinformed, to say the least.
Anyway, sorry to necro this thread, though 2 months isn't really -that- bad, and I'd have felt silly starting a new one.
I completely agree about people's opinions of CDs, I think its swayed because the quality of recordings being put on them has gone down. I think vinyl versions, due to the low production numbers and being mostly bought by audiophiles for so long there, tend to be not screwed with as much. Seems that this has changed as vinyl rose in popularity again (being bought by "hipster doofuses"). CDs can sound plenty good, and as has been proven time and again, a good recording that has been mastered/mixed well will beat one that's been thoroughly molested even if its on an inferior medium.
A while back I posted some trial clips from a company that sells audiophile recordings. One of them was like a 32khz 56kbps WMA file and the quality of it was actually very good (although the higher bitrate/sampling rate versions did sound better).
There's be nothing wrong with digital either if we could get it in consistently good quality. With modern equipment we could feasibly have all the technical merit of digital audio with the smoothness and musicality of tubes, but unfortunately the music industry doesn't think we should be able to.
Something that bugs the crap out of me with a lot of newer music (I refer to it as indie although it really isn't, but it sounds like a lot of indie music for a while there) is that it lacks subtle details and nuance. There's nothing wrong with a good solid simple piece, but when thats all you do, it becomes boring. Granted most people don't notice because a lot of equipment can't resolve it all that well, but when I had W5000s it was like being slapped in the face going from something like Pink Floyd to that. It was like there was entire parts of the music missing. I'm not saying everyone should just start throwing in random little extra sound effects, but compare some older recordings that are just the band and instruments and there's still a lot of extra sound that just is much more appealing.
